April rambling: Silent Scream

It is brutal, damaging and untrue

Condolences to Dustbury on the loss of his brother James, his last sibling

Thousands of internal documents that help explain how the Islamic State stayed in power so long

The root of all cruelty?

Travel is fatal to prejudice

Why does the Right hate victims?

50 years after the Wahine Disaster (New Zealand)

Corruption, Not Russia, Is His Greatest Political Liability

His long-term effect on American democracy: How worried should we be?

The Crime-Fraud Exception in the Michael Cohen Case

What Will Our Society Look Like When Artificial Intelligence is Everywhere?

Ten Things That Have Zero Effect on What the Truth Is

Daniel Van Riper’s Albany Weblog: They Want To Fill In The Ravine In Lincoln Park

The Real Story of the Hawaiian Missile Crisis

The REAL Consumer Price Index?

Congress, Not Amazon, Messed Up the Post Office

the beautiful human gumbo

THE PSYCHOLOGY OF COLOUR

Steven Bochco, RIP; a retrospective – I loved many of these shows

Remembering Winnie Mandela

Living the beam onstage with William Shatner

Lin-Manuel Miranda and Oprah’s Full Chat from SUPER SOUL SUNDAY

From the nifty historical fiction Silent Scream #1
Kickstarter: THE TRUST BOOK ONE: SILENT SCREAM ISSUE 2 – Dennis Webster, Bill Anderson, Gabriel Rearte and Laurie E. Smith

Mark Waid tells a new Captain America story with original artwork from Jack Kirby!

Top 37 Parks To Visit Before You Die

After 40 years, Wendy and Richard Pini finish ‘Elfquest,’ the ‘first American manga,’ and go on fanquest

SNL: Black Jeopardy with Chadwick Boseman

Seth Meyers’ great “desk story”

A Weird and Beautiful Sports Story

150th anniversary of Little Women

vlogbrothers: On Punctuality (John) v. How to Stop Being Late Forever (Hank)

Now I Know: How Overdue Parking Tickets Took Over an Innocent Person’s Life and The Therapeutic Value of a Not-Quite-Flying Pig and The Race to Determine the Fastest Man Alive and Why You Can’t Steal First Base and Why You Shouldn’t Eat Those “Do Not Eat” Packets and The Elevator Light That’s a Total Gas

How he is transforming himself into the greatest president ever

MUSIC

Found Tonight – Lin-Manuel Miranda and Ben Platt

Listen to the Music – Playing for Change

Catch Me If You Can -John Williams score

She’s A Rockin’ Machine – Archie and the Bunkers

Coverville 1212: Cover Stories for Jimmy Cliff and Pharrell Williams

Oriental Rhapsody – Alexander Glazunov

Stephen Hawking Picks the Music (and One Novel) He’d Spend Eternity With: Stream the Playlist Online

‘The Weakness in Me’: Notes on Joan Armatrading

Can’t Take My Eyes Off You – Sonny Vande Putte

Never tell someone they can’t sing – it is brutal, damaging and untrue

September rambling #2: R.I.P. Herschell Gordon Lewis

Why Marvel movie music is so forgettable

libraries-because

Climate change illo is so perfect, it’s undeniable

Dying to be me! Anita Moorjani at TEDx BayArea

It’s Time To Call Out ‘Nice Racists’ And Their White Fragility

Self Care For People of Color After Psychological Trauma

No touching. No human contact. The hidden toll on jail inmates who spend months or years alone in a 7×9 foot cell

The Smithsonian’s African American museum – a monument to respectability politics; hmm, I am a charter member

Forehead Tittaes / Marion Cotillard and Pinksourcing With Kristen Bell

Homeless, Looking for Work

Childhood lost: Schooling a workforce and Naviance not so transparent- and cooking up data starting in kindergarten?

Now I Know: Charles Bernard’s Unexpected Vacation and Avast, Ye Groceries! and The Secret, Broken Language of Fire Hydrants and The Dangerous-Sounding Threat of DHMO and A Fishy Story

Is Inbreeding Really That Bad?

It occurs to me that I ALWAYS knew who Arnold Palmer was. From watching him and his army of fans on TV in my grandfather’s apartment, just upstairs from mine, to the epic golf battles between him and Jack Nicklaus, to an iced tea with lemonade drink named for him, to ads for prescription drugs. Arnold Palmer was 87. Here’s Olin and Palmer Team Remembered in Silver; Spencer Olin is a distant cousin of my wife’s

R.I.P. Herschell Gordon Lewis, the “Godfather of Gore”, Has Passed Away at 87; Our business library had a business book of his, called Big Profits from Small Budget Advertising, from 1992, and when we deaccessioned the tome, I scooped it up. So it’s now in the same office at home as my copy of FantaCo Enterprises’ The Amazing Herschell Gordon Lewis and His World of Exploitation Films, autographed by HGL “to my friend Roger,” also signed by coauthors Daniel Krogh and John McCarty at FantaCon 1983

The Miami Marlins’ Jose Fernandez, one of Major League Baseball’s top pitchers, was killed in a boating accident; he was 24 and had a great backstory

Bill Nunn, Who Played Radio Raheem in ‘Do the Right Thing,’ Dies at 63, which is my age; Love – Hate: Do the Right Thing

Edward Albee, three-time Pulitzer-winning playwright and ‘Who’s Afraid of Virginia Woolf?’ author, dies at 88

The three “tireds”
Friday

‘Rock star’ Baltimore librarian makes history at Library of Congress

See Amazing Images of American Sikhs

5 Rules for Hosting a Crappy Dinner Party (and Seeing Your Friends More Often)

There’s a movement afoot to name an intersection in Los Angeles for the late Forrest J Ackerman

Tom Hanks Has Made a Fortune Bringing Your Travel Nightmares to Life

Vin Scully is a voice for the ages and The national pastime continues to endure and Ken Levine’s tribute; we’re talkin’ baseball.

History of the Volkswagen and especially its groundbreaking advertising

48 Hour Film Project 2016 – SUPr, featuring Rebecca Jade (niece #1)

THE TRUST BOOK ONE: SILENT SCREAM Kickstarter. Goal met, stretch goal sought. Dennis Webster, Bill Anderson, Gabriel Rearte and Laurie E. Smith bring you the Roaring Twenties like you’ve never seen them before

Essay on lettering in comic books

Dominoes, and I don’t mean the bad pizza

Music!

Jolene by Dolly Parton and PTX

Gilbert, Sullivan, Spinners

The surprising reason music for Marvel movies is so forgettable; the tyranny of the temp track

Memorable tracks that never got above #58 on the Billboard charts

Fred Armisen & Bill Hader’s Test Pattern Parody Talking Heads On Seth Meyers

Stanley Dural a/k/a Buckwheat Zydeco died at the age of 68. Here’s Beast of Burden.

Alan Vega, artist and punk musician – obituary (HT to Shooting Parrots)

John Caldwell

John Caldwell was also known locally for that great cover he did for the Blotto album Combo Akimbo.

mugshotsI have no idea how Tom Skulan, owner of a comic book store in Albany called FantaCo, where I worked for several years, got John Caldwell to allow us to publish one of his books. Mug Shots: A splendid collection of cartoons by John Caldwell came out in September 1980, just in time for the second FantaCon convention. The book was a 64-page trade paperback, with a wraparound cover by Caldwell.

I was surprised because I knew John’s work, if not his name, from the magazine NATIONAL LAMPOON, from which some of the strips had previously appeared, along with the SATURDAY REVIEW. Yet John was willing to let a publisher with a minimal record put out his book.

I should note that the sales were not terribly robust, but only because it didn’t appeal to the superhero-driven comic distributors we were dealing with. My personal copy is nearby the computer in our home office.

And John Caldwell not only showed up at FantaCon that year, and a few other events, he was a witty, pleasant, not at all arrogant guy. My friend Bill Anderson wrote: “I’m immeasurably saddened to learn of the death of the wonderfully funny and friendly John Caldwell. Meeting, and getting to spend time with, John was a highlight of the early FantaCons for me. Here [below, is one of] two drawings I own by John: a huge sign that he drew for his table at FantaCon (which I literally yanked from his hands as he attempted to throw it away after the convention).”

FantaCo.Calwell

He was also known locally for that great cover he did for the Blotto album Combo Akimbo. One of the Blotto folks, Sarge remembers John.

On Facebook, MAD magazine expressed its profound sadness as well at the “passing of longtime MAD writer/artist John ‘Hammerhead’ Caldwell:
“John became one of ‘The Usual Gang of Idiots’ in October 1978, MAD #202. Over the years he contributed hundreds of pages to the magazine. He received the enduring nickname ‘Hammerhead’ after mailing a piece of his original cover artwork to the MAD offices wrapped between two flimsy pieces of cheap cardboard, the kind you would expect to get when buying a dress shirt at the Dollar Store. The artwork was almost destroyed in the mail.”

The last time I saw John was an unexpected meeting at the Albany Institute of History and Art a few years back. He remembered the guy who shipped out those Mug Shots for FantaCo. One fan wrote: “I have a whole case [of Mug Shots] buried away.” We both thought that John Caldwell, with his off-center sense of humor, would have appreciated the joke.

The Tom Skulan FantaCon interview

The very first FantaCo t-shirt also featured this rat in a spacesuit on a light blue shirt. Raoul was the one who named the character Ed after we both got tired of constantly calling him “the rat in the spacesuit”. From Ed, Raoul then blended him with a 1950’s children’s show personality and began calling him Smilin’ Ed. He then lost the spacesuit and started his own adventures.

FantaCon, once an Albany tradition for fans of comic books, fantasy, and in its later incarnations, horror films, is returning after a brief, two-decade hiatus. FantaCon 2013, operated by its original creator, Tom Skulan, will be held Saturday, September 14 and Sunday, September 15 at the Marriott Hotel on Wolf Road in Albany. Ticket for the related Three Nights of Horror at the Palace Theatre on September 11-13 in Albany, will be available from the Palace Theatre box office, starting on February 13.

FantaCo, the store/mail-order company Tom started, operated from 1978 through 1998 at 21 Central Avenue, Albany, NY. I worked there from May 1980 to November 1988, worked at the first five FantaCons, and attended the sixth.

Incidentally, Skulan is pronounced like the third word in Led Zeppelin’s Whole Lotta Love.
***
Tom, when you owned FantaCo, you ran seven FantaCons, in 1979, 1980, 1981, 1983, 1988, 1989, and 1990. But you had a store, and often, publications to use in cross-promotions. You have a FantaCon planned for September of 2013, after a twenty-year hiatus. Why FantaCon, why now?

There are three reasons that come to mind. First, I have always wanted to do another FantaCon when I wasn’t preoccupied with the store, the publishing, and the mail order. I have always wanted to see what that would be like!
Second, time is creeping up on me and these old bones have only so much time left where I can handle the demands of the show. And finally I like the numbers of doing the show the weekend of Friday the 13th in 2013.

What is the theme of the upcoming convention? What guests have you lined up so far?

The theme for this show is to try and recreate all the FantaCons all at once. Some shows were strongly comic-oriented and some shows were strongly horror-oriented. This show will be both at once. I want to create a party atmosphere for all the original attendees AND the new attendees too.

The guest line up confirmed at this time is Steve Bissette, Ari Lehman, John Russo, George Kosana, Russ Streiner, Judy O’Dea, Judith Ridley, Geri Reischl, Belinda Balaski, Kyra Schon, A. Michael Baldwin, Kevin Eastman, Richard Brooker, Michael T. Gilbert, Jason Moore, Jarod Balog, Dennis Daniel, Bob Michelucci, Mark Martin, Bill Anderson, Jim Whiting, John Hebert, Herb Trimpe, Dustin Warburton, Jeff Lieberman, Fred Hembeck and a few other surprises to be announced. You can read all about each guest at our website at www.fantacon.com.

Let’s go way back in time, to the mid-1970s. When I first met you, you were working at a comic book store in New Paltz, NY, halfway between New York City and Albany. Tell me about the Crystal Cave and its owner, Peter Maresca.

The Crystal Cave started as a little shop in a second-floor walk up on Main Street in New Paltz. It was run by Peter and his then-wife Rita. It was one of the first 100 comic book stores in the US. Peter was definitely a fan more than a business person whereas Rita was a business person more than a fan. The combination worked for a while. I hightailed it to that little shop the moment I saw a flyer for it hanging in the Ariel Bookstore. I preceded to visit it every time I got out of a class. I devoured the newest issues of TBG and started advertising myself. Eventually, I hounded Peter into giving me a job. The Crystal Cave then moved across the street to a ground-level storefront where it established itself. A couple of years later it moved to a much larger location off the beaten path. My years spent working at the Crystal Cave during the development of the comic market are fond memories for me.

You were going to school at the State University College at New Paltz to be a teacher. How long did you teach, and how did you like it?

After doing my student teaching in Carmel, NY I was asked to stay on and fill in for a teacher on maternity leave. I taught junior high school in the morning sessions and high school in the afternoon. I taught for one full school year.
I met David Greenwood and Gerry Michalak who would become friends. I enjoy teaching. I DIDN’T enjoy the administrative aspects of it, though, and that spun me around to doing my own thing.

A couple of years later, I would run into you selling comic books at small shows. Then on August 28, 1978, which you insist was NOT keyed to Jack Kirby’s birthday, you opened FantaCo. What did the name mean to you, and why in Albany?

Oh, what a search it was to find a location for the store!! I started in Danbury CT, which was near Carmel, and looked at all kinds of storefronts in all kinds of locations. I then moved up and through NY state and ended up with three possible locations in and around Albany. 21 Central was the last location I looked at and it was the 55th time I had inspected a storefront. The large front window sold me as did the location.

The name means either the Fantasy Company or the Fantastic Company. I used both interchangeably when I was thinking it up.

In 1979, you held the first FantaCon at the Empire State Plaza, called FantaCon ’80 to confuse future historians. What are your recollections of that first convention?

It was a whirlwind!!! From conception to the actual show was only a few months!! I do remember drinking obscene amounts of coffee, staying awake for days on end, and ultimately stumbling into the Convention Center on a bright August morning and labeling the tables. The lift started bringing up dealers and then the show was on! I remember that everyone we had brought in was a trooper and did a great job. By the way, you can thank Kevin Cahill [now a New York State Assemblyman] for calling the first show FantaCon ’80. HE convinced me that it would make the show sound futuristic!!

The cover of that first FantaCon program was drawn by the late Raoul Vezina. Raoul was, in many ways, the face of the Crystal Cave, and in the early days, the face of FantaCo. What was it about Raoul that made him suitable to be the guy everyone saw in the front of the store?

Raoul was a super popular artist and musician in New Paltz. And as soon as he did the window mural for the Crystal Cave he became known for that as well. Everyone liked Raoul!
So considering that I had worked with him for years at the Crystal Cave it was logical for me to ask him to come to Albany and help me with the new store. The earliest days of FantaCo very much mirrored the Crystal Cave in that Raoul did our first window and he was the frontman for the store. I took care of the finances and ran the mail order which carried over from my own mail-order business. Most people thought that Raoul owned the store.

Who was the original Smilin’ Ed, and how did the rat become the emblem for FantaCo?

Fortunately, the absolute original first Smilin’ Ed character exists in about 50,000 copies of the 1979 Overstreet Price Guide as a full-page ad announcing the new store. Anyone can pull out a copy and see the original character.
The way it went was this: I had reserved a full-page ad in Overstreet timed to come out just after the store opened. I had laid out the page and written the copy I wanted it to say but I had no central comic character so I asked Raoul if he could draw a rat in a spacesuit. I figured that was different enough from all the other characters. So Ed began as an advertising character. The very first FantaCo t-shirt also featured this rat in a spacesuit on a light blue shirt. Raoul was the one who named the character Ed after we both got tired of constantly calling him “the rat in the spacesuit”. From Ed, Raoul then blended him with a 1950’s children’s show personality and began calling him Smilin’ Ed. He then lost the spacesuit and started his own adventures. So I came up with the basic rat character but it was Raoul who gave the “rat in a spacesuit” a personality and a name. It was a good blend of ideas and I really think we could have continued the comic series until it caught on.

Smilin’ Ed was the star of four comic books, created by Raoul and you, and published by the company in 1980-1982. It was never particularly commercially successful, unfortunately. Why do you think that was?

At the time we were publishing Ed, independent comics were in their infancy. They were B&W and cost more than color comics. Fans wanted a superstar artist on the series to make the relatively high cover prices palatable. All we had was good art and good stories. That was not enough at the time.

What’s your favorite Phil Seuling story? [Among other things, Phil pretty much invented the direct market for comic books. His company, Seagate, was FantaCo’s distributor of comic books and was early in carrying FantaCo publications. FantaCon 2013 is dedicated, in part, to Phil’s memory.] ]

OMG!! How long is this interview??? I have SO many Phil stories I could go on forever. Probably “the pact”, which lasted many years right up to his death, is my favorite. At some point during a particularly slow show in Boston, Phil and I decided that we were going to eat out way through the cuisines of the world. ALL of them, no matter how obscure were there to be tasted. We did this at conventions and on my weekly visits to his home in Seagate. After several years we really started hitting the obscure. One of the last places we ate together was a Cuban-Chinese restaurant (which was wonderful by the way). Later Hank Jansen and I would go there too.
The other part of the pact was that whoever left the country had to send the other one a postcard saying “I’m in (fill in the country) and you’re not!! I have a lot of those cards and sent a lot too!!

The first artist FantaCo published was Fred Hembeck. It was Fred’s second book, Hembeck 1980, which actually came out in February 1980. Fred has been quite clear that FantaCo didn’t “steal” him from Eclipse Comics, who had put out the first Hembeck issue. What’s your recollection of the story?

My recollections were that Dean [Mullaney] had a big hit with his Sabre book. It had gone through some 3 printings with 30,000+ copies. I think that Dean wanted (expected?) the Hembeck book to sell just as many copies and when it did not he kinda lost interest in it. It was nothing against Fred and certainly, we NEVER stole the book away. It was offered to us.

Hembeck did a total of seven books for FantaCo, but three new items plus an expanded reprint of issue 1 just in 1980. Wasn’t that an ambitious schedule?

Yes, looking back on that it was ambitious. If you remember at the time one of the biggest complaints about the independent comics was that they were always late. Fred was fast so we tried to keep up a steady schedule. It worked.

How the heck did you get John Caldwell, who had done work for National Lampoon, to do Mug Shots with FantaCo in 1980?

I hand that miracle off to Kevin Cahill who convinced John to do the first several FantaCons. At each show, John would organize a group drawing by all the guests and then auction it off for charity.
At some point, I think that Kevin mentioned to John that we were publishing and the idea snowballed from there. Unfortunately, we did not lay out the book the way John wanted it and he was quite disappointed. I wish there had been more communication as that book could have been a nice seller in book stores over a long period of time.

In many ways, I was a bit surprised that you had a store primarily focused on comics since you were much more interested in film and music. Were comics a toehold, a recognizable store genre, you used to eventually do what you REALLY wanted to do, such as the horror film books and magazines?

Well, it was, has been, and still is a Catch-22 for me. I started my interest in this specialty market from horror-oriented products: Mars Attacks cards, Famous Monsters, Gary Svehla’s Gore Creatures fanzine, Steve Ditko’s Fantastic Giants comic, Creepy, Eerie, and others. I would always choose a horror comic over a superhero comic. Fantastic Four #19 was the first superhero comic I ever read. Much later in 1968, I bought all the first issues that Marvel was putting out that year- Silver Surfer, Iron Man, Hulk 102, etc., etc. It was then I caught the superhero bug and waited for every issue. It was also when I began buying multiple issues for later resale. So that is my messy answer!!
***
Xerox Ferox, John Szpunar’s forthcoming book, with a cover created by Steve Bissette, will be premiering at FantaCon.

***
Photos, taken by Roger Green (top to bottom):
Tom Skulan, 1982 or 1983; founder of FantaCo and FantaCon
Steve Bissette, 1989 FantaCon; contributor to various FantaCo publications, a guest at FantaCon 2013
the late Raoul Vezina, 1982 or 1983; co-creator of Smilin’ Ed comics, FantaCo front of the store guy
Bill Anderson, 1989 FantaCon; contributor to various FantaCo publications, worked at FantaCo, a guest at FantaCon 2013, the guy who scanned all of these pictures and about five dozen more