Author: Roger

You probably think you know the story of Marvin Gaye’s standout album, What’s Going On, how the Artist recognized what’s REALLY happening in the world and puts out a album designed to stick it to the Suits at the record company. The actual story was a bit more prosaic.

In fact, the title song began with a wisp of of an idea by Obie Benson, the bass singer of the Four Tops, who thought that maybe he had another song like the Coke commercial, “I’d Like to Teach the World to Sing.” He and Motown songwriter Al Cleveland thought it might fit Marvin, but he wasn’t impressed. They pushed, and Marvin gave it some tweaks, thinking he might produce it for the Originals.

In July 1970, he came into the studio, had some football buddies for the party noise, captured sax player Eli Fontaine warming up, and basically fell into a sound. He managed to slip it out as a single in January 1971, while Motown owner/brother-in-law Berry Gordy was out on the West Coast. Gordy thought two things: 1) he hated the song, and 2) wondered where’s followup album was after it became a hit.

The What’s Going On album was recorded in March and released in May, with a second mix by Gaye that defined not only the LP, but changed the expectation of listeners regarding what was expected from a Motown album. I played it a lot in college; Inner City Blues especially STILL seems relevant.

Another Motown artist was giving Berry Gordy headaches. Stevie Wonder was married, living in NYC with new wife Syretta, and about to turn 21. His lawyers sent a letter to Gordy disavowing his Motown contract.

Meanwhile, Stevie discovered The Original New Timbral Orchestra, or TONTO, keyboard system. Wonder had lost interest in his new album, Where I’m Coming From, which was actually the first Stevie album I ever bought, as his own sound was developing.

His next album, Music of My Mind, made in 1971 and released the next year, was more representative of the groove he was going for. The FOUR albums after THAT, all dominant on my turntable in the 1970s won FOUR Grammy albums of the Year awards in five years.

Sly Stone’s album was two years late, and he became “the least reliable superstar in the history of popular music.” The eventual downbeat, indecipherable There’s A Riot Goin’ On, released in November 1971, was a contact high of an album. One did not have to BE stoned to FEEL stoned listening to it.

Was Shaft blaxploitation or black empowerment? It was a movie by noted black photographer Gordon Parks, with Richard Roundtree as the handsome black detective, whose looks drove the lyrics written by STAX artist Isaac Hayes. The “shut your mouth” was delivered by Telma Hopkins, whose hit with Dawn, “Knock Three Times”, came out earlier that year. My sister Leslie owned this double LP, which he had to get partially replaced because the package had two of the same LPs.

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