music Archives - Page 80 of 265 - Ramblin' with Roger

Time between the pop hits, part 1

A-C

When I was a kid, I became aware that I would not hear from a particular artist for a while, with time between the pop hits. Then they would make what appeared to be a commercial comeback. And, if it were an artist I enjoyed, this would make me exceedingly happy.

I’m limiting this to the pop hits on the Billboard charts. They may have had country, rhythm and blues, or adult contemporary charters. But ever since I was a library page in high school, I relied on the pop charts.

There won’t be much from the 1950s, since they came to my ears simultaneously as “oldies.” Probably nothing from the 21st century because I don’t listen to commercial radio much anymore.

And because it’d be too damn long, I’m doing it in four parts. you know, sort of like harmonies.

Lonely People – America. In 1971, my freshman year of college, America performed. I didn’t go because of them, even though the admission was only fifty cents. Only a few months later A Horse with No Name (#1), I Need You (#9), and Ventura Highway (#8) ruled the airways. After a bit of a lull, they returned with Tin Man and Lonely People (#5 in 1975). My love for the latter is so great, I wrote a whole post about it.

B

Rock and Roll Music – the Beach Boys. I don’t love this version. But after the group had been relegated to being an oldies act, they put out an album of new music called 15 Big Ones, which I bought. This (#5 in 1976) was the lead cut. It was their first Top 20 single since Do It Again ((#20 in 1968) and first Top 5 since the #1 Good Vibrations in 1966.

Got To Get You Into My Life – The Beatles. This is a bit of a cheat. A single six years after The Long and Winding Road hit #1 in 1970. But I love the song, which reached #7 in 1976. One could make the case for Free As A Bird, a “new” tune, #6 in 1996.

Jive Talkin’ – the Bee Gees. Probably the inspiration of this project, after seeing the documentary How Do You Mend a Broken Heart and reading J. Eric Smith’s post on the group. My FAVORITE song by the group, and their first #1 in four years.

Steppin’ Out – Tony Bennett. Another cheat. This garnered airplay on MTV, which lifted his album sales for the first time in two decades.

No Particular Place To Go – Chuck Berry. At #10 in 1964, his first Top 10 since Johnny B. Goode, #8 in 1958. BTW, I despise – and own on an LP, his only #1, My Ding-A-Ling in 1972.

Bo

Time Is Tight – Booker T. and the MG’s. At #6 in 1969, their highest single since their first hit, Green Onions, #3 in 1962.

Modern Love – David Bowie. I’m surprised how poorly the singles after Golden Years (#10 in 1976) were because I know these songs so well. TVC 15 (#64), Ashes to Ashes (#101), Fashion (#70) Cat People (#67). Even Under Pressure, with Queen, only got to #29. Then the Let’s Dance album, which generated the title #1 single, his first since Fame (1975). But it wasn’t a one-off, with China Girl (#10) and Modern Love (#14) all charting in 1983.

Living In America – James Brown. The Godfather of Soul had over 100 songs on the pop charts. But his hit from Rocky IV (#4 in 1986) was his first Top 20 since Get On The Good Foot (#18 in 1972), and his first Top 10 since Say It Loud – I’m Black and I’m Proud (#10 in 1968). Only I Got You (#3 in 1965) charted higher. Long version.

C

A Boy Named Sue – Johnny Cash. Ring of Fire hit #17 in 1963, but this song, recorded in San Quentin prison got to #2 in 1969.

Crying Time – Ray Charles. #6 in ’66, and his first Top 10 since Busted, #4 in 1963.

Change The World – Eric Clapton. A Top 5 in 1996, it was his first hit since Tears in Heaven (#2 in 1992), which was his first Top 10 since I Can’t Stand It in 1981.

You Got What It Takes – Dave Clark Five. After three top 10 hits in 1965, including the #1 Over and Over, a brief return to form in 1967 at #7.

Ramblin’ Rose – Nat King Cole. the #2 hit in 1962 was the first Top 5 cut since Looking Back in 1958. I suppose I could have picked Unforgettable with Natalie Cole, #14 in 1991, 25 years after he had last charted, and 26 years after he died. But I didn’t.

Send In The Clowns – Judy Collins. She wasn’t a big singles star. But the reissue of this single, which had reached #36 in 1975, managed to hit #19 in 1977, her biggest record since Amazing Grace, #15 in 1971.

Nightshift – the Commodores. This tribute to Marvin Gaye and Jackie Wilson reached #3 in 1985, a return to the Top 5 after Oh No, #4 in 1981.

July rambling: “Tell Us How We Did”

time to use the F-word

Misinformation — Plus ça change, plus c’est la même chose

The U.S. could lose its top-level bond rating because of the Big Lie

Yes, this is fascism: The Atlantic’s conservative David Frum says it’s time to use the F-word; a dark warning

Military Chiefs Planned Joint Resignation To Thwart Trump’s ‘Gospel Of The Fuhrer’

Deadly Flooding Turns ‘Small’ German River Into a ‘Raging Monster’. Video by Roger Green (not me)

NBC News: Eighty years after a segregation wall rose in Detroit, America remains divided. That’s not an accident

Flight attendant harasses Muslim woman

DACA: One More Example of Broken Democracy

I lived in an airport for seven months

According to the EPA, clothes, and shoes account for more municipal solid waste than .plastic items

Now I Know: Literally Nuts for Candy and The Problem with Lots of People Drinking Lots of Tea and The Pink Hat of Fidelity and The Biggest of Macs and When It’s Better to Be in Fourth Place and The Problem With Stealing High-End Electronics and The Bugs That Make Danger Glow

Media

Inside Big Tech’s angry, geeky, often petty war for your privacy

Hank Green: Should You Abandon Social Media?

I’m Breaking Up with ZOOM

“Tell Us How We Did”. Irrefutably TRUE

An Exploration of James Baldwin’s Life and Works Through the Powerful Lens of His House Chez Baldwin in St. Paul de Vence, France

Voice actors

Emmy’s Big Problem

Ken Levine interviews author Mark Harris who wrote the book MIKE NICHOLS: A LIFE here and here.

The Marvel Sacred Timeline

At The Washington Post, Harry Rosenfeld found himself handling the most important political scandal of the 20th century – Watergate – before joining the Times Union in Albany, N.Y. “HIRSCH MORITZ ROSENFELD and his Polish immigrant parents fled the violence engulfing Nazi Germany in 1939, and found refuge in the Bronx. He never forgot the price his family paid for freedom, never took American citizenship for granted. He developed a keen eye for unaccountable power and nascent oppression and embraced his responsibility to fight for the freedoms that made America a beacon of hope.” The last time I saw him in person was in 2017.

Jackie Mason, R.I.P.

Summary: No Exit – Jean-Paul Sartre

Central Warehouse

Cartoons: Human time and 10 ways to befriend a misanthropic cat and explaining confusing things

MUSIC

Harlem – Duke Ellington. Buffalo Philharmonic Orchestra, conducted by JoAnn Falletta.

Run Run Run – Kurt Vile, from the album I’ll Be Your Mirror: A Tribute to the Velvet Underground and Nico; long version

Mighty River by Errollyn Wallen.

Dragon live album concert during two weeks in an Auckland hotel for quarantine clearance

Coverville 1365: The AC/DC Cover Story III

Just A Friend– Biz Markie, RIP

The Glamourous Life – Audra McDonald from A Little Night Music

Bohemian Rhapsody in Blue – Postmodern Jukebox

He’d Have to Get Under, Get out and Get Under (to Fix Up His Automobile) – The Peacherine Ragtime Society Orchestra

A medley of ten Hanna-Barbera theme songs performed by Alex Duquette in two minutes

Jim Croce

The Music of the Night/Monster Mash – Big Daddy

Movie review: Summer of Soul

(…Or, When the Revolution Could Not Be Televised)

Summer of Soul In the summer of 1969, there was a massively successful music festival in New York State. No, I’m not talking about Woodstock.

The documentary Summer of Soul recounts the Harlem Cultural Festival, which took place on six weekends, drawing about 300,000 people. It had big-name artists such as Stevie Wonder, B.B. King, the Chambers Brothers, and David Ruffin, recently of The Temptations, wearing a too-warm suit. The festival film was directed by the late Hal Tulchin, but the reels sat in a vault for nearly half a century.

Questlove (Ahmir-Khalib Thompson) of the band The Roots learned about the footage. He edited down over 50 hours of film that tells the story about not only the festival but the context in which it took place, a year after MLK’s death and, in the case of one show, during the Apollo 11 moon landing.

These are extraordinary performances. Gladys Knight and the Pips reminding us about how well the late choreographer Cholly Atkins trained Motown acts. The 5th Dimension, tired of some folks finding their sound “too white”, letting Billy Davis Jr. “go to church” on Let The Sunshine In. Sly and the Family Stone confused the crowd initially with their mixed-race/mixed gender/funkily garbed presentation as they performed Higher, which they later performed at Woodstock.

More artists

The concert also features Mongo Santamaria, the Edwin Hawkins Singers, the Staple Singers, Abbey Lincoln and Max Roach, and even the salty Moms Mabley, among many others.

Two highlights: Nina Simone, looking as she often does like a black goddess that she was, performing an early version of the anthem I Wish I Knew How It Would Feel to Be Free. And Mahalia Jackson asking Mavis Staples for assistance singing Precious Lord.

But perhaps the most fascinating parts of Summer of Soul are the interviews with some of the people who attended the festival. Clips from the event made them feel as though they weren’t crazy. This remarkable thing really did happen. It was as wonderful as they re-remembered it, even though the concerts seemed to have been forgotten by the world.

See the film, subtitled (…Or, When the Revolution Could Not Be Televised), if you can in a movie theater. My wife and I caught it at the Spectrum Theatre in Albany. It is also available presently on Hulu.

Superlative concerts I have attended

from Seals and Crofts to Sheila E.

Tom Petty Lots of fine folks seem to be doing this meme. So what the hey.

First concert: Seals and Crofts, November 12, 1971 in New York City, Boz Scaggs opening.

Last concert: Janet Jackson, July 26, 2018 at the Saratoga Performing Arts Center. No, wait, I saw Cheap Trick February 7, 2020.

Best concert: I have always said that it was Talking Heads at SPAC or the Temptations at the Colonie Coliseum during the Reunion tour, both from back in the 1980s. Still, Paul McCartney, July 7, 2014, with my daughter rates very high.

Worst concert: Almost certainly Joe Jackson at the Palace Theater in Albany in 1989. I swore I told this story but I couldn’t find it. Jackson, after playing one or two familiar songs, played the entirety of Side 1 of his new album, Blaze of Glory. Then a couple old songs, then the entirety of Side 2.

The audience was ticked and many of them headed for the concession stands or the bathrooms. They returned when he played stuff they knew. I should note that I subsequently bought the album, and I think it’s fine. But playing a half dozen unfamiliar songs is not a way to win over the crowd.

At least Jackson was comprehensible. The 2007 Bob Dylan concert in Albany at the Knick* was awful. Fortunately, the opening acts, Amos Lee and Elvis Costello, were great.

Seen the most: the Temptations; Lucinda Williams; Pete Droge; the Neville Brothers; Crosby, Stills, and Nash – no Young; Joan Armatrading; Sheila E.; and infamously, Joni Mitchell I’ve seen twice each.

Next concert: God only knows.

Most fun concert: Probably Bruce Springsteen in Albany’s Knick* in 2009. Though Elton John c 2000 at the same venue was a hoot. And there was a battle of the bands in San Diego in July 2018, which my niece’s band, Rebecca Jade and the Cold Fact won, and I got free drinks.

Loudest: actually, it might have been Sheila E. at the New York State Fairgrounds in September 2019. They crank out the sound so even those not in the audience could hear it.

I need to note a band I saw open for No Doubt in Albany in 1997. I THINK it was MxPx. The sheer constant audio assault was unnerving. The Specials were also on that tour, and a bunch of the idiot kids literally turned their backs on them.

Wish you could see: Tom Petty and the Heartbreakers.

* There’s a venue downtown originally called the Knickerbocker Arena. Then they sold the naming rights and it became one of a number of entities called the Pepsi Arena. Currently, it’s the Times Union Center. I just call it the Knick.

Roger’s Retirement music too

With a Lot O’ Soul

Marvin Gaye More music in honor of my retirement in 2019, compiled by JF and DC.

Fame – David Bowie. Beyond two-octave riff, it was co-written by John Lennon. I was very sad when each of them died.
Let’s Go Crazy – Prince. Among my favorite songs of all time, ever since I saw the Purple Rain movie, The 12″ inch vinyl, which I own, has an even more delicious guitar line. Sad when he died, as well.
Paperback Writer – the Beatles. The Fabs, of course, but I suspect this was a reference to my blogging.
Got To Give It Up – Marvin Gaye. More cool. No wonder Blurred Lines purloined it.
Don’t Stop ‘Til You Get Enough – Michael Jackson. The first song from the MJ album I contend is better than Thriller.

This song IS about you

If You Don’t Know Me By Now – Harold Melvin and the Blue Notes, featuring Teddy Pendergrass. One of my theme songs.
You’re So Vain – Carly Simon. Saratoga’s only 30 miles from Albany.
I Got You – Split Enz. The only Split Enz album has that song.
I Say A Little Prayer – Aretha Franklin. Great cover.
Until – Cassandra Wilson. New Moon’s Daughter (1996) is the first of four of her albums I own.

Tell the Truth – Otis Redding. He definitely died too soon.
I’ll Take You There – The Staple Singers. Mavis so often sounds like church.
Ain’t Nothing Like the Real Thing – Marvin Gaye and Tammi Terrell. Tammi died WAY too early. And Marvin’s death at the hands of his father…
It’s A Shame – the Spinners. One of the few Motown hits by the group before they moved to Atlantic Records.
I Know I’m Losing You – The Temptations. If I had but one Tempts album, it would be With a Lot O’ Soul, which includes this song.

Slip Slidin’ Away – Paul Simon. “You know the nearer the destination…” Truer words were never spoken.
Where Is the Love – Roberta Flack and Donny Hathaway. Donny died a tragic death. I saw Roberta perform on New Year’s Eve in ALB in the late 1990s.
The Glamorous Life – Sheila E. Ah, my personal close relationship with Sheila, who I’ve seen perform twice in the past few years.
Moving Out – Billy Joel. That’s what I did at work. Saw him way back in 1974.