music Archives - Page 166 of 265 - Ramblin' with Roger

Paul Simon and religion

Paul Simon will be releasing a new album in the spring of 2016.

Terrestrial friend Dan, the proprietor of the Albany Weblog, scratched his chin:

Roger, it recently occurred to me that many of Paul Simon’s songs from the Simon and Garfunkel era were very religious and strongly flavored with his Catholicism, but after he went solo that overt religious bent seems to have mostly disappeared. Usually we see religion creep in to his or her work as an artist grows older, not the other way around. What do you think?

Well, everything I know about Paul Simon suggests that he was not Catholic but, rather, a secular Jew. Indeed, in Hollowverse: “Simon was raised Jewish and his mother was devout, celebrating all of the Jewish holidays and regularly going to Synagogue. However, his father wasn’t nearly as devout as his mother.”

He followed his father’s example. Still, he refers to himself as a Jew in the title song of the album Hearts and Bones.

In How Can You Live In The Northeast, he seems cynical about ALL religion.

How can you be a Christian?
How can you be a Jew?
How can you be a Muslim, a Buddhist, a Hindu?
How can you?

Weak as the winter sun, we enter life on earth.
Names and religion comes just after date of birth.

I suspect you haven’t heard his 2011 album So Beautiful or So What, which is filled with religious, and even specifically Christian references. Christianity Today put it on its Best Album list. In this PBS interview from early 2012, Simon said, “For somebody who’s not a religious person, God comes up a lot in my songs.”

The question got me thinking about Paul Simon and religion more generally. One’s music/art can surely be shaped by the majority culture. Here’s a list, obviously incomplete; links to the titles go to the lyrics.

Simon & Garfunkel

Go Tell It On The Mountain from Wednesday Morning, 3 A.M. (1964) – a cover of a traditional song
LISTEN here or here

Blessed from Sounds of Silence (1966) – a variation on the Beatitudes
LISTEN here or here

Bridge Over Troubled Water, the title track (1970) – “When you’re weary, feeling small…”
LISTEN here or here

Solo Paul Simon

Have A Good Time from Still Crazy After All These Years (1975) – more cheeky with the intentional poor English: “God bless the goods we was given…”
LISTEN here or here

Slip Slidin’ Away (1977) – “God only knows, God makes his plan. The information’s unavailable To the mortal man.”
LISTEN here or here

Spirit Voices from The Rhythm of the Saints (1990) -“And all of these spirit voices Sing rainwater, sea water. River water, holy water. Wrap this child in mercy – heal her. Heaven’s only daughter. All of these spirit voices rule the night.”
LISTEN here or here

Wartime Prayers from Surprise, 2006- “But when the wounds are deep enough And it’s all that we can bear We wrap ourselves in prayer.”
LISTEN here or here

How Can You Live In The Northeast from Surprise, 2006
LISTEN here or here

These all from So Beautiful, or So What (2011)

Getting Ready For Christmas Day – “Ready, getting ready, For the power and the glory and the story of the Christmas Day.”
LISTEN here or here

The Afterlife – “After you climb up the ladder of time The Lord God is near Face-to-face in the vastness of space”
LISTEN here or here

Love Is Eternal Sacred Light – “Evil is darkness, sight without sight A demon that feeds on the mind.”
LISTEN here or here

Paul Simon will be releasing a new album in the spring of 2016.

March rambling #2: We are never Ivory Coast

Rob Ford died of a more respectable disease.

Stolen: We are all France. We are all Belgium. We are never Ivory Coast or Burkina Faso or Tunisia or Mali.

10 Safest Countries If WW3 Breaks Out

There was no wave of compassion when addicts were hooked on crack.

From Scapegoating to Solidarity: 2016 Is the Year to Turn the Immigration Debate Around.

Weekly Sift: My racial blind spots.

An Open Letter to Drumpf Voters from His Top Strategist-Turned-Defector.

What It Means to Be Right-Footed.

I told the truth in my sister’s obituary so that others might choose to live and Amy Biancolli’s The long arms of a story.

The man who turns news into art.

Game Theory for Parents. “Mathematically tested measures to make your kids cooperate—all on their own.”

Something just slammed into Jupiter.

American Bystander is a printed humor magazine that’s about to release its second issue, with the help of a Kickstarter campaign.

I generally have good success, but Chuck Miller reports on the UPS epic fail.

Feck ‘n’ Gruntle.

What does superfetation mean?

Evanier – how things are made: Snickers bars and frozen french fries and
Newman-O’s (an Oreo competitor) and balloons and an automated teller machine, plus a nifty magic trick.

Now I Know: The Secret Life of Honey Buns

Pie-lexa as a treatment for RBF

Cookie Monster bakes — with some help from Siri.

RIP

Patty Duke, 69: Oscar winner was the youngest at the time to receive the award. She went through so much before becoming a mental health advocate. And yes, I watched The Patty Duke Show – she was the youngest actor to have a TV show named for her in the day, and I even remember the theme.

She even had a hit single. Here’s an anecdote from Ken Levine; I’d forgotten she’d been the Screen Actors Guild president. She was the Mystery Guest on What’s My Line (1972).

Ken Howard, 71: he of The White Shadow, 30 Rock, Crossing Jordan, Adam’s Rib and a bunch of other stuff I’ve watched. He was also SAG/AFTRA union president.

Garry Shandling, 66: comedian’s influential career spanned decades. I watched his eponymously-named show regularly. He also gave us the greatest TV show about television; I didn’t see it often, it being on HBO, but I DID see the finale while I was in Boston taping JEOPARDY! Mark Evanier rewrote for Garry.

Larry Drake, 67: from L.A. Law.

Former Toronto mayor Rob Ford, 46: died of a more respectable disease and The Honest Liar.

Music

My Window Faces The South – George Morgan with a young Glen Campbell.

I Ain’t Goin’ Nowhere – Rick Moranis.

Son of a Preacher Man – Tom Goss.

Not Given Lightly – Chris Knox, a New Zealand artist (1989).

Fragile – Sting and Stevie Wonder, from the former’s 60th birthday concert.

Green Onions and Sophia Loren. Loren was in Schenectady giving a talk recently; I didn’t see her, alas.

Google searches (me)

Drawing lots of lines.

Jewish View.

L is for Andrew Lloyd Webber

Andrew Lloyd Webber received seven Tony Awards, three Grammy Awards, and an Academy Award.

Like many people of a certain age, I first became aware of the name Andrew Lloyd Webber when Jesus Christ Superstar, the 1970 “rock opera” with music by Lloyd Webber and lyrics by Tim Rice was released. The two-LP package stoked a great deal of theological discussion at a point in my life when I had begun questioning my religious upbringing.

The story is “loosely based on the Gospels’ accounts of the last week of Jesus’s life, beginning with the preparation for the arrival of Jesus and his disciples in Jerusalem and ending with the crucifixion. It highlights political and interpersonal struggles between Judas Iscariot and Jesus that are not in the Bible narratives.” I played it incessantly, and know much of it by heart to this day.

Moreover, it generated two Top 100 singles for Yvonne Elliman, who played Mary Magdalene. I Don’t Know How To Love Him went to #28 and Everything’s Alright reached #92, both in 1971. Helen Reddy’s version of the former went to #13 that same year.

Superstar, essentially the title track, got only to #74 in early 1970, but was rereleased and eventually reached #14 in 1971. It was sung by Murray Head, the Judas Iscariot performer, with the Trinidad Singers.

Though written before JCSS, I next became aware of the single album Joseph and the Amazing Technicolor Dreamcoat, which, in the US, was a reissue of the 1969 Decca UK album. This music has been greatly expanded since then, with some song titles I do not recognize.

Evita, a musical based on the life of Eva Perón, turned out to be the last Lloyd Webber/Rice collaboration. It was first released as a concept album in 1976, then was performed in the West End in 1978, where it ran for ten years. Patti LuPone created the role of Eva on Broadway in 1979, for which she won a Tony.

Don’t Cry for Me Argentina is the best-known song, performed by a group called Festival in 1980 (#72 US), and Madonna (#8 US in 1997, from the 1996 movie starring her and Antonio Banderas).

“Lloyd Webber embarked on his next project without a lyricist, turning instead to the poetry of T. S. Eliot. Cats (1981) was to become the longest-running musical in London, where it ran for 21 years before closing. On Broadway, Cats ran for 18 years, a record which would ultimately be broken by another Lloyd Webber musical, The Phantom of the Opera.”

Memory is the big hit from Cats, which I heard LONG before I ever saw the show only a few years ago. “Elaine Paige, who originated the role of Grizabella in the West End production, released a version of the song that… peaked at No. 6 on the UK Singles Chart in July 1981… Barbra Streisand’s cover reached #52 on the Billboard Hot 100 chart and #9 on the Billboard adult contemporary chart in 1982. In the UK this version peaked at #34 the same year. Barry Manilow released a cover as a single in late 1982; this became the highest-charting version on the Billboard Hot 100 when it reached #39 in January 1983. Manilow’s recording also made the Billboard adult contemporary chart, reaching #8.”

This could go on – the most recent production of Andrew Lloyd Webber is School of Rock, based on the movie – but I did want to cite some of his awards. He was knighted in 1992, and “received seven Tony Awards, three Grammy Awards, an Academy Award… a Golden Globe Award, a Brit Award, the 2006 Kennedy Center Honors, and the 2008 Classic Brit Award for Outstanding Contribution to Music. He has a star on the Hollywood Walk of Fame, is an inductee into the Songwriter’s Hall of Fame, and is a fellow of the British Academy of Songwriters, Composers, and Authors.”

LISTEN TO the music of Andrew Lloyd Webber

I Don’t Know How To Love Him- Helen Reddy

Everything’s Alright – Yvonne Elliman & Ian Gillan (from JCSS)

Superstar – Murray Head With The Trinidad Singers (from JCSS)

Close every door – Donny Osmond (Joseph – 1999, a straight-to-video film)

Don’t Cry For Me Argentina – Madonna

Memory – Barbra Streisand

ABC Wednesday – Round 18

A shot at redemption

“As I spent more time listening, and really learning the root causes of poverty, I realized I was wrong.”

There was a woman outside of my building at work on Good Friday. She had a sign made from a cardboard box that said, “HOMELESS.” I gave her a dollar; sometimes I’m moved in these situations, and sometimes not, I don’t know why.

I could see the man right behind me with the Look. You know, “Don’t give that woman money. She should be working. Maybe she’s on drugs. You’re enabling her. She may be lying to you.” Or whatever.

Well, maybe, but that’s on her, not me.

And I can just read about what I thought was a revolutionary transformation by an unlikely source: Paul Ryan (R-WI), the Speaker of the House of Representatives. He said, as reported in the religious magazine Sojourners, of his past comments about the poor:

“There was a time when I would talk about a difference between ‘makers’ and ‘takers’ in our country, referring to people who accepted government benefits. But as I spent more time listening, and really learning the root causes of poverty, I realized I was wrong. ‘Takers’ wasn’t how to refer to a single mom stuck in a poverty trap, just trying to take care of her family. Most people don’t want to be dependent. And to label a whole group of Americans that way was wrong. I shouldn’t castigate a large group of Americans to make a point.”

Now some folks, understandably, thought these were cheap words, and I understand that. What actions will come from the budget process? Still, he’s a guy apologizing, when admitting culpability, in this election cycle, has been in short supply.

And on this Easter Sunday, I choose to believe, in the lyrics of Paul Simon, “These are the days of miracle and wonder“. Perhaps Ryan wants “a shot at redemption.” To which I say, “‘Amen!’ and ‘Hallelujah!'”

Music Throwback Saturday: Dead Skunk

Loudon Waniwright III played a singing dentist, Captain Calvin Spaulding, in a few episodes of the TV show MASH.

Last week, the Wife and the Daughter were out taking a walk about dusk. They saw a white skunk departing from underneath our neighbor’s front porch. We’d seen the creature before.

He went under a parked car, and must have emerged on the other side at a most inopportune time, as my family heard the sickening thud of a vehicle hitting the skunk.

A couple hours later, I got a ride home from choir rehearsal. We saw, and more importantly, we smelled the results of the accident: “Dead skunk in the middle of the road, stinkin’ to high heaven.”.

When I came in through our door, I could STILL breathe the stench in our living room, though the doors and windows were closed. That night, the Daughter slept in the back of the house with her mother, while slept in the Daughter’s bedroom, with the smell somewhat dissipated, but not gone.

That morning, after the garbage collectors had picked the trash, the Daughter and I noted that the dead skunk was still in the road, and I was thinking I would have to find a shovel to remove him. Fortunately, someone – I’m thinking it was a staff person from the nearby school – removed the deceased creature before a lot of the kids went to school.

The Wife drove off that morning, and while her car was about five car lengths away from the accident, it still reeked that that malodorous perfume.

The song

Loudon Waniwright III is a singer-songwriter who played a singing dentist, Captain Calvin Spaulding, in a few episodes of the TV show MASH. He also played the dad on Undeclared, a short-lived sitcom from 2002 that I loved.

He was married to women in similar lines of work. First, to the late Kate McGarrigle of the McGarrigle Sisters, who’s the mother of singers Rufus Wainwright and Martha Wainwright, then to Suzzy Roche of the Roches, mother of singer Lucy Wainwright Roche.

Dead Skunk, a song my daughter does not believe exists, got to #16 in 1973 on the US Billboard pop charts.

Listen to: Dead Skunk here or here.