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MOVIE REVIEW: A Ballerina’s Tale

Misty Copeland’s potentially career-ending injury was also a major focus.

I was rather familiar with the story of Misty Copeland, largely from this 60 Minutes clip, about how the ballerina, who didn’t even dance until she was 13, became the first African-American woman to be named principal dancer of the legendary American Ballet Theater.

What was interesting about the documentary A Ballerina’s Tale was less about the dancer herself, and more about the social context of her achievement. It wasn’t just her race but her “muscular” body that had precluded someone who looked like her to be the swan. Her potentially career-ending injury was also a major focus, and she showed tremendous resolve getting through it.

I also enjoyed learning about the history of black ballerinas. Her interaction with the apparently legendary Raven Wilkinson – who I had never heard of – was fascinating, in part because Misty too was learning about her dance roots. A group of successful older black women took Misty Copeland under their wings and helped her feel less alone, and that was touching.

This was a Kickstarter film from Nelson George, who I know best as a writer of the book Hip Hop America, and Where Did Our Love Go?, a book about Motown. Before that, he was a critic of the black music scene for Billboard.

Here is the movie trailer.

A Ballerina’s Tale was playing at the nearby Madison Theatre. We thought the Daughter would want to see it the day before Thanksgiving, but she declined. So the Wife went to the 5 pm show, and I the 7 pm viewing; we were the ONLY persons to watch it, and that was a shame because it was worthwhile.

Yet there’s an arm’s length distancing from the film’s primary subject which made her somehow less compelling. The Variety review says it best: “She’s immensely humble and focused on her goals, which makes her an excellent performer and an equally strong ambassador for dancers of color, but a tougher nut to crack as a documentary subject.”

Kennedy Center Honors 2015

I remember buying my copy of Tapestry somewhere in Binghamton, NY, along with Sticky Fingers by the Rolling Stones.

As I’ve noted over the years, I LOVE the Kennedy Center Honors. The event generally takes place in DC the first weekend in December and is broadcast on CBS-TV at the end of the month. The celebration of the honorees’ Lifetime Artistic Achievements took place on Sunday, December 6, and will be aired on CBS on Tuesday, December 29 at 9:00 p.m., ET/PT. This year’s honorees are Carole King, George Lucas, Rita Moreno, Seiji Ozawa, and Cicely Tyson.

Rita Moreno – if she were in nothing but the movie West Side Story – a pivotal film in my life – I’d be a big fan, but she accomplished so much more and, as she indicated in this interview, had to fight the Latina actress stereotypes.

She’s won the EGOT:
OSCAR: Best Supporting Actress (1961) West Side Story (Anita del Carmen)
GRAMMY: Best Album for Children (1973) Electric Company
TONY: Best Featured Actress in a Play (1975) The Ritz
EMMY: Individual Performance in a Variety or Music Program (1977) The Muppet Show; Outstanding Guest Actress – Drama Series (1978) The Rockford Files

Even though I was in college by then, I was a huge fan of The Electric Company, and she was a big reason.

WATCH:
West Side Story-America
Electric Company – STOP!
Muppet Show – Fever
Rockford Files
***
George Lucas – the writer/producer/director made a bunch of movies I enjoyed tremendously. The first was American Graffiti; a couple of the movie’s actors ended up in 1950s-based sitcoms, Ron Howard (Richie on Happy Days), and Cindy Williams (Cindy on Laverne &…) The film also featured some carpenter-actor named Harrison Ford, who later starred in Lucas’ original Star Wars trilogy, and the Indiana Jones trilogy, all of which I enjoyed (except Indy 2, which I’ve never seen).

All that hate for Star Wars 1: I didn’t enjoy it, but it was just a movie. All that nerdy nuance about the films, some brought on by Lucas himself – Han shot first! – is beyond my interest. Oh and he likes Star Wars 7.

I see Lucas’ wife, Mellody Hobson, on CBS News frequently.

WATCH:
American Graffiti (1973) – Original Trailer
Star Wars (1977) Original Trailer
Raiders of the Lost Ark (1981) Theatrical Trailer
READ:
The Other Side of The Other Side of Midnight
***
Cicely Tyson – I wrote about her at length only a couple of years ago.

WATCH:
The Bold Move That Left Cicely Tyson’s First TV Director Speechless And Sparked A National Movement
The Autobiography of Miss Jane Pittman
Cicely Tyson on Roots, Grief and Strength
The Marva Collins Story (1981)
***
Seiji Ozawa – Though he had been the conductor for the San Francisco Symphony early in his career, I know him best from him leading the Boston Symphony. I’d see him on TV fairly often, and as he got older I recognized him as much for his style, and his coif as anything.

WATCH:
What’s My Line? – Seiji Ozawa (1963, TV Show)
Tchaikovsky Overture 1812
Beethoven Symphony No 5
Seiji Ozawa’s 80th Birthday
***
Carole King – Her life was so amazing that they turned it into a hit Broadway musical, Beautiful, which will be going on a national tour shortly. She is a songwriter, early on primarily with her then-husband, the late Gerry Goffin; they are in the Rock and Roll Hall of Fame. I found this list of 17 Popular Songs You Never Knew Were Written By Carole King, with links, but mostly, I DID know.

If you went to college in the US in the early 1970s, either you had a copy of her massively successful album Tapestry, or your roommate did; it may have been mandated by Congress. I remember buying my copy somewhere in Binghamton, NY, along with Sticky Fingers by the Rolling Stones. Tapestry was number one on the Billboard 200 for 15 consecutive weeks, and on the charts for over five years in a row.

Her Jazzman was covered by Lisa Simpson in an early episode of the TV cartoon The Simpsons. Where You Lead was the theme song of the TV show Gilmore Girls, sung by one Louise Goffin, daughter of Carole and Gerry.

LISTEN to Carole King:
Jazzman
It’s Too Late
So Far Away
Will You Still Love Me Tomorrow, with the Mitchell-Taylor Boy-and-Girl Choir

The Everly Brothers -Crying In the Rain (1962)

MOVIE REVIEW: The Martian

What got me was the true optimism of The Martian, a can-do attitude pretty much throughout without being too nerdy.

Despite generally positive reviews for The Martian (93% on Rotten Tomatoes), I was a little worried about watching a long movie (144 minutes) with Matt Damon as an astronaut, after seeing a long movie (166 minutes) LAST year with Matt Damon as an astronaut. That previous film was the nearly impenetrable Interstellar.

Or maybe it’d be an isolating film, like Tom Hanks and a volleyball in Cast Away. Or, since I understand the science of The Martian was reported to be pretty much spot on, based on a very wonkish book, that it might be boring as all get out.

It is none of the above. You’ll laugh out loud! You’ll cry! You’ll believe a man can grow potatoes in an inhospitable environment! You’ll be amazed how appropriate the unlikely soundtrack is; the choice for the end credits is inspired.

The cast is quite excellent, with Jessica Chastain as the astronaut commander who feels guilty, but not depressingly so; Michael Peña (who I saw in Ant-Man) as another astronaut; Jeff Daniels as the politics-balancing NASA administrator; the fascinating Chiwetel Ejiofor, Kristen Wiig, Mackenzie Davis, the surprising Donald Glover, and especially Aksel Hennie as various NASA staff; and Benedict Wong as the overwrought Jet Propulsion Lab guy.

The one really false note was Daniels’ character taking about a small margin for error, followed almost immediately by some problem.

But what got me was the true optimism of The Martian, a can-do attitude pretty much throughout without being too nerdy. Damon’s Watley keeps himself sane by trying to “science the s@#!” out of his resources, countries negotiate how to work together, people around the world sharing a single vision. THAT was what made me teary-eyed in this Ridley Scott film, a united planet when we don’t seem to have it right now. In some way, the politics are more utopian than the science.

I wish The Wife had gone to see this with me Sunday night, as I walked home from the Madison Theatre through the London-like fog.

MOVIE REVIEW: Brooklyn

Brooklyn was the first film The Wife and I saw at the Spectrum Theatre since it was taken over by Landmark Theaters.

The very first time I saw Saorise Ronan on screen in the wonderful The Grand Budapest Hotel (2014), I realized I’d seen her before, as a much younger actress. It’s those eyes. As it turns out, she was in Atonement (2007).

In the movie Brooklyn, though, she is the protagonist Eilis Lacey, a young woman in her native Ireland, who has few prospects in her hometown. Her beloved sister Rose encourages her to leave her and their widowed mother and move to America. Specifically, she’ll live in a certain NYC borough in a boarding house with other, mostly beautiful women, and their crusty but caring landlady (the wonderful Julie Walters).

Eventually, Elias finds love with a plumber named Tony (Emory Cohen). But a tragic turn forces Eilis to deal with changing realizations about her homeland and her own sense of self-worth.

There were only 2 negative reviews at Rotten Tomatoes out of 152. One read: “Wonderful performances but do we really care about a teenager from Ireland trying to decide between guys?” This person is right about their performances but has totally missed the point of this film, which is that leaving home is sometimes exquisitely difficult.

There are LOL moments involving the boarding house dinner table and at Tony’s home. Jessica Paré played Miss Fortini, Eilis’ supervisor at a fancy department store not unlike Macy’s of the 1950s with a nice mix of sternness and compassion. But you may be inclined to hiss at the screen when Brid Brennan’s crotchety Miss Kelly, Elias’ part-time employer in Ireland appears on the screen.

I’m not familiar with the work of director John Crowley, but writer Nick Hornby was executive producer of two films I liked, About a Boy and An Education, and screenwriter for the latter.

Not incidentally, this was the first film The Wife and I saw at the Spectrum Theatre since it was taken over by Landmark Theaters, on Black Friday night. One change: those cards we used to buy, 10 for $80, are now gone, replaced by a booklet one can purchase, 25 tickets for $200. Also, they don’t take Discover, but they do accept American Express.

Movie Review: Heart of A Dog

Heart of a Dog is a documentary by artist/musician Laurie Anderson about her very deep relationship with her canine.

It’s Tuesday, November 17, the last day that the Spectrum 8 Theatre will be under the current ownership. Come Friday, November 20, the cinema will reopen under the control of the chain, Landmark Theaters.

The current owners insist the new company will keep it just the same. Keith and Sugi Pickard gave me that message the previous Saturday at the APL Foundation Library Gala, and Keith, who’s helping with the concession stand queue repeats the message this night to the Wife and me. I’ve been going there, or to its predecessor, the 3rd Street Cinema in Rensselaer, since 1980.

There are a number of films I’d like to see. But the one playing that seemed avant-garde, least mainstream, most Spectrum-like, was Heart of a Dog, a documentary by artist/musician Laurie Anderson about her very deep relationship with her canine, but also about her late mother, post 9/11 surveillance, and memory. Her late husband Lou Reed makes a brief appearance. It’s impressionistic and meditative and contemplative and musical, and occasionally very funny. Go read some nice reviews, 97% positive on Rotten Tomatoes.

Sugi Pickard watched that single screening. So did Cathy Frank, the legendary namesake of Cathy’s Waffles in ’80s Albany, who posted her disastrous-looking but still apparently tasty waffles on her Facebook page. It was a Smallbany event of sorts, the end of an era, like the apparent demise of Metroland after 38 years, or the closing of Bob and Ron’s Fish Fry in Albany after 67 years.

Oh, and it was my mom’s birthday, and Laurie was remembering what thing her mom said to her that most sticks to her mind. And it got me thinking some more about MY mom’s words to me. And it was…soothing to contemplate.