Rock Hall 2026 musical influences

“a really big shew”

The Rock and Roll Hall of Fame will be inducting eight more acts this year in the performer category. But I’m more interested in those selected in other slots.

Rock Hall 2026 musical influences selections include:

Celia Cruz “pioneered Latin pop for the twentieth century and beyond with her contributions to Afro-Cuban guaracha style as well as the creation and popularization of salsa.” She influenced artists such as Sheila E., Gloria Estefan, and JLo. I own one of her live albums.

Quimbara

La Vida Es Un Carnaval

“Multi-instrumentalist and Afrobeat pioneer Fela Kuti fused music and politics to become a singular global revolutionary voice…  Fela fused elements of traditional West African highlife, jazz, and soul music and dubbed this rhythmic hybrid ‘Afrobeat.'”

Fela! The Musical “played to sold-out houses for nearly eighteen months from autumn 2009 to early 2011… During its on-Broadway run, Fela! won three Tony Awards, and the soundtrack album was nominated for a Grammy. The subsequent US and world tour included passionately well-received performances in Lagos and a sold-out three-month run at London’s National Theatre.”

He was previously nominated for the Hall in 2021, coming in second in the fan vote, and in 2022, when he finished 17th and a distant last. I have an album of covers of the musician, Red Hot + Riot: The Music and Spirit of Fela Kuti (2002)

Water No Get Enemy (1975)

Beast Of No Nation (1989)

Dana Owens

“A powerhouse multi-hyphenate, Queen Latifah is a Grammy-winning musician, award-winning actress, producer, record label president, author, and style icon. Though not the first woman rapper, Latifah is the original female superstar from hip-hop’s golden age – a pioneering artist who was the genre’s ‘first feminist’ and has spent her career breaking down barriers for women in the entertainment industry.” She influenced artists such as Missy Elliot, Lauryn Hill, and Lizzo.

I know her best from her various television appearances and her performance in the 2002 movie Chicago.

Ladies First featuring Monie Love

U.N.I.T.Y.

“Hip-hop pioneer and Vibe’s original Queen of Rap, Lana Michele Moorer, better known as MC Lyte, has spent nearly forty years redefining hip-hop. Rapper, songwriter, DJ, actress, television announcer, philanthropist, and entrepreneur, her career is defined by historic firsts. She was the first female rapper to release a full solo album, earn a gold single, and be nominated for a Grammy.” She inspired Latifah, among many others.

I Cram to Understand U (Sam)

Sweethearts of the Rodeo

Gram Parsons was country rock’s great visionary. With a voice that was plaintive, warm, and vulnerable, he bridged the raw directness of honky-tonk with the restless spirit of rock & roll. Parsons called his sound ‘Cosmic American Music’ – an adventurous mix of country, soul, gospel, and rock that introduced audiences to artists and songs they might never have otherwise discovered.” He influenced, among many others, Tom Petty and the Heartbreakers, Elvis Costello and the Attractions, and, of course, Emmylou Harris.

Hickory Wind – the Byrds

Return Of The Grievious Angel, featuring Emmylou Harris.

Musical Excellence Award

These tend to be non-performers, such as songwriters and producers.

Linda Creed wrote some of the most memorable love songs of all time, helping establish the Philly Soul sound with heartfelt, tender lyrics that resonated deeply with listeners. Creed’s vulnerable, poetic lyrics paired perfectly with the lush production of her long-time partner, Thom Bell, helping define a more orchestral and introspective evolution of 1970s soul music.” She died at 37 from breast cancer in 1986.

Betcha By Golly, Wow – the Stylistics

Greatest Love Of All – Whitney Houston

“Known as the Greatest Ears in Town, Arif Mardin was a visionary producer whose work shaped four decades of popular music. A master of orchestration and arrangement, Mardin was renowned for mentoring artists while drawing out their individuality.”

As an ardent reader of liner notes, I’m stunned that he wasn’t already in the Hall. “With over 150 albums to his credit, Mardin contributed to iconic twentieth-century recordings…[He] won twelve Grammy awards, including Producer of the Year in 1975, and was inducted into the National Academy of Recording Arts and Sciences Hall of Fame in 1990.

Young, Gifted, and Black – Aretha Franklin

She’s Gone – Hall & Oates

I Feel For You -Chaka Khan

Gimme Shelter

Jimmy Miller helped define the sound of late-1960s and early-1970s rock. As a producer, he emphasized groove and feel over perfection – encouraging loose, jam-based sessions that captured the recording process at its most alive. He set a blueprint that would inspire generations of producers to chase that same magic.

Between 1968 and 1973, Miller produced five albums for the Rolling Stones: Beggars Banquet, Let It Bleed, Sticky Fingers, Exile on Main St., and Goats Head Soup.

I’m A Man – Spencer Davis Group.

Dear Mr. Fantasy -Traffic

I Got The Blues – Rolling Stones

“As the co-founder of Def Jam Recordings, the founder of American Recordings, and co-president of Columbia Records, record producer Rick Rubin has had an enormous and lasting impact on American music…. Lauded by MTV in 2007 as ‘the most important producer of the last 20 years,’ Rick Rubin’s legacy is still being created.  He remains an in-demand producer.”

Walk This Way – RUN DMC, feat. Aerosmith

Give It Away – Red Hot Chili Peppers

The Mercy Seat – Johnny Cash

Once again, they need to put Estelle Axton, the co-founder of STAX Records, in this category, as I have been nagging about since 2015. As I noted, her brother, Jim Stewart, was inducted in 2002! 

Ahmet Ertegun Award 

“Television host, newspaper reporter, kingmaker, and civil rights activist Ed Sullivan (1901-1974) had a profound impact on rock & roll music and American culture. With more than a thousand episodes featuring over ten thousand artists across twenty-three years, The Ed Sullivan Show (1948-1971) was a weekly national event – an American family ritual that gave millions their first exposure to Black and international performers.

The Beatles – Ed Sullivan Show full concert (TV Show) February 9th, 1964

The newest standard performer entrants, announced during the live broadcast of the “Rock & Roll Hall of Fame Night” episode of “American Idol” on April 13, are:

  • Phil Collins – a reasonable choice; selected on his first try, finishing 2nd in the fan vote
  • Billy Idol – I had voted for him in 2025, when he came in 3rd in the fan voting; in 2026, he finished 9th
  • Iron Maiden – they had finished 4th in both the 2021 and 2023 fan voting; in 2026, they finished 12th
  • Joy Division/New Order – never the top tier in fan voting, but I always voted for them as they finished 9th in 2023, 10th in 2025, and 16th in 2026
  • Oasis -the fan vote was 10th in 2024, 13th in 2025, and 15th in 2026
  • Sade– she was 11th in the fan vote in 2024, but 7th in 2026; I voted for her
  • Luther Vandross – the late, overlooked artist came 5th in the fan vote, which included mine
  • Wu-Tang Clan – they finished 8th in their first fan voting; I supported them

My big disappointments were that New Edition (#1 in the fan vote, by over 100,000 votes over Collins) and INXS (6th) did not make it.

The Kennedy Center Honors 2023

Billy Crystal; Renée Fleming; Barry Gibb; Queen Latifah; Dionne Warwick.

The Kennedy Center Honors 2023 was presented on Sunday, December 3. It will air on CBS-TV and stream on Paramount+ on Wednesday, December 27, at 9 pm ET/PT.  Honorees for lifetime artistic achievements: actor and comedian Billy Crystal; acclaimed soprano Renée Fleming; British singer-songwriter-producer and member of the Bee Gees, Barry Gibb; rapper, singer, and actress Queen Latifah; and singer Dionne Warwick.

I first became aware of Billy Crystal when he portrayed Jodie Dallas on the sitcom Soap. Surprisingly, he appeared on Saturday Night Live in the 1984-1985 season, a show that generally which usually embraced less well-known performers.

Afterward, he appeared in several movies I saw: The Princess Bride (1987), When Harry Met Sally… (1989), City Slickers (1991), Mr. Saturday Night (1992), Analyze This (1997), and voicing a couple of the Monsters, Inc. movies.

Crystal has hosted the Academy Awards nine times and the Grammy Awards thrice, earning five Emmys for his work as host, writer, and producer on both shows. Robin Williams,  Whoopi Goldberg, and Crystal co-hosted “Comic Relief’s televised fundraising events on HBO, raising $75 million to help supply medical aid to the homeless…

“In 2022, Crystal returned to Broadway with Mr. Saturday Night, a musical adaptation of the 1992…film… The show received… five Tony® nominations, including Best Musical; Best Leading Actor in a Musical for Crystal; and Best Book of a Musical, which was written by Crystal, Lowell Ganz, and Babaloo Mandel; and one Grammy® nomination for Best Musical Theatre Album which featured eight songs sung by Crystal.”

He is also an avid New York Yankees fan and has been a talking head for documentaries about Roger Maris (61*), Yogi Berra, and others.

Soprano

I’ve seen Renée Fleming so often that I struggle to summarize it. I went to her Wikipedia page.

Fleming was featured in the PBS Great Performances New Year’s Eve telecast on Dec. 31, 2020. I saw that. At the 2018 Kennedy Center Honors awards ceremony broadcast on CBS, Fleming sang a jazz aria composed by honoree Wayne Shorter – check. On July 4, 2018, Fleming sang in the PBS telecast A Capitol Fourth from the West Lawn of the US Capitol, performing “You’ll Never Walk Alone” and, during the fireworks display, “America the Beautiful” – yes.

She sang “You’ll Never Know” on the soundtrack of the film The Shape of Water. In the 2017 film Three Billboards Outside Ebbing, Missouri, Fleming’s Decca recording of “The Last Rose of Summer” is heard in the opening scene and in the middle of the movie.  I saw both of those movies.

And those are just the ones since 2016. She is a ubiquitous presence in my viewing of the arts.

BeeGees

I was enough of a fan of the brothers Gibb – Barry Gibb and his younger twin brothers Robin and Maurice – to know they were born in England but moved to Australia. They had some regional hits Down Under, such as Spicks and Specks, before they made it big with New York Mining Disaster 1941 (#14 in 1967), I’ve Got To Get A Message To You (#8 in 1968), Lonely Days (#3 in 1971), How Can You Mend A Broken Heart (#1 for four weeks in 1971), and several others before hitting a fallow patch.

They discovered a new sound in 1975 with Jive Talkin’ (#1 for two weeks), my admitted favorite BeeGees song, before the group exploded with the soundtrack of Saturday Night Fever, with the brothers writing not only their songs but others such as Yvonne Elliman’s If I Can’t Have You.

“Gibb was also unafraid to give away songs most performers wouldn’t dare part with, be it Frankie Valli’s “Grease” or younger brother Andy’s “I Just Want To Be Your Everything.” Both were solo compositions, and both became U.S. number ones. The hits continued in the ‘80s and ‘90s, as well as entire albums of platinum-coated, Gibb-crafted songs for the likes of Barbra Streisand (‘Woman In Love’), Dionne Warwick (‘Heartbreaker’), Kenny Rogers and Dolly Parton (‘Islands In The Stream’)and Diana Ross(‘Chain Reaction’).”

I highly recommend the 2021  documentary The Bee Gees: How Can You Mend a Broken Heart. It touches on the brothers’ success, including little brother Andy, and how painful it is for Barry that all three of his younger brothers have passed away.

The former Dana Owens

I’ll admit that I have no Queen Latifah albums, though I recognize her musical importance. I had heard Ladies First (feat. Monie Love). She won a Grammy for U.N.I.T.Y.

But I did see her in the movies Jungle Fever, and especially Chicago, where she played the prison matron Mama Morton and sang When You’re Good To Mama.

I’ve occasionally caught her on the TV action series The Equalizer, mainly because it was on after 60 Minutes.

The Bacharach/David interpreter

Dionne Warwick was the pre-eminent interpreter of the songs of Burt Bacharach and Hal David.

Though some grumbled that she wasn’t singing the songs that black people were “supposed” to sing,  she had some success on the RB charts in the 1960s. These are just a few.

Don’t Make Me Over, #5 RB, #21 pop in 1963

Anyone Who Had A Heart, #2 AC (adult contemporary), #6 RB, #8 pop in 1964

Walk On By, #1 RB for three weeks, #6 pop, #7 AC in 1964

Message To Michael, #5 RB, #8 pop, #12 AC in 1966

One of my favorite songs of hers was the pairing with the Spinners, Then Came You, #1 pop, #2 RB, #3 AC in 1974

Her biggest song was That’s What Friends Are For with Elton John, Gladys Knight, and Stevie Wonder, #1 for two weeks AC, #1 for three weeks RB, and #1 for four weeks pop in 1986.

I only realized this year that she and the late Gladys Crowder were born on the same day.

Ramblin' with Roger
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