September 2016 - Page 3 of 6 - Ramblin' with Roger

K is for Kris Kristofferson

“He’s a walkin’ contradiction, partly truth and partly fiction”

I happened to get an issue of Rolling Stone magazine this year, and there’s a story called Kris Kristofferson: An Outlaw at 80, about how “one of the greatest songwriters of all time (covered by Johnny Cash… Elvis Presley and some 500 others)” was experiencing an “increasingly debilitating memory loss.” It turns out it wasn’t Alzheimer’s or dementia, but Lyme disease.

His first album, released as Kristofferson in 1970, was rereleased, with a nicer cover, a year later, as Me and Bobby McGee, named for the posthumous #1 song by Janis Joplin that he wrote. Some of the songs on that album include Help Me Make It Through the Night, For the Good Times, and Sunday Mornin’ Comin’ Down, all hits for other people.

His second album, The Silver Tongued Devil and I, featured Lovin’ Her Was Easier (Than Anything I’ll Ever Do Again), a minor hit for Roger Miller, and got to #26 on the pop charts for Kristofferson. It also contains my favorite Kris Kristofferson lyrics, from The Pilgrim, Chapter 33:

He’s a poet, an’ he’s a picker, he’s a prophet, an’ he’s a pusher
He’s a pilgrim and a preacher, and a problem when he’s stoned
He’s a walkin’ contradiction, partly truth and partly fiction
Takin’ ev’ry wrong direction on his lonely way back home

His biggest single recording was Why Me, which got to #16 in 1973, from his fourth album, Jesus Was a Capricorn. He also recorded with his second wife Rita Coolidge.

Kris Kristofferson is also an actor, appearing in several films, before becoming a Movie Star in A Star is Born, with Barbra Streisand.

Now that he has most of his memory back, he’s listening to the old songs again, “to get reacquainted with his life’s work. ‘It just takes you back like a picture of something would,’ he says. ‘I was also interested in seeing if they still sounded good to me,’ he continues. ‘I’ve been pleasantly surprised, particularly with this one.’ He points to his third album, Border Lord. ‘I can remember at the time being so disappointed at the reception it got.’

“His wife [since 1983, Lisa] sits to his left and looks at him, beaming at his recall. ‘To me, the song is what matters, not necessarily the performances,’ he says as he moves a napkin to examine a picture of him in his twenties, looking disheveled in his meager Nashville bedroom. ‘Just the words and melody – that’s what moves your emotions.'”

“‘I may have some more creative work in me,’ he finally admits, then concludes on a characteristically impassive note. “But if I don’t, it’s not going to hurt me.'”

LISTEN TO:

“Blame It on the Stones”
“To Beat the Devil”
“Me and Bobby McGee”
“Best of All Possible Worlds”
“Help Me Make It Through the Night” which gets ‘lie’ and ‘lay’ right and wrong in the same song
“The Law Is for Protection of the People”
“For the Good Times”
“Sunday Mornin’ Comin’ Down”
“The Silver Tongued Devil and I”
“Lovin’ Her Was Easier (Than Anything I’ll Ever Do Again)”
“The Pilgrim, Chapter 33”
“Nobody Wins”
“Why Me”

ABC Wednesday – Round 19

Movie review: Café Society

The Woody tropes are there, including disdain for all things Los Angeles.

I view the new Woody Allen movie Café Society at the Spectrum Theatre. At the end of the film, the man in front of me asks, “That can’t be the end of it, can it?” The next day, The Wife sees the film, and she says pretty much the same thing.

Conversely, I enjoyed the ambiguity of the ending. I have had a few relationships like that.

In 1930s New York City, Bobby Dorfman (Jesse Eisenberg is the Woody character) lives with his mother Rose (Jeannie Berlin) and father Marty (Ken Stott), a jeweler. With few prospects there, Rose calls her brother Phil Stern (Steve Carell), a very successful agent in Hollywood, hoping that Phil could find a job for his nephew.

After days of waiting around, Bobby finally gets to talk with Phil about his prospects. Phil has his secretary Vonnie (Kristen Stewart in arguably the best performance in the film) show Bobby around town. Bobby is taken with Vonnie, but she tells him she has a boyfriend, a journalist named Doug.

And then emotions get turned around. There are three scenes, pretty much in a row, that I particularly loved – they made my wife really sad – where the characters discover missing pieces of the puzzle.

Meanwhile, back in New York, Rose and Marty (Ken Stott) have two other children: schoolteacher Evelyn (Sari Lennick), who is married to philosopher Leonard (Stephen Kunken), and nightclub owner and gangster Ben (Corey Stoll).

There is really only one section of dialogue that is laugh-out-loud funny, and it’s near the end, a conversation with Rose and Marty about Christianity v. Judaism.

The movie also stars Blake Lively as Veronica Hayes and Brendan Burke as Evelyn and Leonard’s nasty and obnoxious neighbor Joe.

There are good and not-so-good Woody Allen movies in the 21st century. Café Society is pretty good, #20 in this list of All 47 Woody Allen movies – ranked from worst to best. The Rotten Tomatoes summary called it “amiable,” which is quite accurate. Yes, the Woody tropes are there, including disdain for all things Los Angeles, but it works here.
***
Woody Allen’s Biographer Tells All Id meet ego. Ego, id. The celebrated, controversial, highly self-aware filmmaker’s new ‘Café Society’ is about himself — but who is that? By David Evanier

Random notes from Facebook

When another person and I, separately, posted on Facebook from The New Yorker, The News Reshuffled what was clearly a piece of satire, Emotional Obama Tearfully Thanks Trump for Granting Him Citizenship, a few people thought it was unfunny. One, on my feed, said it was a “lie” that I was sharing FOX News garbage, and that the New Yorker is a terrible magazine.

Trying to explain that it was meant as humor did not help. However, when I posted, from the same source, that Obama had paid Mexico $5 million to keep Trump, now THAT was considered funny.
***
I believe:

One should NEVER say, “See what I did there?” As The Daughter rightly notes, it lessens the joke. Let others notice.

A: After releasing his health records to Dr. Oz, Donald Trump is now said to be considering allowing only Tex Baxter and Lois Lane to cover him. Peter Parker, Jimmy Olsen, and “Animal” will form the press photo pool.
B: What about Clark Kent?
A: Too much of a liberal do-gooder. “Truth and justice.” So corrupt!
Me: And Clark would see right through him.
C: I see what you did there! 😀
***
I posted this video on Facebook, Are Cracker, White Trash, & Redneck Racist? from Decoded on MTV News, which led to a very long conversation about white privilege, which Francesca Ramsey mentioned only in passing. Conversations about white privilege are ALWAYS lengthy.

I appreciated input from Michael Rivest and others on this, but I shan’t relitigate it here.

It’s a good thing I didn’t post the White Fragility Workplace Training.
***
Keith Olbermann took on DJT in GQ, which Arthur linked to. In a Facebook discussion, someone wrote of Olbermann: “He is a paid character assassin. He’s rehashing the same accusations made against Trump. since the beginning of his campaign.”

To which someone else noted: “I will refrain from insulting you personally. But as Roger [me] said, you only have to listen to what comes out of Trump’s mouth. And because he is featured on almost every news and talk show 24/7, I have heard him actually say most of the things Olbermann attributed to him. In other cases, I have read the accounts of people that have had to deal with him. I even know a couple of people personally who have had to try and get paid for the work they did for him. So this is not a ‘choice’ I have to make about believing Olbermann or not. It is the sad reality of Donald Trump. It’s hard to imagine that one guy running for President can be such an ass clown, but then Mr. Trump is no ordinary guy.”
***
A local reporter posted on Facebook: “the #518 is getting a new area code. Like or dislike…”

Wow, the dislike was STRONG. “I dislike this change. Life is more complicated when there are more numbers to use.” Which is true; one will have to dial 518, even within the 518, which I have to do at work presently. But people won’t have to get new phone numbers; the new area code, which has not yet been determined, will be for new calls. Expect it in October.

Someone asked if we’d get 666. I wrote: Here’s the current list. 666 IS available, but don’t count on it!

One person would have preferred they divided 518 geographically, as they did with 914, leaving only Westchester County, just north of Albany, as 914 and creating a new area code 845 in the rest of the area. “An overlay means if I get a new neighbor, I may need to dial 10 numbers to call her. An overlay is easier for them, not us. Another example of not putting people first.”

Not necessarily. The change was a pain for all those counties in the Mid Hudson section of New York who had to change ads, make new business cards, repaint signs. Not to mention all the folks interacting with those people, businesses, colleges, governments, et al.

“This area could have kept 518 in the Capital District.”

Probably not. The plan that was rejected “would have meant giving residents of both Albany and Troy, as well as towns south of them, a brand new area code and phone numbers to learn.”

But my favorite comment was “Don’t they have anything better to do?” Actually, making sure we have enough phone exchanges IS what THEY do.

Music Throwback Saturday: Soulful Strut

Dusty Springfield recorded a cover version of Am I The Same Girl.

A variation on this happens a LOT to me.

One librarian starts humming this tune to me; he thinks it was performed by a singer, such as Lisa Stansfield. I recognize it instantly as a long-ago instrumental, but cannot place it.

Another librarian sends me a clip of the music, as background to a vulgar Howard Stern rant. Yup, it’s THAT song.

I am notoriously bad at remembering the titles of pop-music instrumentals. Obviously, there are no lyrics to hook onto – but if there is a single word, such as Tequila by the Champs – THAT I can remember.

Finally, I send the Stern clip to Times Union blogger, and trivia buff Chuck Miller, and he identifies it as Soulful Strut by Young-Holt Unlimited. That track got to #3 on both the pop chart and the soul chart in early 1969.

It was also the frame for a song called Am I The Same Girl, originally done by Barbara Acklin, whose original version got to #79 in 1969. In fact, Soulful Strut was the instrumental backing track to the Acklin song. Dusty Springfield recorded a cover version of Am I The Same Girl that same year.

The song gained new life in 1992 when Swing Out Sister covered Am I The Same Girl. It only reached #45 on the pop charts, and it got some airplay in my neck of the woods. But I don’t think I had heard it, probably listening to Nirvana or something.

This story should further explain the brain of the librarian, and the ~~desire~~NEED to know.

Listen to

Am I the Same Girl – Barbara Acklin HERE or HERE

Soulful Strut – Young-Holt Unlimited HERE or HERE

Am I The Same Girl- Dusty Springfield HERE or HERE

Am I The Same Girl- Swing Out Sister HERE or HERE

September rambling #1: unfinished art

Busker lends a helping hand to people with cancer

Instead of Dumbing Down

Meet the People Who Believe the Earth Is Flat

Flooding of Coast, Caused by Global Warming, Has Already Begun; Scientists’ warnings that the rise of the sea would eventually imperil the US coastline are no longer theoretical

How Trolls Are Ruining the Internet

The Falling Man

The FBI Accused Him of Terrorism; He Couldn’t Tie His Shoes

The Aurora shooting survivors’ $700,000 legal bill shows the difficult reality of one Colorado law

Risky alone, deadly together Overdosing on prescription drug combinations plays a part in the growing rates of premature death among white women

White people think racism is getting worse, against white people

White privilege has enormous implications for policy — but whites don’t think it exists

‘He paid a dear price for it’: The 19th-century ordeal of one of America’s first transgender men

JEWEL OF THE NILE and why Ken Levine will be forever haunted by it

Who is Funding the Backlash against John Oliver’s Charter School Critique?

‘Playing Joan Crawford ruined my career’: Faye Dunaway says Mommie Dearest changed the way Hollywood thought of her

Now I Know: The Pool Party That Wasn’t a Gas and A Token Effort