Filmmaker Ken Burns turns 70

devastating — and distressingly topical

I’ve been watching films directed or co-directed by Ken Burns, for decades.

In an interview, possibly on 60 Minutes, he noted that his academic family moved frequently, including southeastern France, Delaware, and Ann Arbor, MI.

His mother, Lyla Smith (née Tupper) Burns, a biotechnician, was diagnosed with breast cancer when Ken was three and died when he was 11. He said that circumstances shaped his career. His father-in-law, psychologist Gerald Stechler, shared a significant insight: “He told me that my whole work was an attempt to make people long gone come back alive.”

From the Wikipedia: “In 1977, having completed some documentary short films, he began work on adapting David McCullough’s book The Great Bridge, about the construction of the Brooklyn Bridge.

“Developing a signature style of documentary filmmaking in which he ‘adopted the technique of cutting rapidly from one still picture to another in a fluid, linear fashion [and] then pepped up the visuals with ‘first hand’ narration gleaned from contemporary writings and recited by top stage and screen actors,’ Burns made the feature documentary Brooklyn Bridge (1981), which was narrated by McCullough, and earned an Academy Award nomination for Best Documentary and ran on PBS in the United States.”

The films

I saw Brooklyn Bridge well after the fact, and The Civil War (1990) ss it came out. But it was with Baseball (1994) that I fell in love with his style. Someone gave me the accompanying book, which is at arm’s length in my office.

I had to watch Thomas Jefferson (1997), Jazz (2001), The Central Park Five (2012), The Roosevelts (2012) – I even have the soundtrack),  Jackie Robinson (2016) and The Vietnam War (2017) because of my great personal interest.

Here’s the blog post I wrote about Country Music (2019).

Then Hemingway (2021), because I didn’t know much about him, and Muhammad Ali (2021), because I thought I knew almost everything about him, but I did not. Benjamin Franklin (2022) was not that engaging to me.

The U.S. and the Holocaust (2023), which I’ve begun watching, is an exciting choice. Had he not covered this territory in The Roosevelts and Defying the Nazis? But it is powerful stuff.

THR’s review called it “devastating — and distressingly topical. Burns, Lynn Novick and Sarah Botstein’s six-hour PBS documentary explores what the United States did and could have done in response to the Nazi atrocities of the Holocaust.” Here is A Conversation With Co-Directors Ken Burns and Lynn Novick On Authoritarian Parallels. A CBS Sunday Morning piece is interspersed with info re: wildflowers, but it’s easy to skip to the interview.

Ken Burns considers himself a patriot. When he appeared on Finding Your Roots in 2014,  he was pained to discover that he had a Tory sympathizer as an ancestor who fought for the British during the American Revolution.
In 2015, around the time of the rebroadcast of The Civil War, he noted on Morning Joe that the Confederate flag issue was not really about heritage.

In the fall of 2022, I received a mass email from Ken Burns.

It was a pitch to vote for incumbent Senator Maggie Hassan (D-NH) for reelection. She won in November 2022.

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