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Closing TV themes that are DIFFERENT than the opening theme

The show Tayo The Little Bus has a different opening and closing theme.

My daughter wanted breakfast one morning recently. I thought to give her the tossed salad I had made the night before, which she merely nibbled at. Instead, I went with her request of scrambled eggs; the egg carton was under the salad bowl.

That made me think, naturally, of Tossed Salad and Scrambled Eggs, the end theme for the TV show Frasier [LISTEN to the extended version] . But what was the opening theme of that show? Seems that it varies a bit; LISTEN to this compilation.

What other shows have distinctive different opening and closing themes? By “distinctive”, I mean a totally different song. This eliminates tunes that are continuations of the opening (The Flintstones, The Beverly Hillbillies, Gilligan’s Island), or slower versions (The Jeffersons) or weirder versions (Addams Family).

I’ve been told that some cable shows, such as Game of Thrones, Boardwalk Empire, and Girls end with different songs for each episode; not what I’m looking for.

The first show I thought of was All in the Family, which opens with Those Were The Days, sung by “Archie and “Edith”, [LISTEN to an extended version] and ends with the instrumental Remembering You [LISTEN].

The other that came to mind was WKRP in Cincinnati, with a sad, mellow song as the intro [LISTEN to an extended version] and that intentionally incomprehensible rocker at the end [LISTEN].

A colleague reminded me of The Monkees program, which, of course, starts with The Monkees Theme. It ends with some song, I must say I didn’t know – I remember the “I wanna be free” part – but it’s For Pete’s Sake [LISTEN] from the Headquarters album. But Headquarters was their third album. In the first season of the show, did it start and end with the same song, as this clip [LISTEN] suggests? And did the ending get changed for syndication?

Another colleague mentioned Tayo The Little Bus, a program I had never heard of. But yes, here’s the opening theme [LISTEN] and the closer [LISTEN].

I found online a reference to Land of the Lost [LISTEN to opening and closing]. Wasn’t a show I watched.

Nor was I familiar with one found by fellow blogger Chuck Miller:

The original broadcast of the Vietnam drama Tour of Duty (CBS, 1988-91) had a generic drum and flute music at the end, but the opening credits were the Rolling Stones’ “Paint It, Black.” That music was removed from the syndicated and DVD episodes, but there’s still a reference to the opening credits as written by Mick Jagger and Keith Richards.

I took advantage of Ken Levine’s Friday Questions, one of which was about TV themes, to ask the question. Here are some of the responses:
Bosom Buddies (it’s “one show where the theme song (Billy Joel) had to be replaced because of Rights Issues”)
Happy Days’ first season
Gidget (“Ken’s favorite theme”)
The Monkees’ second season
Remington Steele after the first season
The Judy Garland Show
Captain and Tennille (“I’m pretty sure it was ‘Love will Keep Us Together’ at the opening and ‘A Song of Joy’ at the end.”)

What else, people? I’m probably talking about older shows, since, as Chuck correctly notes:

Unfortunately, today we don’t know a lot of the closing theme songs in that the last minutes of episodes are either showing previews for next week’s episode or promoting a different program; the closing credits zip by at lightning speed; about the only time we DO get a closing theme of any sort is if we watch the program via On Demand or in its DVD format.

Music and other miscellany for mid-August

This started off as odd, mostly music, links, that I had saved for some posts that never got written. Then everything I found interesting about music in the last month (except Tosy’s U2 posts, which will be at the end of the month) got added.

The Pink Panther theme.

The Lone Ranger theme.

Playing For Change: Here’s Guantanamera, featuring over 75 Cuban musicians around the world. Also La Bamba.

The first rock and roll record ever recorded.

Led Zeppelin’s “Whole Lotta Love” cover on a mountain dulcimer.

Leningrad Cowboys / Red Army Choir. 1993/2003 mashup of Stairway to Heaven

Michael Nesmith performing Different Drum.

32 miles minus 7 equals 25 miles.

Tedeschi Trucks Band performing “perhaps the most morose song John Sebastian ever wrote”.

Santana’s “While My Guitar Gently Weeps” featuring Indie.Arie & Yo-Yo Ma

Born To Pump It Up (Bruce Springsteen vs Elvis Costello & The Attractions mashup).

President Obama Singing Iggy Azalea’s ‘Fancy’. Well, sort of.

Non-Beatles songs on Apple Records.

A live version of John Cage’s 4’33”.

Maybe I’m Amazed – Paul McCartney. I first saw this on the Ed Sullivan Show near the end of its run, disappointed not that it was video – the Beatles had done that before on Ed’s show – but that there was no interaction. But I love this song.

Poem: Hellish Mind Music.

Yes, I signed the petition to have Weird Al Yankovic headline the Super Bowl XLIX Halftime Show. Even noted that he was a multigenerational talent who works clean.

The story of Lily the Pink.

What Does a Photograph Sound Like? (You may be able to hear most of the songs on Spotify.)

Sleeplisten with Me to the Los Angeles-based funk band Vulfpeck.

The stupid faux Sonny Rollins article.

Michael Franti & Spearhead : Time To Go Home.

“The True Spirit of American Rock,” by Peter Buck, October 1984 issue of Record.

Short Attention Radio.

According to Pitchfork, people in the US bought 6.1 million vinyl records last year, a resurgence. but still just 2 percent of album sales overall, AND there aren’t enough vinyl presses to meet the current demand.

Four Simple Notes Captured Listeners Across Centuries. Is this the world’s oldest riff? BTW, the article is referring to, according to a musician of my acquaintance, Am-G-F-E7 motif – not specified in the article.

Furor and fuss over Black Jesus, which references Jesus Christ Superstar, Life of Brian and John Lennon.

The Wisconsin Chair Company started the Paramount label. “And they accidentally ended up recording… some of the most incredible performers in American musical history.”

Grooves was a mid-1990s budget subscription that sent out 17-track CDs for $9.99 (cassettes $7.99). It was aggressively targeted at promoting Alternative Rock to the young married adults who had become disillusioned with the music on the rock stations of the time (and there were plenty of them out there).” I have all of these, except #4. They’re great, and the latter volumes have live pieces with a spoken word intro. It has a great version of Brick House by Joan Osborne; I can’t find it online, but here’s a live version featuring Bob Weir.

#1 songs on my birthday, 1964-1973

I’m passing on a great Sly song, and a Beatles anthem, to pick one of the greatest pop performances ever, in my mind.

My friend Dan Van Riper sent me this list of all the #1 songs since August 4, 1958.

I have links only to the middle tune, the song of my birthday. You can go to the website and hear the other contenders. If I’ve heard it before, I won’t play it again. If I’ve never heard of it, I’ll play it once. But I won’t listen to the adjacent tunes. My goal: am I happy with THAT choice to celebrate my birthday? Or (as will be the case in the latter stages of the game), I have no idea?

1/4/64 Bobby Vinton – There! I’ve Said It Again
2/1/64 The Beatles – I Want To Hold Your Hand
3/21/64 The Beatles – She Loves You

Maybe it’s because She Loves You was on a minor label (Swan) that finally became a hit in the US only after the Capitol Records marketing machine took IWTHYH to the top, but I always had the greater affection for it.

2/20/65 Gary Lewis and the Playboys – This Diamond Ring
3/6/65 The Temptations – My Girl
3/13/65 The Beatles – Eight Days A Week

All songs I own. I’ll pick that middle song, written by Smokey Robinson.

2/26/66 Nancy Sinatra – These Boots Are Made For Walkin’
3/5/66 Barry Sadler – The Ballad Of The Green Berets
4/9/66 The Righteous Brothers – (You’re My) Soul And Inspiration

The staff sergeant’s song was #1 for FIVE weeks, two weeks longer than any song that year. It wasn’t my type of record, let’s say, yet I knew all the words. Still, for my week, I’d take either of the other songs. Boots is iconic, though I never actually owned it, so I’ll pick Bill and Bobby.

2/18/67 The Buckinghams – Kind Of A Drag
3/4/67 The Rolling Stones -Ruby Tuesday
3/11/67 The Supremes – Love Is Here And Now You’re Gone

Own all of these, too. A tossup. All decent songs, none my favorite by the artist. Supremes, I suppose.

2/3/68 The Lemon Pipers – Green Tambourine
2/10/68 Paul Mauriat and His Orchestra – Love Is Blue (L’Amour Est Bleu)
3/16/68 Otis Redding (Sittin’ On) The Dock Of The Bay

Tough choice! I actually really liked Love Is Blue, the only performance by a French artist ever to top the Billboard Hot 100. “Its five-week run at the top was second-longest of any instrumental of the Hot 100 era next to 1960s Theme From A Summer Place,” which I was also fond of.
Then you have a song with GREEN in the title.
But I’ll opt for what I recall is the first posthumous #1 pop single, as Otis had died in a plane crash.

2/1/69 Tommy James and the Shondells – Crimson And Clover
2/15/69 Sly & the Family Stone – Everyday People
3/15/69 Tommy Roe – Dizzy

Did my sister own the Tommy Roe single? Heard it a lot. I’ll pick Sly, but I really also like how Crimson and Clover changes key near the end.

2/14/70 Sly & the Family Stone – Thank You (Falettinme Be Mice Elf Agin)
2/28/70 Simon and Garfunkel – Bridge Over Troubled Water
4/11/70 The Beatles – Let It Be

I’m passing on a great Sly song, and a Beatles anthem, to pick one of the greatest pop performances ever, in my mind.

1/23/71 Dawn – Knock Three Times
2/13/71 The Osmonds – One Bad Apple
3/20/71 Janis Joplin – Me And Bobby McGee

This is an easy pick. Donny trying to sound like Michael Jackson; nope. Tony Orlando; nope. Yet another posthumous #1, a great song written by Kris Kristofferson; yup.

2/12/72 Al Green – Let’s Stay Together
2/19/72 Nilsson – Without You
3/18/72 Neil Young – Heart Of Gold

Another tough choice. I love Neil, and this is perhaps cousin Al’s greatest song. But Without You, I felt viscerally.

2/3/73 Elton John – Crocodile Rock
2/24/73 Roberta Flack – Killing Me Softly With His Song
3/24/73 The O’Jays – Love Train

Mediocre Elton (given his other output from that period), decent Roberta, but anthemic (and geographically-based) O’Jays win out.

I Go To Sleep

The Pretenders released I Go To Sleep as the fifth single from their second studio album Pretenders II

I’d written this really LONG blog post, so long that it ended up in two parts, and it was emotionally exhausting. So I took a nap. Napping is not something I do well. Often, waking up, I feel more tired, or disoriented.

This time, though, I was feeling reflective when I awoke. I got to think about this song by the Pretenders called I Go to Sleep. So when I woke up fully, I started to find various versions of the song.

The Kinks (1965): Ray Davies wrote the song, as any obsessive/compulsive liner note/LP label reader would know. But I didn’t even realize this version existed. It’s a demo, and it sounds like it, but it’s sweet, though too fast, with choppy vocals, compared with the version I knew best. It was included, I learned, as “a bonus track on the reissue of their second studio album Kinda Kinks.”

The Applejacks (1965 single). Has this metal clanging throughout, which I found really annoying.

Cher (1965, on her debut album All I Really Want to Do.) She sings it OK, but the arrangement messes with the major/minor chordal structure in the bridge, not to its benefit.

Peggy Lee (1965, from the album, Then Was Then, Now Is Now.) I love Peggy Lee, but not this, which seemed oddly parochial.

Marion (1967, released as a single in Germany and the U.K.) Marion Maerz was a German singer of the ’60s. This was apparently a significant version, as it got a special section in Wikipedia. It is string-heavy on the bridge, and thereafter. The background vocals do not particularly enhance.

The Pretenders (1981, released as the fifth single from their second studio album Pretenders II) The gold standard, three minutes of perfection.

Sia (2008: Sia Furler, on her album Some People Have Real Problems. Sia’s cover charted at number thirty-two on the Australian Singles Chart.) This is about the same length as the Pretenders’ version, yet feels rushed, somehow. However, this Sia version, at 3:30, and with a harmony vocal, is very nice.

Works Progress Administration (2009, on their self-titled debut album WPA). I rather like this one, with the harmony on the bridge.

Anika (2010, on her debut album Anika.) I was reading the YouTube comments. Some people don’t understand why everyone wouldn’t like this. But I’m in the other camp that found the beat very annoying, with the voice somewhat of a monotone. I did like the idea of what’s being attempted here more than the execution.

Rasputina (2011: on their collector’s album “Great American Gingerbread: Rasputina Rarities & Neglected Items”), This is live, with two cellos, and despite a clunky note or two, I rather enjoyed it.

Other versions:
2011: Camilla Kerslake on her second album Moments
2011: Kraus
2013: Rachael Leahcar on her second album Romantique

Here are the lyrics to I Go To Sleep.
***
Going to Sleep [New Timelapse Video].

Arthur is sleepy.

Ellmers v. Aiken

It’ll be interesting to see what type of representative NC-2 wants.

Earlier this month, reporter Ashe Schow of the Washington Examiner wrote “an article about the GOP’s poor messaging on the ‘war on women’ narrative. I posted some comments from Rep. Renee Ellmers, R-N.C., who said GOP men need to bring their messages ‘down to a woman’s level.’

“Ellmers called me a ‘liberal woman reporter’ and said I had taken her quote ‘completely out of context.’

“Below are her full comments from the event…, along with the audio of her segment. I have bolded the comments I used in my original post.” Having looked at the link, I feel Ellmers was treated fairly.

This story is still interesting to me because:
1) it IS the GOP war on women, being propagated by a woman
2) it is a classic “blame the press” ploy, which might work on a few, but not to anyone who bothered to read the transcript

Let me express my inherent bias here: all things being equal – and all things are NEVER equal, I’d be inclined to support a female candidate over a male candidate. In this case, though, if I were able to vote in the Congressional race for North Carolina’s Second District, I would support the male candidate.

That guy, BTW, is Clay Aiken, best known to me as the second-place contestant on an early season of American Idol; we even own one of his albums. You may have also seen him – I did not – on Celebrity Apprentice, where, I am told, he presented himself well.

Aiken had an odd row to the Democratic nomination. He had a tough primary fight with his opponent, 71-year-old Keith Crisco, back in May. Aiken won by a small margin, but Crisco had not yet conceded the race when Crisco suffered injuries from a fall at his home and died. Crisco associates say that he was about to concede the race to Aiken the next day.

It’ll be interesting to see what type of representative NC-2 wants, a two-term woman who appears to be over her head in Congress, or an openly gay man with a bit of entertainment fame. Last time out Ellmers won with 56% of the vote. As noted, my rooting interests are with the singer.