Posts Tagged ‘Stevie Wonder’

As I have mentioned, the Daughter is really into the music of Weird Al Yankovic. She asks me questions about who did the originals of his parody songs. I’m pretty good with the pop/rock stuff, not so hot with the rap sourced items.

One exception is Amish Paradise, one of our favorite Weird Al songs, which I know came from the Coolio song Gangsta’s Paradise, featuring singer L.V. But truth is that I am only aware of that because it’s a reworking of Pastime Paradise, a song on the first side of the epic, Grammy-winning 1976 LP Songs in the Key of Life by Stevie Wonder.

A couple days later, the Daughter asked if Al gets permission to use other people’s songs, and I said that he did. But by this point, she knew of the Coolio/Weird Al feud. “Coolio claimed that he did not give permission for the parody… Yankovic claimed that he had been told Coolio had given the go-ahead through his record label and apologized.” Coolio too has since apologized for allowing his ego to get in the way.

For a while, the Daughter would play the three songs back-to-back. But eventually, she really glommed to the Stevie original, playing it a few times every day. I think it is the rhyme:

Dissipation
Race relations
Consolation
Segregation
Dispensation
Isolation
Exploitation
Mutilation
Mutations
Miscreation
Confirmation, to the evils of the world

Proclamation
Of race relations
Consolation
Integration
Verification
Of revelations
Acclamation
World salvation
Vibrations
Stimulation
Confirmation, to the peace of the world

I always liked it, but her affection for the song has enhanced my enjoyment of it.

Listen to:

Pastime Paradise – Stevie Wonder (1976) here or here
Pastime Paradise – Ray Barretto (1981) here or here
Gangsta’s Paradise – Coolio, featuring L.V., #1 for three weeks on the Billboard pop charts (1995) here or here
Amish Paradise -Weird Al Yankovic, #53 (1996) here or here
Pastime Paradise – Patti Smith (2007) here or here

More random music recollections based on the book Never A Dull Moment.

You probably think you know the story of Marvin Gaye’s standout album, What’s Going On, how the Artist recognized what’s REALLY happening in the world and puts out a album designed to stick it to the Suits at the record company. The actual story was a bit more prosaic.

In fact, the title song began with a wisp of of an idea by Obie Benson, the bass singer of the Four Tops, who thought that maybe he had another song like the Coke commercial, “I’d Like to Teach the World to Sing.” He and Motown songwriter Al Cleveland thought it might fit Marvin, but he wasn’t impressed. They pushed, and Marvin gave it some tweaks, thinking he might produce it for the Originals.

In July 1970, he came into the studio, had some football buddies for the party noise, captured sax player Eli Fontaine warming up, and basically fell into a sound. He managed to slip it out as a single in January 1971, while Motown owner/brother-in-law Berry Gordy was out on the West Coast. Gordy thought two things: 1) he hated the song, and 2) wondered where’s followup album was after it became a hit.

The What’s Going On album was recorded in March and released in May, with a second mix by Gaye that defined not only the LP, but changed the expectation of listeners regarding what was expected from a Motown album. I played it a lot in college; Inner City Blues especially STILL seems relevant.

Another Motown artist was giving Berry Gordy headaches. Stevie Wonder was married, living in NYC with new wife Syretta, and about to turn 21. His lawyers sent a letter to Gordy disavowing his Motown contract.

Meanwhile, Stevie discovered The Original New Timbral Orchestra, or TONTO, keyboard system. Wonder had lost interest in his new album, Where I’m Coming From, which was actually the first Stevie album I ever bought, as his own sound was developing.

His next album, Music of My Mind, made in 1971 and released the next year, was more representative of the groove he was going for. The FOUR albums after THAT, all dominant on my turntable in the 1970s won FOUR Grammy albums of the Year awards in five years.

Sly Stone’s album was two years late, and he became “the least reliable superstar in the history of popular music.” The eventual downbeat, indecipherable There’s A Riot Goin’ On, released in November 1971, was a contact high of an album. One did not have to BE stoned to FEEL stoned listening to it.

Was Shaft blaxploitation or black empowerment? It was a movie by noted black photographer Gordon Parks, with Richard Roundtree as the handsome black detective, whose looks drove the lyrics written by STAX artist Isaac Hayes. The “shut your mouth” was delivered by Telma Hopkins, whose hit with Dawn, “Knock Three Times”, came out earlier that year. My sister Leslie owned this double LP, which he had to get partially replaced because the package had two of the same LPs.

Listen To

What’s Going On – Marvin Gaye
Inner City Blues – Marvin Gaye
The Revolution Will Not Be Televised – Gil Scott-Heron
Family Affair – Sly & the Family Stone
I Can’t Get Next to You – Al Green
Toussaint L’Ouverture- Santana

Stolen: We are all France. We are all Belgium. We are never Ivory Coast or Burkina Faso or Tunisia or Mali.

10 Safest Countries If WW3 Breaks Out
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From Scapegoating to Solidarity: 2016 Is the Year to Turn the Immigration Debate Around.

Weekly Sift: My racial blind spots.
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25mphPicture per HERE.

How Republicans Trumped Themselves. Still, I’m NOT convinced that FriendsWhoLikeTrump.com reflects true Trump supporters on Facebook.

How people respond to Bible quotes when told they’re from the Quran.

The Deadliest Mass Shooting Everyone Forgot.

Ikea’s Newly Designed Refugee Shelters.

Why Poor People Stay Poor. Saving money costs money. Period.

UN Fighting to make LGBT people Free & Equal.
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John Oliver: Helen Mirren Reads the Most Horrible Parts of the Torture Report and What the Internet Does to Women.

The Internet Age of Mean.

11 Ways White America Avoids Taking Responsibility for its Racism. “The pernicious impact of ‘white fragility.'” Slurs: Who Can Say Them, When, and Why. And Churches Are Burning Again in America.

President Obama’s extraordinary eulogy in Charleston, SC.

A black man and a white woman switch mics, and show us a thing or two about privilege.
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