Tag: movies

It was a very Dark Knight

Maybe they would have stopped this guy, in a darkened room, after a gas canister had been set off, if they were Navy SEALS, or something.

 

I’ve never been to a midnight, opening night showing of a movie. I’ve gone to premieres, though, and I do know what cinematic anticipation feels like. There’s just something about seeing something before almost anyone else that provides an unusual sense of satisfaction. Your view of the film is not colored by what everyone else says.

If I were to have gone to a recent midnight showing, The Dark Knight Rises would not have been it.

While I’ve seen Batman movies starring Michael Keaton, Val Kilmer, and even Adam West, I passed on the George Clooney iteration, Batman and Robin, and I just haven’t seen any of the Christian Bale films, Batman Begins (2005), The Dark Knight (2008), or, obviously, the new one.

Of course, the shootings at the opening of TDKR in Aurora, Colorado were awful. I watched a bunch of news shows, trying, and failing, to make sense of it all. That often happens for me with tragedies, from the JFK assassination to 9/11. At some point, I find that I just had to stop. Not incidentally, read what Ken Levine wrote, especially about a movie trailer showing before the film; yikes.

Ideally, this would be an opportunity for people to come together in their common grief. Instead, and all you need to read is a half dozen comments on just about any news site, that devolve into a debate about something divisive and snarky; Thom Wade addresses this. So we need to ban guns. No, everyone should have been packing heat, and they would have stopped this guy, in a darkened room, after a gas canister had been set off; maybe they would have if they were Navy SEALS or something. The shootings are the President’s fault because the alleged shooter was apparently on the dole, and the Obama welfare state encourages crazy behavior; no, I couldn’t follow that one either. It’s a continuation of the attack on Judeo-Christian beliefs; what?

(And don’t get me started on the pre-tragedy Rush Limbaugh’s “connection” between the movie villain Bane, created in 1993, and Mitt Romney’s Bain Capital, as some sort of liberal political plot; well, maybe retroactively.)

I think, though, that inappropriate fan response to negative reviews, which forced the review aggregator Rotten Tomatoes to disable user commentary for the film, is a form of the same maddening mindset I find so disturbing in this country. Some so-called fans threatened violence against movie critics who did not think the movie was a perfect 10, threatening to crash critics’ websites.

My thoughts are with the family and friends of the victims, their community, and indeed, all of us.

MOVIE REVIEW: Moonrise Kingdom

The movie Moonrise Kingdom is really difficult to describe – without revealing too much – except to say that, despite all logic, one starts rooting for the couple.

The Wife and I were in Binghamton, NY for the Olin family reunion, among other things, and we decided to stay at a downtown hotel called the Binghamton Riverfront; nice place. We discovered that there is a two-screen theater called Art Mission less than a half-mile away. It appears to be a refurbished fire or police station, but in fact, it used to be a city mission; thus, its name. There were fewer than 75 seats in the theater. I originally sat in the third row, but found it to be too close; row four was much more comfortable for me visually. The theater was showing the new film by Wes Anderson called Moonrise Kingdom, which was NOT playing at the local Regal or Loew’s.

My spouse wanted to see it because she liked the trailer, which she saw in Albany’s much larger art theater, the Spectrum. I was less interested, because I had only seen one Anderson film that I can recall, The Royal Tenenbaums, and I did not much relate to it. (No, I didn’t see Bottle Rocket or Rushmore or The Life Aquatic with Steve Zissou.) And in the end, I really enjoyed the film, the Wife, not so much.

The movie is about two not especially likable children (newcomers Kara Hayward and Jared Gilman) who meet strange, and the pursuit of them by the police captain (Bruce Willis), the scoutmaster (Edward Norton), and the girl’s parents (Bill Murray, Frances McDormand). This takes up the first act, but then things change up. Harvey Keitel and especially Tilda Swinton have roles in the latter part of the film. The movie is really difficult to describe – without revealing too much – except to say that, despite all logic, one starts rooting for the couple, maybe because the adults in their world are so dysfunctional.

Interesting that almost all the analyses, positive (94% at this point) and negative, note that Anderson is doing Anderson again, except that, the good reviews say, THIS time, he’s infused them with some level of whimsy and humanity.

The use of color and art, giving the film a real 1965 look, was quite effective, especially the occasional segments of narration by Bob Balaban, which felt really authentic.

But what I appreciate almost as much is the music. If you grew up with Leonard Bernstein’s Young People’s Concerts, you might have a bit of a flashback. Oddly, all the patrons left after the credits started rolling, which I thought was too bad, for it was a reprise of the music educational record that starts the film.

Shafted into Soaps: Richard Roundtree is 70

Richard Roundtree turns 70 today.

In 1990, I was a Census enumerator, which meant I wold go door to door to count people. I used to watch the noon news, then started viewing whatever was after it. There was a soap opera featuring Richard Roundtree. Yes, Shaft himself! It was called Generations, and I ended up watching it at 12:30 pm until it died in 1991. (It had started in 1989). It was the first soap, reportedly, where about half the cast was black. Roundtree played Dr. Daniel Reubens, implicated for a crime he did not commit.

I never actually saw any of the Shaft movies, though I did see an episode or two of the short-lived (1973-1974) TV series based on them, but I was intrigued that this semi-famous movie actor was in this daytime TV show I had never heard of. The bad thing about watching it is that, eventually, I started watching Days of Our Lives at 1, and got sucked into that until some over-the-top plot line drove me away. Subsequently, I started watching Another World at 2, and I viewed it until two weeks before the end in 1999, when I got married and went on my honeymoon. But I’ve read the synopses.

My grandmother and great-aunt used to watch the CBS soaps (Guiding Light, Edge of Night, Secret Storm, and others) when I was a kid, and I’d see them quite a bit, especially the latter two (on at 3:30-4:30). As you probably know, lots of actors moved from the soap to prime time TV. I saw Henry Simmons on AW and then he spent the last 6 years on N.Y.P.D. Blue. AW’s Amy Carlson was on Third Watch, then the 4th Law & Order show.

Anyway, Richard Roundtree, who developed breast cancer in 1993 and had a double mastectomy and chemotherapy, is still a working actor. I remember him well in his guest appearance on the television series The Closer as the retired Marine colonel who was the father of a sniper.

He turns 70 today, and I wish him well, and forgive him for being my gateway drug to soap operas, an addiction I’ve now overcome.

Nora Ephron, Andy Griffith, and the sense of loss

Almost inevitably, I would get to know more about the deceased than I could have possibly imagined. Parts of their interesting lives to which I was not privy until it was too late.

I was looking at the situation all wrong. When Nora Ephron died last week, I was thinking about her top movie moments rather than her life. I was evaluating her films: liked Sleepless in Seattle, but You’ve Got Mail, not so much. Enjoyed Heartburn.  Julie and Julia: Julia-yes, Julie-eh. Silkwood I enjoyed, but I wouldn’t even watch Bewitched.

Then I read John Blumenthal’s piece on how Nora Ephron took pity on him “as a lowly peon at Esquire magazine. Then she found me a job.” Or Dick Cavett’s Vamping With Nora, when a guest failed to appear on his talk show, and they had to fill 20 minutes. Plus some other pieces I didn’t cite. Or listening to Diane Sawyer talking about her friend on ABC News; I had no idea before she read the story that they even knew each other, but I could just tell, by her delivery.

And it reminded me of going to funerals of people I knew, or, more likely, people I didn’t know but attended the service because I knew a family member. Almost inevitably, I would get to know more about them than I could have possibly imagined. Parts of their interesting lives to which I was not privy until it was too late. And I feel sad, sad in a way I could not have possibly imagined. These people are losing this AMAZING person. I’d SO feel their pain, their sense of loss.

Oddly, with all the things I read about Nora Ephron, I was feeling the same way. I wish I HAD attended dinner parties with her, as someone had suggested because I’m now convinced she would have been wise and witty and entertaining. And so, I’m surprisingly sad that, at the age of 71, Nora Ephron has died of leukemia.

Mayberry

Whereas, my feeling about Andy Griffith, who died on July 3, was more immediate. My father and Andy were born in the same year, 1926. More than once, I wish my dad were more patient with me, liked Sheriff Andy Taylor was with his son Opie (Ron Howard). Not that he couldn’t be stern – the episode I remember the best is the one in which Opie kills a mother bird with his slingshot and is forced to become her babies’ surrogate mother. And Sheriff Andy believed in due process of the law.

For reasons I cannot clearly explain, I was a big fan of Matlock, with Griffith as a cornpone, but savvy lawyer in a light blue seersucker suit. I enjoyed his performance in the movie Waitress. But perhaps his greatest role was in the movie A Face in the Crowd, as Gordon noted.

Though beloved in his home state of North Carolina, I recall that Griffith took some heat for his support for an Obamacare proposal.

Read Mark Evanier’s remembrance, and check out these interviews with Andy Griffith.

Y is for Yellow Submarine

The soundtrack to the movie Yellow Submarine was not released until January 1969, some six months after the movie debuted.

Yellow Submarine was a song by The Beatles, with Ringo Starr on the lead vocals. It was issued as a single, coupled with Eleanor Rigby, and released just before it appeared on the Revolver album. It has a peculiar little difference, though, which I remember distinctly; on the single version, during the last verse, the responses start one line earlier, with “life of ease”. Compare the album version with the single version around 1:40.

It became the title song of a 1968 animated United Artists film. The Beatles themselves had little to do with the making of the movie – other actors did the voices of the Beatles characters – though the movie was chock full of songs from the latter half of their career. This is a movie I saw at least four times, once on a day I saw ALL of the Beatles’ movies in one sitting. I even watched it on commercial television (CBS, I think), which is not recommended.

Oddly, the soundtrack to the movie was not released until January 1969, some six months after the movie debuted. The second side of the album was instrumental music arranged by George Martin. Side one starts with the album version of the title song and ends with All You Need Is Love. There were four other songs on that album:

Only a Northern Song
All Together Now
Hey Bulldog
It’s All Too Much.

In 1999, Yellow Submarine – Songtrack was released. It dumps the instrumentals for other Beatles songs used in the film, mostly or all remastered.

Now, The classic 1968 animated feature “Yellow Submarine” showcasing music by the Beatles has been “carefully restored frame-by-frame for a special DVD release May 28, 2012.”

I haven’t seen it in a couple of decades, and it’d be interesting to see how it stands up.
(Note: I had some links to movie segments that are no longer operational; I am willing to bet that you can find similar clips on YouTube from time to time.)

ABC Wednesday – Round 10

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