Beatles Island Songs, 123-114

At least it’s less self-important than Within You, Without You on Sgt. Pepper.



JEOPARDY! answers-
LICENSE PLATES $300: A car with plate #LMW 28IF on this Beatles album cover furthered rumors that Paul was dead
GOLDEN OLDIES $200: It’s easy to grasp the fact that this Beatles song was their 1st to go to #1 in the U.S.
ROCK ‘N ROLL $200: Beatles song about purchasing affection that was 1st to hit #1 in U.S. & Britain at same time

The Beatles Complete on Ukulele

The rules of engagement

123 Dizzy Miss Lizzy from Help! (UK), Beatles VI (US). Another Larry Williams tune, well covered by Lennon.
122 I’ll Cry Instead from A Hard Day’s Night (UK, US), Something New (US). “I’m gonna have myself a way/hey”? But I loved it.
121 Here, There, and Everywhere from Revolver. Pretty McCartney.
120 Julia from the white album. Lennon lost his mother twice, once when she abandoned him when he was five, and again at 17, when she died. It is a gentle portent to the more primal screams of Plastic Ono Band’s Mother.
119 It Won’t Be Long from With the Beatles (UK), Meet the Beatles (US). Good use of “yeah”.
118 Love You To from Revolver. Harrison got three songs on the album, and while this is the least of the three, at least it’s less self-important than Within You, Without You on Sgt. Pepper.
117 When I Get Home from A Hard Day’s Night (UK), Something New (US). Muscular tune from Lennon.
116 Let It Be from Let It Be. Yet another overplayed McCartney song, though a fine one.
115 Don’t Bother Me from With the Beatles (UK), Meet the Beatles (US). Harrison’s first writing credit in the canon, and it spoke to a theme in his life.
114 Norwegian Wood (This Bird Has Flown) from Rubber Soul. A very nice Lennon song, mysterious, the first song with sitar, and all that, and slightly overplayed in my time.

JEOPARDY! questions-
What is Abbey Road?
What is “I Want To Hold Your Hand”?
What is “Can’t Buy Me Love”?

Joan Baez


This fall, I finished watching some program on the DVR, and the TV defaulted back to the PBS station. I wasn’t really paying attention, but, even with my back turned, I knew INSTANTLY that the speaking voice I was hearing was that of Joan Baez. It turned out to be a rebroadcast of Joan Baez: How Sweet the Sound, “American Masters explores fifty years of folk legend and human rights activist Joan Baez,” which originally aired in October of 2009.

There was an album in our household that was played quite often when I was growing up, the oddly-named The Best of Joan Baez from 1963, an edited version of Folksingers ‘Round Harvard Square from 1959. The original came out before her “official” first release, “Joan Baez” on Vanguard Records in 1960. The Best of album, in fact, was the template the Green Family Singers (my father, my sister and I) used when we sang So Soon In the Morning.

Watching the PBS show, I was reminded how some people now may not have known that when she hit the national spotlight, it was her fame and connections that helped popularize her boyfriend for a time, Bob Dylan. She performed several of his tunes over the years, including a whole album, originally released as 2 LPs, called Any Day Now, which I own.

But it wasn’t just her beautiful and distinctive soprano that made her iconic. She believed that music could be used as a tool for change in the areas of civil rights, nonviolence, and worker’s rights. She (and Dylan) performed at the March on Washington in August of 1963, just one of a string of events where she put her voice, and occasionally her body, on the line for issues of justice.

I remember in the mid-1970s when I was at the home of one of my professors. He was playing Joan’s then-new album Diamonds and Rust. I was half listening to A Simple Twist of Fate, a Dylan song, when, at about 2:19, she breaks into this wicked Dylan impression. I howled with laughter.

She performed at the Troy Music Hall in the fall of 2010. I didn’t get to go, as the show sold out quickly. But I hear it was a great performance. The only time I KNOW I saw her perform live was August 9, 1998 in Saratoga Springs, NY as part of the Newport Folk Festival along with Lyle Lovett, Bela Fleck and the Flecktones, Nanci Griffith, Marc Cohn, Lucinda Williams and others; THAT was for sure a great show.

Anyway, Joan is 70 today, and I thought I needed to acknowledge that. Here’s one of the relatively few songs she wrote, the title tune to the aforementioned Diamonds and Rust album.

“Action is the antidote to despair.” – Joan Baez

Halls of Fame QUESTIONS


The Baseball Hall of Fame votes were announced this week. I totally agree with the choices of Roberto Alomar and Bert Blyleven; I wanted Blyleven years ago. If I had had a ballot, I would have probably voted for the people who came in 1-7, plus 11: Roberto Alomar, Bert Blyleven, Barry Larkin, Jack Morris, Lee Smith, Jeff Bagwell, Tim Raines, Mark McGwire.

Yes, I’d be voting for Mark McGwire, who, assuming he was taking steroids during his career – OK, he was – took them when they were not effectively banned by Major League Baseball. Rafael Palmiero, he of the finger-wagging to Congress that he was clean, then later suffers a suspension over the use of a banned substance, did much worse in the voting than a 500-HR/3000-hit batter would have in a pre-steroid era. I have publicly theorized that his performance in DC definitely cost him; he was not going to make it in his first chance.

Why can’t reliever Lee Smith get more love?

Eventually, I’d vote for Edgar Martinez; it’s difficult for me to pick a pure Designated Hitter, mostly because STILL hate the DH rule. And now that Alan Trammell has only five more years, I would likely start selecting him too. Rafy too, in a couple of years. My working theory is that once a bunch of steroid-era players are on the ballot, McGwire and Palmiero will get inducted, maybe in years 12 to 15 of their 15-year window of eligibility.

Meanwhile, the Rock and Roll Hall of Fame induction list was released a last month, with the ceremony to be held in March. I was really happy to see Neil Diamond on the list, and also Leon Russell as a sideman, or as they are now calling it, the “musical excellence award”; I should get that album Russell did with Elton John. But, of the nominees for this year, the most disappointing omission was the late Laura Nyro. If not as a singer, then she ought to get as a songwriter. Through the pictured album, which is a bunch of cover songs, she’s deserving as a performer as well. -inductees
Alice Cooper, Beastie Boys, Bon Jovi, Chic, *Neil Diamond, Donovan, *Dr. John, J. Geils Band, LL Cool J, * Darlene Love, Laura Nyro, Donna Summer, Joe Tex, *Tom Waits, Chuck Willis

For either or both Halls of Fame, who would you have picked for this year?

Beatles Island Songs, 133-124

The verse and chorus don’t really fit together very well, and somehow, that’s endearing.



JEOPARDY! answers-
BILLBOARD NO.1 HITMAKERS: In May 1964 this New Orleans native was 62 years old when he bumped the Beatles’ “Can’t Buy Me Love” from the No. 1 spot
BEATLES SONGS: The title of this Beatles song is a Yoruba phrase that means “life goes on”
THE BEATLES: Fittingly, the cover of this Beatles album shows the Fab Four engaging in a semaphore message
Questions below.

The rules of engagement

133 Slow Down, EP release (UK), Something New (US). Larry Williams’s cover adeptly done by Lennon.
132 In My Life from Rubber Soul. Another song that should rank higher except that I just burned out on it. Jaquandor, who is a relatively new Beatles convert, wrote a nice piece on the song, which is all true.
131 Martha My Dear from the white album. My first girlfriend in high school was named Martha, probably when the album came out. Yes, I know it’s about McCartney’s sheepdog.
130 Mother Nature’s Son from the white album. Pretty McCartney song.
129 The Fool on the Hill from Magical Mystery Tour. Especially like the instrumental bridge of this McCartney song.
128 Wait from Rubber Soul. Pretty ordinary song, considering it’s on a great album, but the Lennon and McCartney vocal byplay elevates it.
127 Sun King from Abbey Road. Lennon’s nonsense lyrics at the end are a hoot.
126 Hold Me Tight from With the Beatles (UK), Meet the Beatles (US). A driving McCartney tune.
125 I’ll Follow the Sun from Beatles for Sale (UK), Beatles ’65 (US). I always thought this was a pretty McCartney song, with occasional tight harmonies.
124 Baby, You’re a Rich Man from Magical Mystery Tour. Probably the least well-known song on the album, originally the B-side to All You Need Is Love. The verse and chorus don’t really fit together very well, and somehow, that’s endearing.

BeatlesNews.com– 24 Hours A Day, Eight Days A Week…

JEOPARDY! questions:
Who was Louis Armstrong?
What is Ob-La-Di, Ob-La-Da?
What is Help?

Roger Answers Your Questions, Demeur, Anthony, Gordon, Scott, ChrisJ, and Dorothy

What would I teach? The problem is that I know a little about a lot of things, but I’m too ADHD to do anything at the level of depth that I would require of myself.

I’ve managed to confound ChrisJ of Flamblogger, one of those ABC Wednesday bloggers:
My question to you is actually highly personal to me. Where did the name “The Lydster” come from for your blog? Also, is it the name of your blog? I’m confused. My maiden name was Lidster, highly unusual for over here, though as I understand it, there are plenty of Lidsters in Northumberland. But we know next to nothing about that side of the family.
Just wondering.

The Lydster is what I call my daughter Lydia in this blog, just as my family used to call my eldest niece Becky the Beckster.
No, the name of my blog, for good or ill, is Ramblin’ with Roger.
***
Near-twin Gordon from Blog This, Pal! wants to know:
Since I know you’re a big Rod Serling fan (like I am), wanted to ask you this question:
Are you a fan of NIGHT GALLERY? If so, is there a particular script of Serling’s from that show that you enjoy?
(Knowing what I know about NG – that Serling had no creative control – I thought his scripts were OK, but nothing to write home about. Except maybe THEY’RE TEARING DOWN TIM RILEY’S BAR)

Gordon, I may not have watched most of the episodes of Night Gallery, except perhaps the earliest ones. The second season was my freshman year in college and I didn’t have a TV. By the time I DID look in on it, in that third season, I found it wildly uneven. Moreover, I knew that Serling wasn’t happy with it, so, almost in solidarity with him, I just quit watching it altogether. In any case, I haven’t seen any shows since, and unlike episodes of the Twilight Zone that I saw but once yet still remember, no specific episode ever imprinted on me. I mean, I look at the synopses and say, “Oh, yeah, right.” But not like I would with other shows of that era.
***
Scott of the Scooter Chronicles, who has more in common with me than he possibly knows, inquires:
Since you mentioned the choir, and I haven’t seen you mention it, what part do you normally sing?

I normally sing baritone. This is to say that if there is a divided bass part, I sing the upper part. Occasionally, when there is a divided tenor part, and I sing the lower bits.

I am reminded of this tenor section leader we had at my old church. His name was Sandy Cohen, and he was a great guy. But he wasn’t a particularly healthy guy. He had a heart attack during service once, and he refused to leave until the service was over, because he had to “finish the gig”, his words. Well, on December 24, 1990, we were at a choir gathering prior to the midnight service, and we got a call that Sandy had had a fatal heart attack. Talk about awful. For a few months after that, I sang tenor until we got another tenor section leader.

What was the most enjoyable song you have sung with the choir?
My goodness, that would be really difficult to narrow down. That said, I’m a sucker for a good Requiem – I’ve sung Mozart, Rutter, Faure, parts of the Brahms, I’m sure there are others.

What was the toughest song you ever sung with the choir?
This is invariably true that difficult stuff I tend to block out of my mind. Not saying there hasn’t been tough stuff, but I tend to just enjoy the end product. I guess it’s sort of what women sometimes say about childbirth.

Is there a song that you are tired of singing?
Not really. But I REALLY hate singing in unison. I find it boring. I tend to hear harmony in almost everything.

Is there a song that you wished any choir you were a part of would sing that haven’t?
There’s this song I did in high school called The Creation that I’d actually love to do.
One of my colleagues once suggested that we do “Til I Die”, the Beach Boys song from the Surf’s Up album. A lovely song, but of dubious theology.
***
Dorothy Turk, a displaced librarian, asks:
Have you watched the musical Scrooge w/Albert Finney or A Tuna Christmas?
And are you a Capricorn?

I probably saw the Finney Scrooge the very year it came out, c. 1970, but not since. I saw A Tuna Christmas at Capital Rep in late 1995, almost certainly with my girlfriend at the time, Carol, who I’m now married to.

I’m reminded that Kris Kristofferson had an album called Jesus was a Capricorn, even though he probably wasn’t. And neither am I; I’m a Pisces.
***
Demeur, “The remover of nasty things. I deal with stuff you wouldn’t consider touching,” wants to know:
Why is it that most if not all librarians require a master’s degree?
My mom was a librarian and she only had a high school eduction, but then again that was back when high school requirements were closer to what’s taught in college.

Here’s an answer to that question that I found:
“Actually, there is a wide range of library jobs, some of which don’t require a degree and are done by paraprofessionals. But the title of librarian is usually reserved for someone who has a master’s degree in library and information science from an American Library Association (ALA) accredited institution. Many academic librarians have two master’s degrees, one in LIS and another in their speciality discipline.”
In other words, the ALA set the bar for professionalism and the states followed. I’m sure it’s true in your line of work that the associations or guilds have set standards for the profession, and the states, yielding to the greater expertise, have followed.
Librarians can have a wide range of undergraduate degrees. The graduate school provides a background in a wide range of skills, from reference and cataloging to the business of doing more with less. And in some venues, such as colleges, the librarian is equivalent to a teacher or professor, for which we require advanced degrees.
***

And speaking of libraries, and teaching:
Anthony of The Dark Glass asks:
When did you know you wanted to be a librarian, and what particularly interests you about this field. Is there anything you don’t like about being a librarian or the field of library science in general? And, has any other vocation ever crossed your mind? For whatever reason, I imagine you would be a good teacher. Has that ever crossed your mind, and if so, what would be your field?

It’s not that I ever wanted to be a librarian; it’s that it has always called me. From being a page at Binghamton Public Library; to organizing the tracks of my compilation albums by artists on 3 by 5 cards; to working at FantaCo and going to the library, only a block away, to track down publisher information in Books in Print, my mind always went that way. It is, I suspect, like you and theology; you didn’t choose it; it chose you.

BTW, there WAS a recent ad to be a librarian at the Rock and Roll Hall of Fame; if they move it from Cleveland to Albany, I’m applying. And the Baseball Hall of Fame in Cooperstown I’d definitely work at.

What I like about being a librarian: I learn new things almost every day. What I don’t like: when I am doing some rote thing one more time – not a restaurant startup AGAIN. My basic problem in life is the fear of boredom. Part of the salvation in this job, besides the varied questions, is the changing technology, from 4 or 7 of us using one CD-ROM drive to having it on a LAN to the Internet, from printing pounds of paper to doing PDFs. Oh, one other downside: we LOVE to be able to answer the question, but when we’re given incoherent or totally unanswerable questions, it gets mighty frustrating; it’s against our nature to say no.

If I weren’t a librarian, I would have to be someone training others to do customer service. I have mentioned this before, but I requested and received, a phone at my desk in my office so I can answer the main phones when the office manager is away. It’s not my job, but a regularly unanswered phone in the middle of the day is NOT good customer service.

I’d hate being a teacher, which is what my wife does, BTW. I’d hate the anxiety over prep. I’d hate the “performance” of the classroom. I’ve done occasional workshops, but those are one-off things. I LIKE one-off things. They’ve been about government and other resources for small businesses, primarily.

What would I teach? The problem is that I know a little about a lot of things, but I’m too ADHD to do anything at the level of depth that I would require of myself. What do I know that lots of others don’t know better? The history of FantaCo? The recording history of the Beatles? Well maybe, but there’s not a lot of call for that.

This is why I blog, BTW. I write about myself, and even I’m surprised by what I find. And I am singularly unable to focus this blog on one or two areas. It’s all over the place because I’M all over the place.

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