April Rambling

Truth is that I purchased it mostly because I hate it when Mike Sterling cries.

As a friend noted, “If this occurred randomly and naturally, it’s amazing. If it was done with Photoshop, it was inspired.”

‘Cheap flights’ song (and dance)

Rivers of Babylon a capella by Amy Barlow, joined by Kathy Smith and Corrine Crook, at Amy’s gig in my hometown of Binghamton, NY, July 2009.

Star Wars, the complete musical?

Many people use the terms science fiction and fantasy as if they are interchangeable or identical when they are actually related, not the same. Author David Brin illuminates the differences.

Superman: citizen of the world

Re: World Intellectual Property Day and Jack Kirby

As a Presbyterian minister, I believed it was a sin. Then I met people who really understood the stakes: Gay men.

Susan Braig, a 61-year-old Altadena cancer survivor, takes old pharmaceutical pills and tablets and mounts them on costume jewelry to create colorful necklaces, pendants, earrings, and tiaras that she sells. It’s a way to help pay off her medical debt. By Bob Pool, Los Angeles Times, March 29 2011

Jaquandor does a weekly burst of weird and awesome, but this particular collection was more than usual.

I wasn’t a huge Doctor Who fan, but I was touched by the outpouring of emotion over the death from cancer of Elisabeth Sladen, among the most beloved of the Dr. Who companions and star of The Sarah Jane Adventures. A post by Chris Black.

SamuraiFrog on Weird Al and Lady Gaga.

I’m not a huge fan of Mike Peters’ comic strip Mother Goose and Grimm. But you should check out the episodes for April 12 through 16, when he deals with Sesame Street in the age of this Republican Congress. Also, see your favorite arachnid in the April 18 strip.

I bought a new book this month, Write More Good, by a consortium of folks known as The Bureau Chiefs, despite never having followed their meteoric success with their Fake AP Stylebook Twitter feed. I bought it primarily because I was familiar with a number of the Chiefs, even following the blogs of Mike Sterling’s Progressive Ruin and Dorian Wright’s Postmodern Barney. Truth is that I purchased it mostly because I hate it when Mike Sterling cries. I haven’t read it, but I’ve gotten more than a few laughs when I’ve skimmed it.

Google alert finds: Separating science from attitude By Roger Green. Re: an airplane parts firm: The company folded in 2007 and the Florida Department of Law Enforcement is now investigating company officers Roger Green and Victor Brown on a variety of potential charges, including grand theft and racketeering

Finally, from the royal wedding you weren’t invited to.

 

Book Review: Word Freak

The early chapters alternate between the competition narrative and the history of the game, from inventor Alfred Butts; to the various game owners…


On my train ride to Charlotte, NC, earlier this year, having finished the Motown book, I started reading Word Freak: Heartbreak, Triumph, Genius, and Obsession in the World of Competitive Scrabble Players by Stefan Fatsis. This was another library sale book purchase. I finished it a few mornings later.

The book is part history of the game, part autobiography. Fatsis, a Wall Street Journal sports reporter who can be heard regularly on National Public Radio, writes about his evolution from playing pickup Scrabble games in Greenwich Village (lower Manhattan) to his improbable rise through the ranks of high-ranking Scrabble players. He describes the elite competitors, who play at a level far beyond those 30 million players who compete in American living rooms. The “freaks” include a vitamin-popping standup comic; a former bank teller whose intestinal troubles earned him the nickname “G.I. Joel”; a burly, unemployed African American from Baltimore’s inner city; the three-time national champion who plays according to Zen principles; and Fatsis himself, who we see transformed from a curious reporter to a confirmed Scrabble nut.

The early chapters alternate between the competition narrative and the history of the game, from inventor Alfred Butts; to the various game owners (Selchow & Righter, Coleco, Hasbro, Mattel UK) and their response/responsibility to competitive Scrabble, which, unlike chess, has intellectual property restrictions; to the words themselves, how best to learn them – anagramming! – and how legitimate words are determined in the US and in international play.

If the latter chapters were a little bit too much “inside baseball” – will Fatsis make it to the next level? – it was still an interesting read. I particularly enjoyed the description of Albany, or more specifically, “Outside Albany, at the Marriott in suburban Colonie, along a highway [Wolf Road] lined with strip malls and corporate parks.” And Ron Tiekert, using a rack of EENRSU?, spelling AUBERGiNES through an existing A, B, and G, making the blank an I, IS extraordinary. —

Book Review: Where Did Our Love Go?

Georgia slave owner Jim Gordy had a son named Berry (b. 1854) by his slave Esther Johnson.


One of the strategic things I did on my train ride to Charlotte (and back) is that I did not bring any electronic items – no headphones and music, no laptop, except, necessarily, my cellphone. What I did bring were three books.

The first one I read, actually by the time I reached Washington, DC, was Where Did Our Love Go? – The Rise and Fall of the Motown Sound by Nelson George, which I purchased at a library sale. I should say that I’m a big fan of George, who has written about American black music (r&b, soul, hip hop, rap) for a number of years. Back when I had a subscription to Billboard magazine, he was a writer there. I even supported his recent Kickstarter project, Brooklyn Boheme: Fort Greene/Clinton Hill Artists Documentary.

The fact that the book was a tad disappointing may not be George’s fault. The reason I wasn’t as engaged as I might have been is that I had heard most of the narrative – about Berry Gordy writing music for Jackie Wilson, utilizing his family in the business, future stars serving as office workers or, in the case of Marvin Gaye, as a session drummer, the power of the songwriters to lay the same tracks on several artists, the ultimate push for more autonomy by Gaye and Stevie Wonder, and Gordy’s special relation with Diana Ross – before, quite possibly in articles written by Nelson George. So it wasn’t new, though it was complete and well written.

What WAS new for me was the ancestry of Berry Gordy. Georgia slave owner Jim Gordy had a son named Berry (b. 1854) by his slave Esther Johnson. Berry married Lucy Hellum, a woman of black and Indian heritage, who conceived 23 times; nine children survived, including another Berry, born in 1888. He married teacher Bertha Ida Fuller, and in 1929, they had Berry, one of the youngest of their seven children. These first two chapters about race in America were largely new to me, and, therefore, quite fascinating.

The book I recommend to people who know less about Motown than I do, which, immodestly, I suggest is most people.

Civil War books

Blight helps to explain why America today continues to wrestle with the seemingly endless and divisive issue of race, even while a black man resides in the White House.

Late last year, Glenn W LaFantasie came up with The top 12 Civil War books ever written for Salon magazine. A bold list with a lot of caveats (no biographies, no series or multivolume works, no fiction.) And if you’re interested, you can check out his choices, and the four dozen comments about the same.

But I came to a dead stop when he described his #5 book, “Race and Reunion: The Civil War in American Memory” by David W. Blight (2001), which I have never read. It’s because the description seems so important to our 21st-century lives in America:

[It] explores how the past is connected to the present by looking at the ways in which Americans have remembered the Civil War. His deeply researched and carefully crafted study argues that after the war white veterans, Union and Confederate, facilitated the reconciliation of the two sections by consciously avoiding the fact that slavery had brought on the sectional conflict, choosing instead to celebrate the courage that they and their comrades had brandished in battle. Less consciously, they and their fellow Americans found this new narrative — this rewriting of history based on a kind of historical amnesia — comforting and restorative. Reunification became a joyful event, but it came at a steep price. After Reconstruction, Northerners and Southerners alike took hold of a “Lost Cause” ideology that showed pity toward the South in its defeat, accepted Jim Crow policies that deprived blacks of their civil rights, and pushed for policies and practices that would ensure white supremacy across the land. Blight carefully avoids grinding axes as he makes his argument, which taken as a whole helps to explain why America today continues to wrestle with the seemingly endless and divisive issue of race, even while a black man resides in the White House. Here is a powerful book, artfully written by a scholar of learned poise who believes that by knowing the past we might better know ourselves.

I was wowed by the description, and if the book is as good as its review, it seems evident that I, and perhaps many of us, should be reading it.

Editing literature and the N-word Questions

As usual, The Daily Show addresses the Mark Twain controversy well.


You’ve probably heard about someone wanting to take the works of Mark Twain and republish them, replacing the word N@$$%! with the word “slave”. I think this is pretty lame as I have previously indicated.

Yet, while I’m not crazy about the word, I’m less bothered by it when it’s 1) used in historic context or 2) to make a particular point. Film critic Roger Ebert got into some hot water using the word recently. He didn’t bother me, but some of the comments I’ve seen in response to his use – “well, he has a N@##%! wife” – seems to justify my general antipathy for the word.

Should Huck Finn and other works of Mark Twain be edited to remove a word current sensibilities might find offensive? If so, how should such a book be labeled?

When, if ever, are racially charged words acceptable? There’s a John Lennon song that I believe is making a larger point of social commentary.

As usual, The Daily Show with Jon Stewart addresses this well. NSFW, if the use of N@##$! might get you fired.

Ramblin' with Roger
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