Music: Weather the Storm – Rebecca Jade

“Rebecca is a vocalist and has been involved with music her whole life.”

I discovered just this week that the video for Weather the Storm by Rebecca Jade was among the music videos nominated as finalists in the Viewers Choice category for the MUSIC CALIFORNIA VIDEO AWARDS, which will be held on November 30th in San Francisco.

You could vote for Rebecca Jade, or one of the other entries HERE, but only until November 1. Of course, I am pushing for RJ, since she’s not only an extremely talented singer and emerging songwriter, she’s my eldest niece, daughter of my sister Leslie.

She sings in a variety of genres. As her bio reads: “Rebecca is a vocalist and has been involved with music her whole life. Growing up in a musical home and having generations of musicians in her family, she has been exposed to a vast assortment of artists, genres and styles. Her own mother was a professional jazz singer in Puerto Rico. With such influences, it seems a natural progression that Rebecca has followed in her footsteps.”

She has been a top artist in San Diego, which you can read about here. My wife, daughter and I got to see her sing in New York City this past August when she was a backing singer for Sheila E., which was a fabulous experience.

Listen to:

Weather the Storm – Rebecca Jade (2015)

Hour Glass – Rebecca Jade and The Jade Element (2014)

Gonna Be Alright – Rebecca Jade & the Cold Fact (2015)

Cuts Like a Winter – Rebecca Jade and the Cold Fact

Planet Cole Porter medley – Peter Sprague and Rebecca Jade (2017)

I’d Rather Go Blind – Rebecca Jade, singing at Spaghettini (2014)

All This Love – El DeBarge w/ Rebecca Jade @ Music Box 11-28-2015

Siren’s Crush promo reel (2015)

Soultone promo reel (2014)

Available for purchase:

Rebecca Jade & The Cold Fact

Planet Cole Porter – Peter Sprague & Rebecca Jade

You can find her social media contacts, including YouTube, Facebook, Instagram, Twitter, and Soundcloud.

Oh, and a belated happy birthday, niece!

Music throwback: Roger Miller

“I can’t breathe in the morning ’til l get myself a cigarette lit”

I’m fairly sure I got my first Roger Miller album, the greatest hits collection pictured, from the Capitol Records mail order club circa 1966. While he was billed as a country performer, he was really a crossover artist whose lyrics I often found hysterically funny when I was a kid. And his name was Roger.

CW is country, AC is adult contemporary.

Dang Me: #1 CW for six weeks, #7 pop in 1964
Chug-A-Lug: #3 CW for two weeks, #9 pop in 1964
One Dyin’ and a Buryin’: #8 AC, #10 CW, #34 pop in 1965
Kansas City Star: #3 AC, #7 CW, #31 pop in 1965

But more remarkable was that he was one of a relatively few artists in the 1960s to have MULTIPLE songs that got to the Top 10 on THREE different US Billboard charts:

King of the Road: #1 AC for TEN weeks, #1 CW for five weeks, #4 pop in 1965
Engine Engine #9: #2 AC for three weeks, #2 CW for two weeks, #7 pop in 1965
England Swings: #1 AC, #3 CW, #8 pop in 1965/66

Those songs were all on that hits albums. King of the Road I’ve been thinking about a LOT. Here’s a guy down on his luck, a charming scoundrel:

Two hours of pushin’ broom
Buys an eight by twelve four-bit room
I’m a man of means by no means, king of the road…

I smoke old stogies I have found short, but not too big around…

I know every engineer on every train
All of their children, and all of their names
And every handout in every town
And every lock that ain’t locked, when no one’s around.

Then I bought his subsequent LP, with the big hit, the more serious Husbands and Wives, #2 AC, #5 CW. #26 pop. “It’s my belief pride is the chief cause in the decline in the number of husbands and wives.”

Here’s someone’s list of his best songs.

Roger Miller died on October 25, 1992, 25 years ago this week, at the age of 56 from lung cancer. The prophetic lyrics of Dad Blame Anything A Man Can’t Quit:

I’m a two pack a day man, smoke like a fiend
Like a burned out bearing in a bad machine
I can’t breathe in the morning ’til I get myself a cigarette lit
I say, “Dad blame anything a man can’t quit”

Still I keep it up, keep it up and do it all the time
Every now and then I make up my mind
To give it up, give it up, throw it away
I usually change my mind later on up in the day

Links to all songs, though one or two sound like rerecordings by Roger Miller.

Music, October 1971: Families of rock stars

Nostalgia could sell quite well,

Clockwise from top left: Zappa, Cocker, Crosby, Clapton
The book Never A Dull Moment by David Hepworth notes a photo display in LIFE magazine in the fall of 1971 called “Rock Stars and their parents.” Among those families represented: the Jackson Five, Frank Zappa, Ginger Baker, Joe Cocker, Grace Slick, and David Crosby.

“Eric Clapton was pictured with his grandmother Rose Clapp, who had raised him on behalf of her sixteen-year-old daughter. There was no mention of his actual birth mother. the public wasn’t ready for the complexity of a nonnuclear family.”

While photographer John Olson noted that the rock stars were “uniformly” well-behaved around their parents, they weren’t temperamentally suited for domestic life, having spent years on the road. Moreover, unannounced fans would try to show up on the doorsteps of Bob Dylan, Pete Townsend and others. Paul McCartney was the exception, as he and Linda lived in rural Scotland.

Often even these musicians of means still thought of themselves as creators first, people with homes second. Among the folks with studios actually in their abodes were George Harrison, James Taylor and Graham Nash. Other musicians were impulsive buyers of eccentric structures. Keith Moon’s house had five pyramids. Jimmy Page and John Lennon both needed others to stay in their residences.

As for musical families, the Kinks put out my favorite of their albums, Muswell Hillbillies, Donny Osmond and his brothers were strong on the charts all year since One Bad Apple copped the style of the Motown family’s J5.

The Beach Boys made the cover of Rolling Stones, a wildly successful singles band in the early ’60s who, aside from Pet Sounds, were not particularly successful album artists in the latter part of the decade. They were perceived as uncool.

Fortunately, they pieced together the often magnificent Surf’s Up, in a way a tribute to the band’s aura. “Van Dyke Park, who had co-written the title song five years earlier correctly predicted if they used that title, they could pre-sell 150,000 extra copies.

Eventually, though, it was the old songs, first with the Who’s 1971 Meaty Big and Bouncy, then the defunct Beatles, followed by the Beach Boys, post 1973’s American Graffiti, that showed that nostalgia could sell quite well, thank you.

Listen to:

Surf’s Up – the Beach Boys
Coat Of Many Colors – Dolly Parton
Superstar – Carpenters
Old Man – Neil Young
Muswell Hillbilly – The Kinks
Peaches En Regalia – Frank Zappa
Will the Circle Be Unbroken – Nitty Gritty Dirt Band
Tired of Being Alone – Al Green

October rambling #1: Naturalist At Large

A Poem Can Help End a War

Roy Moore is a lawless theocratic lunatic

Scientology and the cult of tRump

The Rules of the Gun Debate: The rules for discussing firearms in the United States obscure the obvious solutions

My Daughter Was Murdered in a Mass Shooting. Then I Was Ordered to Pay Her Killer’s Gun Dealer

Sandy Hook mom: ‘We value guns, flags & fake acts of patriotism over people, pain’

Inside the Federal Bureau Of Way Too Many Guns

Just What We Needed: More Inequality, Bigger Deficits

From Aggressive Overtures to Sexual Assault: Harvey Weinstein’s Accusers Tell Their Stories

Forensic Science: Last Week Tonight with John Oliver

Statistical indicators of President Obama’s eight years in office

The Day Donald Trump Watched An Octogenarian Bleeding To Death And Did Nothing To Help

Adjunct professors in America face low pay and long hours without the security of full-time faculty. Some, on the brink of homelessness, take desperate measures

The Five Stirring Stanzas That Proved a Poem Can Help End a War

“The Closet” where a black camper slept is preserved in Schroon Lake, NY

How to Protest Without Offending White People

Comic: Back to the Future of Racism

Chuck Miller’s two-week boycott of ESPN

Finding Your Roots: Bernie Sanders and Larry David (may be available only in the US and until 31 Oct)

Free counseling for those affected by Hurricane Harvey from BetterHelp.com for up to three months

Want Change In Education? Look Beyond The Usual Suspects (Like Finland)

How to handle being “unfriended” on Facebook

Naturalist At Large environmental cartoons by Don Rittner and Raoul Vezina (1983)

“Mr Brunelle Explains It All” Cartoon Gallery

The Vast Influence Of Donald Duck

How one election changed Disney’s relationship with Anaheim

EU English

The Mary Tyler Moore Show Fall Preview

Y.A. Tittle dies at age 90. He was the first New York Giants quarterback of my youth

Sputnik’s 60th birthday

30 Of the Most Amazing Images from Electron Microscopes

Now I Know: The Town that Drives Itself and Why We Yawn and Why Once You Pop, You Can’t Stop and The Ben and Jerry’s Flavor that Left a Bad Taste Behind

Floss Firstenberg Alper Obituary: Floss was an amazing listener, a trusted confidante, the focus of many people’s erotic dreams, an oft-invited dinner guest and irreverent as hell

MUSIC

Waiting For The Waiter – MonaLisa Twins ft. John Sebastian

Coverville 1187: Cover Stories for Gerry & The Pacemakers and Everything But The Girl

Magic Moments – Perry Como

Merrily We Roll Along – Eddie Cantor

Tom Petty: supposed to have been so much more

Why the Loss of Tom Petty Feels So Deeply Personal

In the spring of 1995, a friend of mine working with a band fronted by Pete Droge, who was opening for Tom Petty and the Heartbreakers. They came to Albany to play at the Knickerbocker Arena.

After their set, my exhausted friend left, and so did I, hearing only the first couple songs of the Petty concert. But I figured I’d see him and the Heartbreakers again someday, which proved to be incorrect.

Petty was very popular at FantaCo in the 1980s. My boss Tom had this weird affection of changing the lyrics of the songs from Girl to Squirrel. American Squirrel, Here Comes My Squirrel. It was weird but sort of funny.

I talways thought that the Traveling Wilburys Vol 2 was the collective albums that the artists put out between Vol. 1 and Vol. 3. This would, of course, include Tom Petty’s first “solo” album Full Moon Fever, which featured Free Fallin’ and I Won’t Back Down.

The latter song seemed to be Petty’s mantra, such as fighting with his record company over its failed attempt to raise the price of one of his album. I remember an urgent version at that TV concert after 9/11.

Tom Petty and the Heartbreakers backed Johnny Cash on his second American Recordings album, Unchained (1996). It won a country album Grammy, but I foolishly thought it would be a big crossover hit. It only got up to #170, and lasted a mere two weeks. Tells you what I know.

Someone was mourning the death of Tom Petty on Facebook, and some jerk said that if you didn’t mourn the folks killed and wounded in Las Vegas, to which someone asked, “Can’t you do both?” Be sad about mass murder AND the loss of someone who had provided part of the soundtrack of their lives for the past four decades?

I’m going to wait awhile, maybe October 20, 2020, which would have been his 70th birthday, before I decide my favorite Tom Petty songs. But these are a few that came to mind in the past few days:

Refugee – Tom Petty and The Heartbreakers

Even the Losers – Tom Petty and the Heartbreakers

Stop Draggin’ My Heart Around – Stevie Nicks with Tom Petty

Free Fallin’ – Tom Petty

End Of The Line – The Traveling Wilburys

It’s Good To Be King – Tom Petty

You Don’t Know How It Feels – Tom Petty

You Wreck Me – Tom Petty

Walls (Circus) – Tom Petty and the Heartbreakers

I Won’t Back Down – Tom Petty and the Heartbreakers (from “America” A Tribute to Heroes”)

Plus Coverville 1188: Tom Petty Tribute

And here are just some of the stories I read:

Obit

Tom Petty Was Perhaps Rock’s Greatest Writer of First Lines

Tom Petty Was Rock ’n’ Roll’s Ambassador to the World Even if he would have been the last one to admit it

Remembering Tom Petty’s Quirky Roles in The Postman and King of the Hill

Why the Loss of Tom Petty Feels So Deeply Personal

Tom Petty’s final interview: There was supposed to have been so much more

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