Posts Tagged ‘Rolling Stones’

One of the those social media memes claims that the song that was #1 on birthday number 4 plus 10 defines your life. Well, that’s ominous.

If I go to the Billboard Hot 100, it gives me Love Is Here And Now You’re Gone by THE SUPREMES, #1 for just a week. Oh, thanks a lot.

But that’s for the week of March 11, because of the way they calculate these things. What about if I cheat and pick the week before, which actually runs through my natal day? That would be Ruby Tuesday by THE ROLLING STONES. At work, my on-the-phone day has been Tuesday for many years, so maybe that’s significant.

Hey, maybe I should look at the soul charts. (Sigh). Same sad SUPREMES song. But for the FOUR weeks before, there’s Are You Lonely For Me by Freddie Scott. I had heard it, but I don’t KNOW it like I recognize the others. Probably it’s because it only got to #39 on the pop charts.

His best showing on the POP charts was Hey Girl, a song written and composed by him, Gerry Goffin and Carole King, which went to #10 on both the pop and soul charts in 1963.

Not incidentally, the Billboard R&B charts were not published between November 30, 1963 and January 23, 1965, ostensibly because there was so much crossover, though the breakout of both the Beatles and Motown in 1964 would suggest otherwise.

Freddie Scott’s next two top 100 pop hits were I Got A Woman, #48 pop in 1963 and Where Does Love Go, #82 pop in 1964. They did get to #27 and #30 on the comparable Cash Box R&B charts.

The “correct” song on the country charts for me is The Fugitive by Merle Haggard. But the song that was #1 for two weeks before March 11 AND the two weeks afterwards is Where Does The Good Times Go by Buck Owens, not only a sad lyric, but ungrammatical to boot.

Listen to:

The Supremes – Love Is Here And Now You’re Gone
The Rolling Stones – Ruby Tuesday

Merle Haggard – The Fugitive
Buck Owens – Where Does The Good Times Go

Songs by Freddie Scott:
Hey Girl
Are You Lonely For Me Baby
I Got a Woman
Where Does Love Go

Chuck turned 14 in 1977. Poor Chuck.

Conversely, Dustbury was born correctly.

More random music recollections based on the book Never A Dull Moment.

The odd thing about Binghamton, NY at the time was that some students started school in February and graduated in January. So when I graduated in January 1971, I looked for a job for six weeks before securing a job at IBM, one of the area’s largest employers.

I usually worked 56 hours a week, from 5:12 pm to 4 a.m. on weekdays, with 48 minutes for lunch, and from noon to 6 on Saturday. So I was exhausted on Sunday. It’d only be on Monday that I might go out and buy some music magazines, and, eventually, more albums, even as I saved money for college.

So I was only vaguely aware that the Rolling Stones had moved to France as a tax haven, and would be recording their next album, Exile on Main Street, there. I WAS aware that they were getting their own imprint, under the aegis of Atlantic Records. And it was impossible not to know that Mick was marrying Bianca from Nicaragua.

I know I bought the current album, Sticky Fingers, later that summer, on the same day I bought Carole King’s Tapestry. I learned only later that the songs “straddled two decades,” with some tracks, such as Brown Sugar and Wild Horses, having been recorded as early as late 1969.

The day of the wedding there were other albums released for which I have specific memories, although not necessarily in that time frame. Paul McCartney’s Ram was a guilty pleasure; he was the uncool one, while Lennon was presumably more profound. There are several articles reexamining the Macca oeuvre of that period. I actually did go out once that summer and heard some cover band do Smile Away, which pleased me.

My parents and I were at the house of our family friends, the Pomeroys, in nearby Vestal. Maybe this was Christmas 1971, but I’m not at all sure. What I DO remember is that my mother was DANCING, and I have no other recollection of that. The CSNY Four-Way Street album, specifically Carry On, was playing. It’s a 4- or 5-minute song on Deja Vu, but 14 minutes on the live album, and about 10 minutes in, Mom was ready to quit.

In the early 1980s, an old girlfriend of mine had remarried, and her new husband, who I had known years before, and I were torturing his young stepsons with our air guitar/drum version of the title song on Jethro Tull’s Aqualung.

Listen to:

Wild Horses – Rolling Stones
Smile Away – Paul McCartney
Carry On (live) – Crosby, Stills, Nash, and Young
Aqualung – Jethro Tull
Anticipation – Carly Simon
Hey, Mister, That’s Me Up on the Jukebox – James Taylor
Change Partners – Stephen Stills

librarian.mug

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the root of all evil
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FactChecking the GOP Debate.

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Pie-Chart-39
Delayed exoneration of a death row inmate, after 30 years.

9 Things Many Americans Just Don’t Grasp (Compared to the Rest of the World).

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Building Equity: Race, Ethnicity, Class and Protected Bike Lanes.

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Man vs. Machine. A guy walks into a bar. He finds a video poker machine – run by the Oregon state lottery – which dealt him a strange hand.

Re: NCAA men’s basketball March Madness, the odds of a perfect bracket? It’s not 1 in 9.2 quintillion. Read the rest of this entry »

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