Roger O Green

Songs I never get tired of

“Some days are diamonds, some days are rocks.”

O Brother Where Art Thou The songs I never get tired of is a very long list. Fortunately, I’m learning not to overthink this meme.

Taking It To the Streets – Doobie Brothers. The first Doobies hit I recall with Michael McDonald on lead vocal. It appears on the Cook Book Loss Leader, “focusing on Warners’ black acts.”

Man of Constant Sorrow – Soggy Bottom Boys, from O Brother Where Art Thou, my favorite soundtrack of a movie I have never seen.
My wife and I saw Alison Krauss and Union Station in 2003. Dan Tyminski told how much his wife loved watching her husband’s voice come out of George Clooney’s lips.

Sail On Sailor – Beach Boys. The most rocking BB song, from the 1972 Holland album.

Walls – Tom Petty and the Heartbreakers from the She’s The One soundtrack. “Some days are diamonds, some days are rocks.”

Something in 4/4 Time – Daryl Hall. The Sacred Songs album, produced by Robert Fripp, was recorded the summer of 1977 but not released until 1980. I’d love to hear some college a Capella group take a shot at this, especially the off-kilter bridge.

Barabajagal – Donovan (With The Jeff Beck Group). Love IS hot. In my early blogging days, put this on a mixed CD exchange with a couple songs by other former Yardbirds guitarists, Page (some Zeppelin track) and Clapton (surely a Cream song).

I Can’t Get Next to You – the Temptations. The second of four #1 pop singles by the group that is STILL touring. But it’s the first one with the shared lead vocal in the era produced by Norman Whitfield. This was after David Ruffin left the group and Dennis Edwards had joined.

Tempted -Squeeze. Beyond the Paul Carrack growl, I also love the Sly Stone/Temps shared vocals in the second verse.

Fame – David Bowie. Bowie, John Lennon – that’s enough. Not incidentally, I know of know version of a song designated with a year that I like better than the original. Thus this, NOT Fame 1990.

Lydster: climate change advocate

New York State legislators have agreed to include a single-use plastic bag ban, the second state, after California, to do so.

Climate Matters My daughter left for school on the Ides of March about 7:30 a.m.. At 7:53, she called me and said that she’d be taking part in a strike against climate change.

I had already known about the worldwide event. Students in more than 100 countries were to stay out of school to attend rallies to highlight the looming and very real danger to their futures.

I asked her about ruining her perfect attendance record at school. She said she didn’t care; this was more important. I said OK. Laissez-faire parenting, no doubt. Heck, I even brought her lunch at the state capitol, where there were about 100 students.

It’s good that kids around the world are “taking the lead on battling what they see as apathy among too many adults about climate change.” Or antipathy, it seems sometimes.

I was genuinely shocked that the US Environmental Protection Agency STILL has the statement, “The Earth’s climate is changing, and people’s activities are the main cause,” at its site. And it’s on a page geared toward children.

Subsequent to the worldwide rallies, someone asked me about the efficacy of the action. As a participant in numerous rallies for peace, civil rights, the environment and other causes, I said that a single person at a given event, maybe not much. But over time, it often inspires greater work in the process, such as bugging your local officials.

I’m sure it’s unrelated to the rallies – or IS it? – but New York State legislators have agreed to include a single-use plastic bag ban, the second state, after California, to do so.

With fewer options for the third R, recycling, there needs to be more emphasis on the first two, reduce and reuse.

My daughter said she felt energized to take more actions. I’m very proud that she’s making these decisions without prompting from her parents.

Book review: Love, Lucy by Lucille Ball

Ginger Rogers’ mother Lela became a stage mom to Lucy and many other aspiring actresses.

The book Love, Lucy by Lucille Ball I actually read last summer, on a transcontinental flight from Newark to San Diego. I meant to write about it then, but forgot. Now it’s nearly thirty years since Lucy died, so I guess it’s time.

If you don’t know, Lucy was the star of the most popular situation comedy in the US in the 1950s, I Love Lucy. She had successful programs in the 1960s as well, The Lucy Show/Here’s Lucy.

The existence of the book is a tale of its own. After Lucy died on April 26, 1989, her children, Lucie Arnaz and Desi Arnaz, Jr., were tasked with wading through artifacts. Lucie came across a 300-page manuscript written by her mother c. 1964.

Most people, including Lucy’s closest friends, didn’t know about the existence of this work at all. Perhaps she didn’t want to share it because her portrayals would hurt her then-ex-husband Desi Arnaz. But he had died in 1986, so the book was published in 1996 and became a best-seller.

The details were astonishingly precise, starting with her birth on August 6, 1911, in her grandparents’ apartment in Jamestown, NY, in the southwest corner of the state. She had many challenges growing up, including her father dying at age 28 when she was not quite four.

She was raised by an extended family, including her beloved grandfather, who everyone called Daddy. Later, there was an what she thought was a legal injustice borne by Daddy which affected Lucy’s viewpoint throughout his life.

Lucy took almost any job in New York City: showgirl, extra in Broadway and road shows, modeling coats and dresses, posing for illustrators. It was as a “Chesterfield (cigarette) girl” that first got her to Hollywood.

Ginger Rogers’ mother Lela became a stage mom to Lucy and many other aspiring actresses. “Lela was the first person to see me as a clown with glamour.”

Many more tales were shared before she met this Cuban musician and band leader named Desi. They fell hard for each other, and married rather quickly after they met.

Keeping their marriage together, though, was challenging, as they were both on the road separately a lot. I Love Lucy, in part, was born from addressing that need.

If Lucille Ball, or her TV roles are interesting to you, or if you’re just trying how one young woman worked hard to make it in show biz, I highly recommend Love, Lucy.

Ken Levine: The History of Sitcoms podcast.

What’s My Line? game show (1954), Lucille Ball as mystery guest.

Leonardo di ser Piero da Vinci, or just Leonardo

The Last Supper was redone by such diverse artists as Salvador Dalí and Andy Warhol.

LONG before Cher, Madonna or Beyonce, Leonardo di ser Piero da Vinci (15 April 1452 – 2 May 1519) was simply the single-named Leonardo. He was “an Italian polymath of the Renaissance whose areas of interest included invention, painting, sculpting, architecture.”

His art is STILL in the news. From the 31 March 2019 New York Times: “It’s the most expensive painting ever auctioned. Now there’s no sign of it… Since a Saudi royal, most likely the crown prince, paid $450 million for ‘Salvator Mundi,’ it has vanished from view.”

People throw around the term “Renaissance man” to describe someone who is interested in many topics. Leonardo is the OG of the term, and during the period, no less. “He was a painter, architect, inventor, and student of all things scientific.”

Leonardo was “a man whose seemingly infinite curiosity was equalled only by his powers of invention. He is widely considered to be one of the greatest painters of all time and perhaps the most diversely talented person ever to have lived.”

You can read about the guy born in Anchiano, Tuscany from History.com or the Museum of Science or Britannica or a slew of other places.

Still, he’s best known for two works: the Last Supper (1495–98) and Mona Lisa (c. 1503–19). You can tell the impact of a cultural icon by the sheer number of parodies and remakes.

The Last Supper was redone by such diverse artists as Salvador Dalí and Andy Warhol. “Sculptor Marisol Escobar rendered [it] as a life-sized, three-dimensional, sculptural assemblage using painted and drawn wood, plywood, brownstone, plaster, and aluminum. This work, Self-Portrait Looking at The Last Supper, (1982–84) is in New York’s Metropolitan Museum of Art.”

The Mona Lisa has been described as “the best known, the most visited, the most written about, the most sung about, the most parodied work of art in the world.” Dalí and Warhol are among the many caricaturists.

As we approach the 500th anniversary of his death, I invite you to rediscover Leonardo.

Pop Hits 1940-1954, #1 on the charts

This song was in my father’s folk repertoire. Sometimes he’d sing it in my classroom, causing idle speculation that I had a crush on a girl in class.

Tennessee Waltz Joel Whitburn has compiled several books about the variety of pop hits from the Billboard charts plus other sources, and even before magazine was published. (He has a Pop Memories book going back to 1890!)

But the results are a tad confusing, because there were actually THREE different charts: Best Sellers (BS from 1940), Juke Box charts (JB from 1944) and Disc Jockey charts (DJ from 1945).

So I thought I’d pick out songs that charted at #1 ten weeks or more, or if there were none for that particular year, the songs that charted most often.

1940/2/10 In the Mood -Glenn Miller and His Orchestra – 13 weeks (including a week in 1939)

1941/3/29 Amapola (Pretty Little Poppy) – Jimmy Dorsey and His Orchestra; Bob Eberly & Helen O’Connell, vocal – 10 weeks.

1942/10/31 White Christmas – Bing Crosby with the Ken Darby Singers, orchestra conducted by John Scott Trotter- 11 weeks; it also went to #1 DJ in 1945. A new version, with same backing, hit #1 for two weeks DJ in 1946. One of the biggest singles of all time.

1943/3/6 I’ve Heard That Song Before – Harry James and His Orchestra, Helen Forrest, vocal- 13 weeks.

1943/11/6 Paper Doll – Mills Brothers – 12 weeks. I loved those guys.

1944/1/15 Shoo-Shoo Baby – Andrews Sisters – 9 weeks JB,

1944/8/5 Swinging On A Star – Bing Crosby, with The Williams Brothers Quartet, orchestra conducted by John Scott Trotter – 9 weeks BS; 8 weeks JB.

1945/2/10 Rum And Coca-Cola – The Andrews Sisters, orchestra conducted by Vic Schoen- 10 weeks JB; 8 weeks BS.

1945/9/15 Till The End Of Time – Perry Como, orchestra conducted by Russell Case -10 weeks JB; 8 weeks BS. This is based on Chopin’s Polonaise.

1946/3/16 Oh! What It Seemed To Be – Frankie Carle & his Orchestra, vocal by Marjorie Hughes – 11 weeks JB; 6 weeks BS. This track competed with a version by Frank Sinatra, orchestra conducted by Axel Stordahl, which was #1 for ONLY 8 weeks DJ.

1946/5/25 The Gypsy – Ink Spots – 13 weeks JB; 10 weeks BS; 2 weeks JB.

1947/8/30 Near You – Francis Craig & his Orchestra, vocal by Bob Lamm – 17 weeks DJ; 13 weeks JB; 12 weeks BS.

1948/11/6 Buttons And Bows – Dinah Shore and her Happy Valley Boys – 10 weeks BS; 9 weeks JB; 5 weeks DJ.

1949/5/14 Riders In The Sky (A Cowboy Legend) -Vaughn Monroe & his Orchestra, vocal by Vaughn Monroe and the Quartet – 12 weeks DJ; 11 weeks BS; 10 weeks JB.

1950/3/25 If I Knew You Were Comin’ I’d’ve Baked A Cake – Eileen Barton with the New Yorkers – 10 weeks DJ; 3 weeks JB; 2 weeks BS. Occasionally, my mother would sing this chorus.

1950/4/29 The Third Man Theme – Anton Karas – 11 weeks BS.

1950/5/6 The Third Man Theme – Guy Lombardo and his Royal Canadians, guitar solo by Don Rodney – 11 weeks JB.

1950/8/13 Goodnight Irene – Gordon Jenkins & his Orchestra and The Weavers – 13 weeks BS; 12 weeks JB; 8 weeks JB. This song was in my father’s folk repertoire. Sometimes he’d sing it in my classroom, causing idle speculation that I had a crush on a girl in class.

1950/12/16 Tennessee Waltz -Patti Page, orchestra conducted by Jack Rael – 13 weeks JB; 9 weeks BS; 8 weeks DJ.

1951/9/8 Because Of You – Tony Bennett, orchestra conducted by Percy Faith – 10 weeks JB; 8 weeks BS; 8 weeks DJ. His voice has changed a LOT over the years.

1951/12/29 Cry – Johnnie Ray, with The Four Lads – 11 weeks BS; 10 weeks DJ; 9 weeks JB. I only really know Johnnie Ray from references in other songs.

1952/3/15 Wheel Of Fortune – Kay Starr, orchestra conducted by Harold Mooney – 10 weeks JB; 9 weeks BS; 9 weeks DJ.

1952/9/13 You Belong To Me – Jo Stafford, orchestra conducted by Paul Weston – 12 weeks DJ; 5 weeks BS; 2 weeks JB. I remember this song surprisingly well.

1952/9/27 I Went To Your Wedding – Patti Page, orchestra conducted by Jack Rael – 10 weeks JB; 5 weeks BS; 2 weeks JB.

1953/5/16 The Song From Moulin Rouge (Where Is Your Heart) – Percy Faith & his Orchestra, featuring Felicia Sanders – 10 weeks BS; 9 weeks DJ; 6 weeks JB.

1953/8/8 Vaya Con Dios (May God Be With You) – Les Paul and Mary Ford – 11 weeks BS; 9 weeks JB; 3 weeks DJ.

1954/6/5 Little Things Mean A Lot – Kitty Kallen, orchestra conducted by Jack Pleis – 9 weeks BS; 8 weeks DJ; 7 weeks JB.

1954/8/7 Sh-Boom – The Crew-Cuts, orchestra conducted by David Carroll – 9 weeks DJ; 8 weeks JB; 7 weeks 7 weeks. The pop hits of rock and roll era are on the horizon.

For ABC Wednesday