Music Throwback Saturday: the Ruffin brothers

David Ruffin and Motown sued each other, the settlement of which meant Ruffin stayed with Motown to finish out his initial contract.

jimmy ruffin.The Ruffin brothers show up on a collection called Motown 20 Hard-to-Find Classics. One of them also appeared on records that were quite easy to find.

Jimmy and David Ruffin were born in rural Mississippi, to Eli, a sharecropper/factor worker/miner/Baptist minister, depending on the source, and Ophelia Ruffin. “As children, the brothers began singing with a gospel group, the Dixie Nightingales.”

Jimmy Ruffin (born Jimmie Lee Ruffin) (May 7, 1936 – November 17, 2014) became a singer for Motown in 1961, but soon was drafted into the Army. He returned to the label, but had difficulty getting a hit.

“In 1966, he heard a song about unrequited love written for The Spinners, and persuaded the writers that he should record it himself. His recording of ‘What Becomes of the Brokenhearted’ became a major success,” and remains his best-known song. Follow-ups in the US were successful, with “I’ve Passed This Way Before” and “Gonna Give Her All the Love I’ve Got” reaching the US charts in late 1966 and early 1967. He also teamed up with brother David to record the album I Am My Brother’s Keeper, a modestly successful 1970 album for Motown.

“Jimmy Ruffin concentrated on the British market, had three UK top ten songs, and “he was voted the world’s top singer in one British poll.” He had later success working with the likes of Robin Gibb and Paul Weller.

Davis Eli “David” Ruffin (January 18, 1941 – June 1, 1991) grew up in the music business. He met future Motown founder Berry Gordy in 1957, and for a time, packed records for Gordy’s Anna Records with Marvin Gaye. Eventually, he started recording at the label with a group called the Voice Masters, which included future Motown producer/songwriter Lamont Dozier, and the four members of The Originals.

“Ruffin became a member of the Temptations after founding member Elbridge ‘Al’ Bryant was fired from the group. Ruffin’s first recording session with the group was January 9, 1964. Though both David and Jimmy were considered, David was given the edge, thanks to his performance skills.”

Ruffin went from being a background singer, the lead singer after Smokey Robinson, the group’s primary producer/songwriter, created “My Girl”, which became the Temptations’ first #1 song in early 1965. “Ruffin’s most notable non-vocal contribution to the Temptations was the masterminding of their trademark four-headed microphone stand. This enabled the other members to sing and do their dances without having to crowd around one microphone while the lead singer would sing into a separate microphone.”

By 1967, however, difficulties with Ruffin became an issue for the group. He became addicted to cocaine and began missing rehearsals and performances… After the Supremes had their name changed to Diana Ross & the Supremes in early 1967, Ruffin felt that he should become the focal point of the Temptations, just as Diana Ross was for her group, and began demanding that the group name be changed to David Ruffin & the Temptations. This led to a number of disagreements between Ruffin and the group’s de facto leader, Otis Williams.

In addition to the group’s problems with Ruffin’s ego, he began inquiring into the Temptations’ financial records, demanding an accounting of the group’s money. This caused friction between Ruffin and Gordy.

david-ruffin
He was fired on June 27, 1968 when he missed a show to watch his girlfriend perform, and was “replaced with Dennis Edwards, a former member of The Contours.” But then, “Ruffin began turning up unannounced at Temptations concerts during Edwards’ first few dates with the group,” which the audience loved but the group did not.

Ruffin and Motown sued each other, the settlement of which meant Ruffin stayed with Motown to finish out his initial contract. “Ruffin joined Motown as a solo artist and always had a separate contract from the other Temptations, which some felt caused a lot of the in-fighting within the group.”

His first solo single was a song originally intended for the Temptations, “My Whole World Ended (The Moment You Left Me)”. The single (from the album also entitled My Whole World Ended) was released in 1969. His final Top Ten hit was 1975’s “Walk Away from Love”, produced by Van McCoy. It sold over one million copies, and was awarded a gold disc by the R.I.A.A. in February 1976.

As I have mentioned, in 1982, Ruffin and Eddie Kendricks re-joined the Temptations for the recording of their album Reunion and toured to promote the album. I saw them perform at the Colonie Coliseum near Albany. My recollection is that it was one of the greatest pop musical performances I’ve ever seen.

Apparently, I caught them on a good day, because the reunion tour was short lived, “as Ruffin started to miss shows as a result of his cocaine addiction, leading the group to be fined thousands of dollars. Otis Williams fired Ruffin from the group for the second and final time (along with Kendricks, whose voice was weakened due to heavy smoking) by Christmas 1982.”

David Ruffin would die from that cocaine addiction, and his brother Jimmy would become an anti-drug advocate.

Links

What Becomes of the Broken Hearted — Jimmy Ruffin. Background vocals by the Originals and the Andantes 3:03. #7 Hot 100, #6 on the R&B Chart in 1966. It also initially reached #10 in the UK singles chart, rising to #4 when it was reissued in the UK in 1974. Listen HERE or HERE.
I’ve Passed This Way Before — Jimmy Ruffin. #17 pop, #10 soul in 1967. Listen HERE or HERE.

Walk Away From Love — David Ruffin. #1 US R&B, #9 pop in early 1976. Listen HERE. Extended version HERE or HERE.
My Whole World Ended (The Moment You Left Me) — David Ruffin. #9 on the Billboard Hot 100, #2 on the Billboard R&B Singles chart. Listen HERE or HERE.

Van Cliburn, and the Temptations

I saw the Temptations perform live twice.

When I was growing up, pianist Van Cliburn was the most famous classical musician in the United States. He had an album sell a million copies, unheard of in the genre. It was a function, in part, of the fact that when he won a prestigious competition in the Soviet Union, he was considered a Cold Warrior.

The only problem, as Dustbury noted, is that Cliburn never saw himself that way; he just loved playing the music. Listen to the link Jaquandor provided, and read the sweet story, while you’re at it.
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I was a HUGE fan of the singing group The Temptations from roughly 1964 to 1984; I could even tell you roughly when members came and went. Damon Harris (upper right) came into the group in 1971 to be the high-range vocalist after Eddie Kendrick left for a solo career; he left in 1975, having sung on Papa Was a Rolling Stone. He was only 62 when he died, succumbing to prostate cancer, which, not incidentally, is what killed my father.

Richard Street (upper left), though, was an even more vital part of the Temps history. He was part of The Distants back in the late 1950s with future Temptations Otis Williams (the sole surviving original member of the Temps; lower left) and Melvin Franklin (lower middle). Paul Williams (no relation to Otis) started having problems with alcoholism and depression. “By 1969, Richard Street… was touring with the group as a backup replacement for [Paul] Williams. For most shows, save for his solo numbers, Williams would dance and lip-sync on stage to parts sung live by Street into an offstage mic behind a curtain. At other shows, and during most of the second half of 1970, Street substituted for Williams on stage.” When Paul Williams left the group, Street replaced him in 1971 and stayed until 1992.

I saw the Temptations perform live twice, c 1982 during the reunion tour when Kendrick and David Ruffin temporarily rejoined the group, which was one of the greatest concerts I’ve ever seen; and c 1984, on a double bill with the Four Tops, a lesser event because it was at a baseball field, Heritage Park just outside Albany. Of course, Street was a participant in both shows. In the former show, when four of the original Temps did some of their old hits, it was Street once again filling in for the late Paul Williams. BTW, that’s Dennis Edwards pictured in the lower right; he had replaced Ruffin, and is still alive.

Richard Street died at the age of 70.

Does Petula Clark know about Petula Lark? New album by the 80-year-old Clark, including a cover of her massive hit Downtown.

Ken Levine wrote about the 30th anniversary of the last episode of the TV show MASH. I was a huge fan of the show from about midway through the first season until partway through the eighth. I’ve long thought, though, that they should have quit when Radar left in the eighth year. That bloated 2.5-hour program, still the TV finale with the highest ratings, I pretty much hated. I think MAD magazine nailed it.
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The YouTube video for Tim O’Toole’s book The American Pope.

 

Summer Song: It’s Summer by the Temptations

The song marks the last recording of Paul Williams, who would die the next year.

I REALLY loved the Temptations, and even more so after they stopped being primarily the background singers for David Ruffin, who left the group in 1968. They became more a five lead-vocal group, under the production leadership of Norman Whitfield, who, with Barrett Strong, wrote most of their songs in this period.

While primarily doing psychedelic soul at this point, the Temps recorded, on the 1970 album Psychedelic Shack the ballad It’s Summer [LISTEN!]. I’m not a big fan of songs that involve a lot of talking rather than singing. But I was a big fan of the bass voice of Melvin Franklin, so I rather liked this. It also appeared as the B-side of the #3 single Ball of Confusion.

After some personnel changes, involving the departure of Eddie Kendrick and Paul Williams, the Temptations released the 1972 album Solid Rock, which featured the re-recorded It’s Summer [LISTEN!], which obviously swipes from the Gershwin brothers. The remake had been released as a single back in the summer of 1971, where it only went to #51 on the pop charts. The song marks the last recording of Paul Williams, who would die the next year.

Maybe because I heard the Melvin version first, I still prefer it to the remake.

30-Day Challenge: Day 22- Picture Of You On This Day

This week is extraordinarily convoluted.

OK, I don’t know how to take a picture of me on this day. I gave my wife a digital camera for Christmas, 2007. She doesn’t know how to use it either. I have actually taken pictures accidentally with my cell phone but haven’t figured out: 1) how I did it or 2) how to retrieve them.

Now, to be fair, neither of us have put much effort into it; always something more pressing. I suppose I could have asked someone else, but I am disinclined.

So this is a picture I took of myself with a one-use camera a couple of weeks ago. Yes, I intentionally wanted to look crazed; I’m not ALWAYS looking crazed, I don’t think. And the Miles Davis puffy cheeks were affectations as well.

Arthur, the AmeriNZ guy, talks about the peculiarity of saying one is busy when one is always busy. Well, I’m not, usually. But this week is extraordinarily convoluted.

Monday morning: Carol had meeting, brings daughter to my work for a couple of hours.
Monday afternoon: I get long-needed haircut, not so much for the hair on the top of my head as much as the stuff on the chin.
Wednesday morning: donate blood.
Thursday evening: choir party, while the wife and daughter go to wedding rehearsal.
Friday morning: closing on a home equity loan. Actually, it’s a refi, for about 2.5 percentage points lower than it was originally. Well worth it.
And this weekend is the aforementioned wedding, which is a two-day affair.
This plus, you know, actually trying to get work done, writing the blog, living the life. Haven’t read the paper since Sunday.

So that’s all I’ve got today.
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Except for this story, which REALLY irritates me:
Los Angeles Times | Sept. 2, 2010 | 8:31 a.m.

State prosecutors have asked a judge to reverse her decision to overturn the murder conviction of a man who was set free last year after serving 26 years in prison.

Bruce Lisker, who was accused of killing his mother in 1985, should be sent back to prison because the U.S. 9th Circuit Court of Appeals recently ruled in another case that inmates should not be allowed to file late petitions for release even if they can prove they are innocent, according to the attorney general’s motion filed late Wednesday.

Lisker had missed a federal deadline in which to file his petition but was allowed to pursue the constitutional claims in his case because he met an “actual innocence” exception, the judge had ruled.

Let’s not let a little thing like innocence get in the way of the process?
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A Temptations song appropriate for the date.

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