The Most Awarded Songs #3

I know all of the lyrics to the song Tequila

Mary Wells.My GuyFrom Joel Whitburn’s Top Pop Singles book, The Most Awarded Songs #3. This covers a range of categories: ASCAP, BMI, RIAA, Rolling Stone magazine, plus Grammys and Oscars, and more.

130. Strangers In The Night – Frank Sinatra. This was from the movie A Man Could Get Killed, starring James Garner, which I’ll admit I am unfamiliar with. But for Frank Sinatra, it was a #1 song in the midst of the rock and roll era, 1966, his first #1 in more than a decade. Yet Frank HATED the song and thought it was terrible. Especially the “doo-be-doo-be-doo” part, which later inspired CBS TV exec Fred Silverman to rename a cartoon character Scooby-Doo. Oh, and there is a complicated copyright issue.

129. Where Did Our Love Go – The Supremes. In 1964, this was the first of five consecutive #1 songs, for the former “No-Hit Supremes.” Like many of their hits, it was written by Holland-Dozier-Holland.

128. My Guy – Mary Wells. I was always impressed by the fact that My Guy and My Girl were both written and produced by Smokey Robinson. Both went to #1.

127. I Still Haven’t Found What I’m Looking For – U2. Isn’t that true of many of us? From Joshua Tree, still my favorite U2 album, pretty much from the jump. I do find the Rattle and Hum version, with the gospel choir, intriguing, though.

126. The Way They Were – Barbra Streisand. I understood the relationship between the two main characters in the 1973 film of the same name, which I saw. Part of the film, starring Streisand and Robert Redford, was filmed at Union College in Schenectady. The idea of people who love each other but are ill-suited is quite relatable to me. The song, by Alan Bergman, Marilyn Bergman, and Marvin Hamlisch, expresses that melancholy.

Postage due

125. The Letter – The Box Tops. The Joe Cocker version is fine, but this one is both short and insistent. I feel as though I should have gotten into other Alex Chilton music, such as Big Star.

124. Tequila – The Champs. This was supposed to be the B-side to Train To Nowhere, but a DJ flipped the record. The song became so much a part of pop culture.

123. All Along The Watchtower – Jimi Hendrix. This is ALWAYS on lists of the greatest cover songs. Bob Dylan recorded the song dor his John Wesley Harding Harding album, but in his live shows, his version is more like the Hendrix iteration.

122. Coal Miner’s Daughter – Loretta Lynn. An epic recounting of her growing up in poor, rural Kentucky. But it could have been much longer, as she was asked to drop five or six verses. I always meant to see the movie with Sissy Spacek.

121. Purple Haze – The Jimi Hendrix Experience. This likewise is ALWAYS on the list of popular mondegreens. “‘Scuse me while I kiss this guy,” which I NEVER heard until others suggested it.

How do I consume my music?

If it’s May, it must be Winwood and Wonder

As is often the case, this post, How do I consume my music?, was inspired by old buddy Greg Burgas’ post. Before I get to the crux of the matter, let me address some of his introductory comments.

He writes: “I still buy physical compact discs because, like comics, I like the physical objects, but I’m certainly not averse to getting something only digitally.” This is true of me as well. I know I HAVE various recordings that are digital only, but I have not organized them in any systematic way.

“I don’t listen to Spotify or any other music service, and I rarely listen to the radio.” Ditto. The radio in the car is controlled by my wife and, to some degree, my daughter.

“I don’t tend to find a lot of new music, which is fine with me. A lot of the bands I like are still releasing albums, and I’m good.” This is largely true. I’m more likely to buy the new Bonnie Raitt or Elvis Costello – I bought them both in 2022, though Elvis now has ANOTHER album.

Most of the artists who put out their first albums in the 21st century, I learned about them from watching Saturday Sessions on CBS’ morning show. Regina Spektor and especially Jason Isbell are the examples that immediately come to mind.

The crux of the matter

“My point with my friend was: If you liked something for years, why don’t you listen to it anymore?” Well, I think it’s just how different minds work. I remember a trip to Cooperstown back in the 1990s, and we had Talking Heads’ Speaking in Tongues on probably the cassette player. And when Naive Melody (This Must Be The Place) came up, they did not remember it, even though they owned the album! They fell in love with it anew.

“I have a CD player in the car.” The new car does not, to the disappointment of both my wife and me.

“So my Question is: How do you consume your music? Do you listen to music?”

I consume my music almost constantly, roughly seven CDs per day. I had a portable CD player at work, and now at home. And I play them more or less systematically, based on the artist’s birthday. I play musicals in June and movie soundtracks in February. At some point – ooh, in 2007! – I wrote about that.

If I have no CD player, I’ve been known to go to my Amazon list, which is comprised not only of albums I’ve bought there but random freebies I don’t recognize.

“What do you do in the car if you don’t listen to music? Audiobooks? (Gasp) Silence? Let me know!!!!!” My wife will listen to National Public Radio. But if the daughter is listening – she often has her own devices – we’ll listen to the pop radio stations. And my wife has listened to books on tape.

1982 #1: fodder for Weird Al

three movie songs

As I looked at the 1982 #1 hits on the Billboard singles chart, two things occurred to me. One was that I’m positive I own at least 14 of these 15 songs, usually on greatest hits albums or compilations, even though there are a few I don’t particularly like. I’m not sure of the Vangelis track. The other is that a few of them were parodied by Weird Al Yankovic.

I Love Rock ‘N’ Roll – Joan Jett and the Blackhearts, 7 weeks at #1, platinum record. A song originally performed by a group called the Arrows. Weird Al parody: I Love Rocky Road
Ebony and Ivory – Paul McCartney with Stevie Wonder, 7 weeks at #1, gold record

Eye Of The Tiger – Survivor, 6 weeks at #1, double platinum record. The theme to the movie Rocky III, which like its predecessors, I did see. Weird Al parody: Theme From Rocky XIII (The Rye or the Kaiser)
Centerfold – The J. Geils Band, 6 weeks at #1, gold record

Maneater – Daryl Hall and John Oates, 4 weeks at #1, gold record. Weird Al parody: Spameater, which was not commercially released.
Jack and Diane – John Cougar, 4 weeks at #1, gold record. Weird Al parody, sort of: Buckingham Blues.

Don’t You Want Me – The Human League, 3 weeks at #1, gold record
Up Where We Belong – Joe Cocker and Jennifer Warnes, 3 weeks at #1, platinum record. Used in the movie An Officer and A Gentleman, which I saw at the time. Jennifer Warnes’ Famous Blue Raincoat is a great album of Leonard Cohen covers.

Abracadabra – the Steve Miller Band, 2 weeks at #1, gold record. Album cut.
Hard To Say I’m Sorry – Chicago, 2 weeks at #1, gold record
Truly – Lionel Richie, 2 weeks at #1, gold record

A single week at #1

I Can’t Go For That (No Can Do) – Daryl Hall and John Oates, gold record; Album cut 
Mickey – Toni Basil, platinum record. Weird Al parody: Ricky, based on I Love Lucy
Who Can It Be Now – Men At Work
Chariots Of Fire: Titles  – Vangelis. The only instrumental on the list. I saw the movie with my girlfriend and her son right after it won the Oscar, and we were disappointed. “That was Best Picture?” I probably should watch it again. 

August rambling: personality cult

The 2030 Census

Guns and reproductive system
Original source unknown

“Unite the Right” five years later

Secret Service Held Onto Violent Jan. 6 Threat Against Pelosi

Governing Party vs. Personality Cult

djt: His Alleged Crimes at CRIME-A-LAGO and THE COMPLETE GUIDE TO ALL THE WAYS HE IS LEGALLY SCREWED, and his discarding and hoarding of documents just might be pathological

The FBI Confirms Its Brett Kavanaugh Investigation Was a Total Sham

Let’s Hear From the Women Lis Smith Smeared. The political operative who covered for Cuomo is on a comeback tour, trying to paper over the damage she caused.

Correcting Misinformation About Dr. Fauci

Poll Finds 3 in 4 Voters Want to Expand Social Security by Taxing The Rich

Last Week Tonight with John Oliver: Afghanistan and Carbon Offsets 

Most victims of the global problem of out-of-control militarism don’t get the same attention from the Western press.

Is This The Moment For A Third Political Party?

The 10 Things That All Flat Earthers Say

Mr. Brunelle: quiet quitting and new Florida teachers

Census and more

Census: Post-Enumeration Surveys and Bureau Invites Public Input on Designing 2030 Census, and Bureau Must Ensure the Next Census Deploys the Highest Quality Science

Average Lifespan Of Residents In Each US State,

Federal and State Agencies to Notify of a Name Change

Salem Witch Trial Victim Exonerated After 329 Years

Was King Arthur a Real Person?

Should Christians Listen to Explicit Music?

Frederick Buechner, popular Christian ‘writer’s writer’ and ‘minister’s minister,’ dies at 96

Len Dawson, Kansas City Chiefs quarterback and broadcasting legend, dies at 87

Ken Levine remembers Vin Scully 

Cross-Pollinating for the Collective

Kelly’s eclectic linkage

Jodi Balfour on the Importance of Her Coming Out on ‘For All Mankind’

14 Notorious Movies and TV Shows That Have Never Been Released

Academy Apologizes to Sacheen Littlefeather for Her Mistreatment At the 1973 Oscars

Capitol Records Severs Ties With A.I. Rapper FN Meka, Apologizes to Black Community for “Insensitivity”

Steve Martin on His Late Career Surge; he plays well with others

Now I Know: The Musician Whose Big Break Was a Broken Instrument and Münchausen by Internet and Why U-Hauls Pretend to be From Arizona and  Why Barber’s Poles Have All Those Stripes and How to Get Supplies to an Underwater Laboratory

Student debt

President Biden’s announcement on student debt cancellation generated a lot of conversation. Some believe the $10,000 forgiveness was far too little, while others bemoaned doing so at all. A Facebook comment by Kelly Sedinger resonated with me.

“Nothing illustrates our society’s abdication of the notion of leaving a better world for our children than we ourselves received than (a) creating an economy where higher education is almost a requirement to succeed at any level of comfort, (b) making said education wildly expensive, to the point that virtually no one can afford it out of pocket, (c) thus requiring a system of financing that applies higher-than-they-should-be interest rates and making that debt unable to be dissolved in bankruptcy, and finally (d) freaking out at forgiving some of that debt.”

Mark Evanier added:  “A lot of folks who are fine with your, my and their tax dollars going to very, very rich people sure get upset when that money goes to people who are not very, very rich.

MUSIC

Lock Him Up Yesterday – Randy Rainbow

I Hope So – Katrina Stone

Coverville 1411: The Jethro Tull Cover Story

Javelin by Michael Torke.

Let It Be – Peter Sprague,  featuring Rebecca Jade

Apotheosis of this Earth by Karel Husa

Shattered Memories – Michał Łapaj (feat. Mick Moss)

I’ve Just Seen A Face – Peter Sprague, featuring Rebecca Jade

Home Grown – Booker T and The MG’s (stereo)

Morning, Noon, and Night in Vienna – Franz Von Suppe’

Performer John Hiatt turns 70

“I’ll be there to catch your fall”

John HiattI’ve been listening to John Hiatt for nearly four decades. So enamored with his music was I that I wrote a post about him when he turned 54. Since then, I’ve got the albums The Open Road (2010), Dirty Jeans and Mudslide Hymns (2011), and Terms of My Surrender (2014).

His sixth album I have on vinyl. Hiatt said, “I always kind of look at Riding with the King (1983) as the first album where I really put it all together.” And that’s probably true. Warming Up to the Ice Age (1985) failed commercially, and Geffen dropped him from the roster. Bring The Family (1987) was his first Billboard 200 album and is probably my favorite.

Slow Turning (1988) has such great songs that several were covered by other artists. Indeed, LOTS of artists have covered his songs, many of which I own. A small list: Sure As I’m Sitting Here (Three Dog Night), Across the Borderline (Willie Nelson), Thing Called Love (Bonnie Raitt), When We Ran (Linda Ronstadt), and Riding With The King (B.B. King and Eric Clapton).

My wife and I saw him at the Troy (NY) Music Hall in 2003.

Twelve songs

Here are a dozen John Hiatt tunes. If I were to pick my favorites, almost half would be from Bring The Family.

The Tiki Bar Is Open – the title track. Someone on a video wrote of John that he “has remained a fringe artist all these years despite his incredible songwriting skills and emotive and highly recognizable vocal style. He just keeps putting out amazing stuff year after year.”

Trudy and Dave – Slow Turning. My mom was named Trudy. I had a whimsical thought that mom had run off with another guy. “They’re out of their minds.”

Real Fine Love – Stolen Moments.

Feels Like Rain – Slow Turning.

Crossing Muddy Waters – the title song. I think songs from this acoustic album were performed by Hiatt on A Prairie Home Companion c. 2000.

The Most Unoriginal Sin – Beneath This Gruff Exterior. This was recorded by Willie Nelson in 1993, a full decade before Hiatt put it on the end of an album.

She Loves The Jerk – Riding With The King.

Slow Turning – the title track. Namechecks Charlie Watts.

Shredding The Document – Walk On. The lyrics are a bit dated – Larry King, e.g. – but I LOVE the harmony on the chorus.

Perfectly Good Guitar – the title track. Apparently, this ticked off Pete Townshend for a time.

I Don’t Even Try – Riding With The King. A variation on a familiar pop hook.

Have A Little Faith In Me – Bring the Family. When I made a mixed tape for my now-wife Carol, this was the centerpiece.

Bio

My friend Rocco read a biography that he really liked, Have a Little Faith: The John Hiatt Story by Michael Elliott. It is “a long-overdue, in-depth biography of Americana’s most enigmatic characters,” according to the review in Americana UK. 

The writer touched on every studio album that Hiatt did and gave some great insight into what made it happen even the one live album, Rocco reports.

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