music Archives - Page 72 of 264 - Ramblin' with Roger

December rambling: slowest rate

Nell Stokes, Rebecca Jade, Literary Legends, public domain

Photo taken by Wayne — **Photo was taken by Wayne**

U.S. Population Grew 0.1% in 2021, Slowest Rate Since Founding of the Nation and Net International Migration at Lowest Levels in Decades

What State of Matter is Fire?

Frequency Illusion? What’s the Baader-Meinhof Phenomenon?

Black mothers turning to doulas in light of the nation’s horrifying maternal death rates

Two Texas teens dressed as Klansmen tased their Black classmate

Solomon Northup’s “A Slave’s Christmas”

Wreck of last US slave ship mostly intact on the coast

NEA Guide for Racial Justice in Education

Missouri Cop Pulls Over School Bus Driver For Wearing A Mask

147 New York dams are ‘unsound’ and potentially dangerous Thousands of dams have not been inspected in more than 20 years

The departed

Hidden Pentagon records reveal patterns of failure in deadly airstrikes

Desmond Tutu, a cleric who campaigned against apartheid in South Africa, dies at 90. “A moral beacon in a deeply troubled land, Tutu managed to irritate the African National Congress government that took power after South Africa’s first all-race elections, as much as he had riled the apartheid regime that had previously oppressed the country’s Black majority.”

Joan Didion, Literary Titan, Dies at 87; Jon Avnet on Making ‘Up Close and Personal’ With Her

TCM Remembrance of performers past

This Year, Hollywood’s China Relationship Finally Unraveled

After his performance in The Music Man, Hugh Jackman touts Broadway understudies, standbys, and swings. The role of Marion Paroo, the female lead, was supposed to be played by Sutton Foster, who tested positive for COVID. The role was covered by a swing named Kathy Voytko, who also covered seven other smaller roles in the production.

Flying from Honolulu to Buffalo just before Christmas

I Stopped Caring About My Kids’ School Grades. You Should, Too.

“She could never love me!” Comic books and disability cliches

Chuck’s best blog moments of 2021, which includes me!

The Awakening – Albany’s first movie (1914)

See the movie short: Seasoned Greetings (1933 Vitaphone). Lita Grey Chaplin w/ 7 Yr Old Sammy Davis Jr

Now I Know: A Brick That Broke The Glass Ceiling and The Amazing Spider-Man Coincidence and When It Feels Good to Pay More

Inspiring Quotes: If you can’t see anything beautiful about yourself, get a better mirror. – Shane Koyczan

Nominate the next Literary Legend!

Each year, the Friends and Foundation of Albany Public Library select a new outstanding person of letters to be honored as our Literary Legend. The FFAPL invites the public to nominate writers for the selection committee to consider.

Nominations must be received by January 9, 2022, for consideration by this year’s Selection Committee. The Literary Legends Selection Committee includes members of the FFAPL board, past Gala Chairpersons, and APL librarians.

Sound Treasures Enter the Public Domain

On January 1, 2022, 400,000 pre-1923 sound recordings will enter the public domain, thanks to a new U.S. law, the Music Modernization Act. To celebrate, you may attend a virtual event on January 20, “A Celebration of Sound.”

And it’s not just music! On January 1st, children’s classic Winnie the Pooh, Hemingway’s The Sun Also Rises, Rudolph Valentino in The Son of the Sheik, in addition to musical recordings such as Scott Joplin’s Maple Leaf Rag, and thousands more will all be free for creative reuse and sharing.

MUSIC

Am I Enough. Words: Nell Stokes. Vocals: CJay Philip, Nell’s daughter. Musical arrangement: Gail Sparlin. Piano: Larry Finke.

You Should Be Dancing – Dee Gees, who look a little like the Foo Fighters

Coverville 1382: Cover Stories for Patti Smith, Dido, and Britney Spears

New York State of Mind – NYCNext

Losing My Mind -Imelda Staunton, in a 2017 production of Follies by the National Theater

Tainted Love – Broken Peach

Songbird -MonaLisa Twins

Dream On – Ann Wilson, live

Stand By Me – Playing For Change

Mary, Mary, written by Michael Nesmith (30 Dec 1942-10 Dec 2021): Butterfield Blues Band Band, The Monkees

It’s still Christmastide

Dave Koz and Friends // The Greatest Hits of Christmas – LIVESTREAM VIRTUAL CONCERT Recorded 12/12/20. With Jonathan Butler, Peter White, Kenny Lattimore, Michael Lington, Brian Simpson, and REBECCA JADE!

Have a sultry, soulful Christmas!

River – Joni Mitchell, Her first official video

J. Eric Smith – Ten Songs You Need to Hear: Crimbo Version

Christmas Day in the morning

Handel, Rutter

waiting.christmas It’s Christmas Day. And it’s Saturday. Obviously, it’s time for some more Christmas music.

Let’s start with the probably obvious choice, the first part of the Messiah by Georg Frederick Handel. This is performed by the Dream Orchestra. It was conducted by Daniel Suk on December 3, 2015. I don’t think I’ve linked to this particular version, but I could be wrong. Sometimes, choirs will end this part with Hallelujah, which actually ends Part II, the Easter section; I’m catholic about doing that.

I’ve been in the chorus when this part has been performed in its entirety at least four times. And I’ve been in plenty of choirs that have sung And The Glory Of The Lord, And He Shall Purify, Glory To God In The Highest, and especially For Unto To Us A Child Is Born a bunch of times. I never tire of them.

Noel

The version of Gloria by John Rutter I picked was new to me. This was performed by the Angeles Chorale at the First United Methodist Church in Pasadena, CA, on December 15, 2012. This piece is harder than it seems, I can tell you from having performed it twice. My favorite Rutter piece is the Requiem, but it doesn’t fit this season.

I think I used this before. The Alma College Choirs sing The Dream Isaiah Saw. It’s by composer Glenn Rudolph. Recorded live at the 2011 Festival of Carols on the campus of Alma College in Alma, Michigan. I love singing this song.

Here’s Aubrey Logan singing O Holy Night. It was released only yesterday. Your basic last-minute shopping present.

Finally, the title tune, performed by David Arkenstone. This was NOT exactly what I was looking for. Nor were all the versions of I Saw Three Ships I came across. But it’s like other Christmas gifts; sometimes they are very nice, even when they are not what you were expecting.

Perhaps the wait is almost over

Waiting for someone to come out of somewhere

wait One of my sisters sent me this clip of a song called Wait for the Lord. It’s in the Taizé style, which is to say that the message is repeated. One can become impatient with that, but I think that repetition is its power.

Wait for the Lord
Whose day is near
Wait for the Lord
Keep watch, take heart

And it’s sometimes an impatient wait. O Come, O Come Emmanuel – Tarja.

One of the lesser-known Beatles songs, from Rubber Soul, is Wait.

It’s been a long time
Now I’m coming back home
I’ve been away now
Oh how I’ve been alone
Wait ’til I come back to your side
We’ll forget the tears we’ve cried

Perhaps the best cover version of a Rolling Stones song is I Am Waiting by Ollabelle. The group features Amy Helm, the daughter of the late vocalist of the Band, Levon Helm.

You can’t hold out, you can’t hold out, oh yeah, oh yeah
Waiting for someone to come out of somewhere
Waiting for someone to come out of somewhere
See it come along, don’t know where it’s from
Oh, yes, you will find out
Happens all the time, censored from our mind
You’ll find out.

Norah Jones sang Christmas Don’t Be Late on CBS Saturday Morning recently. Not much like Simon, Theodore, Alvin, and Dave Seville.

Tommy Pett

And of course, The Waiting by Tom Petty and the Heartbreakers:

The waiting is the hardest part
Every day you see one more card
You take it on faith, you take it to the heart

This, not incidentally, is the first song on Unconventional Advent (A Think Christian playlist) on Spotify.

I’ve said it before. I do think the waiting IS the hardest part.

It might be waiting for Christmas: the presents, the festivities, family gatherings. Or it may be that you’re waiting for it to be over: the pain, the sense of loss, family gatherings.

Perhaps it’s the end of 2021, which might have been better than 2020, but not as good as you had hoped.

Here’s hoping that what you are waiting for, whatever that might be, comes your way.

A dozen Christmas songs (or more)

Chestnuts roasting

A dozen Christmas songs I had not linked to yet this season. These are among my favorites.

Wexford Carol – Alison Krauss and Yo-Yo Ma. Alison is one of my wife’s favorite artists. She’s one of her K Girls, along with Diana Krall, and they reside next to each other in the file cabinet. Naturally, the artists are in alphabetical order

Merry Christmas, Baby – Charles Brown. I was not really familiar with him, to be honest until I heard Bonnie Raitt had him and the unrelated Ruth Brown on a live album that I own.

Merry Xmas (War Is Over) – John and Yoko and The Harlem Community Choir. Always makes me sad, because John’s assassination was in December.

River – Joni Mitchell. I’m still mystified that my late friend Donna, who was a music buff and a Joni obsessive, failed to hear Jingle Bells as the motif of this song.

The Christmas Song – Nat King Cole. Likely my mother’s favorite singer. Whatever happened to all of her old 78s she owned?

The year the US entered WWII

Getting Ready for Christmas Day – Paul Simon. I was always taken that the sermon was from 1941, the year Paul was born. Simon is sampling!

This Christmas – Donny Hathaway. I miss Donny, though I have none of his albums, except the ones he did with Roberta Flack.

Christmas (Baby Please Come Home) – Darlene Love. I could have picked several songs from that Phil Spector Christmas album. But this song is the best of a great bunch.

The Mistletoe And Me – Isaac Hayes. From one of those Stax/Volt boxed sets. This deserves radio play!

Christmas Wrapping – The Waitresses. I have this on 12″ vinyl, but it’s seldom made my annual lists simply because it slips my mind.

What Christmas Means To Me – Stevie Wonder. One of my Top 5 favorite pop Christmas songs. I have it on both a Stevie album and a Motown compilation.

We Three Kings – Patti Smith. This is from A Very Special Christmas 3 in 1997. David Lose calls the rendition an unlikely Christmas carol, in a good way.

Wait, there’s more!

Here are a few from Sharp Little Pencil:

Snowman – Barenaked Ladies

Christmas Calling (Jolly Jones) – Norah Jones

What Are You Doing New Year’s Eve? -Ledisi

Plus

Kelly’s Daily Dose of Christmas

St. Olaf 2021 Christmas Festival – Almost two hours of song and orchestral accompaniment

Ken Levine: The Obscure Sounds of the Season

Coverville 1383: The 2021 Christmas Cover Show

1st RECORDING OF Blue Christmas – Doye O’Dell (1948)

Chuck Miller: The worst Christmas songs of all time

Normal-ish: Proctors, ASO, choir

No buffoon bassoon

Proctors In the past month, I had several days that I considered normal-ish. Familiar, though with a twist.

Th, 12/9: I went to the Proctors Theatre in nearby Schenectady. I’ve been going there to see for years to see touring musicals. Often I’ve had season tickets for the Thursday matinee because it’s the least expensive option. Indeed, I made that choice way back in the spring of 2019 for the 2019-2020 run. I saw three shows. and then…

I don’t even remember when Summer: The Donna Summer Story was supposed to take place initially, but I think it was rescheduled at least twice because of COVID. FINALLY, I got to take the bus to the old vaudeville venue. First, I was asked for my vaccine card, which I had on my phone. Then I could pick up my ticket at the will call.

As for the show itself, there were actually three women playing the disco queen at various stages of her life. One also played Donna’s mother and another Donna’s daughter. Oddly enough, this was not confusing. And all of them were very good.

I wasn’t a huge disco fan. But as I wrote about her three years ago, I had a lot of respect for Donna Summer: her look and especially her voice.

On The Radio

But as this review in the Chicago Tribune noted of the tour: “It is a very rough book.” Yeah, that was it. The show “carelessly abandon[s] most of its scenes in mid-flow for self-serving monologues. The story veers “back and forth between the personal and the professional” in an uneasy manner. The reviewer thinks those “behind-the-music-with-the-guys-in-suits stuff… so rarely works in these kinds of shows.” I’ve seen some that do work – Beautiful, for one – but this was not one of them.

This I didn’t remember: “Summer, of course, upset a lot of her gay fans with a homophobic remark at a Cleveland concert, at the height of the AIDS crisis to boot.” The story monologue disowning her previous statement was astonishingly clunky.

Ragnarok

Sa 12/11: Likewise, it was the first visit to the Albany Symphony Orchestra at the Palace Theatre, under the direction of David Alan Miller, since COVID. A church friend had tickets he could not use. Yes, proof of COVID vaccinations was needed.

The first piece was Don Juan by Richard Strauss. as the show notes suggest: Strauss “makes us see from the get-go the bravado of this libertine.”

The second and third pieces, one before the intermission and one after, were written by Christopher Rouse (1949-2019). The ASO, which Rouse visited frequently, was to record the compositions the following day.

From the composer’s notes about Heimdall’s Trumpet: his “blasts on his trumpet announce the onset of Ragnarok, the Norse equivalent of Armageddon.” He rightly notes “the title… refers properly to the finale… in a very short orchestral fortissimo outburst…” And it was so! Eric Berlin was the fine soloist.

Rouse’s bassoon concerto, with the virtuoso Peter Kolkay was a lot more fun, with Kolkay sometimes fading out, yet the orchestra’s other bassoons filling in. It was not buffoonish, though. Comedy is difficult to explain.

Finally, excerpts from The Nutcracker, not just the suite but about a third of the whole ballet.

Church

Su 12/12: Our choir has been rehearsing since October, with everyone with at least two shots. But the group, other than the section leaders, haven’t sung. That is until 11/27 when half the choir got to sing, masked. And no forte, because we’ve read that it is the volume of singing, or speaking, that has the greater chance to spread infection.

My half got to sing on 12/12. It was a little difficult because, being spread out, it was hard to hear the others in the bass section, let alone the other parts.

That said, it was GLORIOUS to be in the choir loft again. I’m not saying I got a little verklempt, but…

So normal-ish. Which is good enough for now.