Ramblin' with Roger

The Lydster, Part 107: The Twizzle

We have the complete box set of the Dick van Dyke Show, and we’ve watched all of Season 1 and about 40% of Season 2.

Interesting to hear what others say about whether the Daughter looks more like your mother or me. It seems that if you knew my wife better, like mother, like daughter; if you knew me better, she favors me.

Personality-wise, she is likewise similar to whichever parent is most familiar to the observer.

My wife can explain in her (non-existent) blog how much they do together, besides watching Dancing with the Stars.

Conversely, I am pleased that she has taken to liking two of my favorite cultural phenomena, listening to the music of the Beatles and watching the classic television program, The Dick Van Dyke Show. Re: the latter, we have the complete box set, and we’ve watched all of Season 1 and about 40% of Season 2. Her favorite episode is What’s in a Name, the show in which Ritchie, Rob and Laura’s son, discovers that his middle name is ROSEBUD; she can recite his full middle name, Richard Oscar Sam Edward Benjamin Ulysses David. She also likes the one about the walnuts.

My least favorite show was about a dance craze called the Twizzle, a blatant ripoff of the Twist fad. The Daughter likes it a bit more than I.

In fact, she invented a drink she calls the Twizzle:
1 cup kefir (or flavored yogurt)
1 banana
1 cup milk
1 cup frozen fruit
1 ice cube
love

Blend together.

It’s GOOD!

George Harrison would have been 70

Here are a dozen Harrison songs. Only the Top 2 are for sure on the list. It seems to change a lot, depending on what I’ve been listening to most recently.

When John Lennon died in 1980, I was devastated. When George Harrison died in November 2001, I was melancholy, but I knew he was sick, so I wasn’t surprised. But as time passed, I realized I missed him more and more. Incidentally, All Things Must Pass was my high school prom theme.

I felt sorry for George in the Beatles. He’d write songs and they wouldn’t make the album, because those two other songwriters in the group dominated. That explained why the All Things Must Pass album had three LPs, including an instrumental experiment.

Unique among the Beatles, George’s first greatest hits album included Beatles songs, even though there were arguably enough of his solo works to make their inclusion unnecessary; this was an insult to the artist by his soon-to-be-former record label, in my view.

Here are a dozen Harrison songs. Only the Top 2 are for sure on the list. It seems to change a lot, depending on what I’ve been listening to most recently. I have all the Harrison solo studio albums, excluding some compilations.

Links to songs.

12. Blow Away (from George Harrison – GH) – Always liked the guitar line.
11. Love Comes to Everyone (GH) – guitar intro by Eric Clapton is quite nice.
10. Give Me Love (Give Me Peace on Earth) (Living in the Material World- LITMW) – In one of the later verses, I like how the chorus is sung off the beat. And more than occasionally, I relate to its message.
9. All Those Years Ago (Somewhere in England -SIE) – Harrison’s tribute to John Lennon, featuring Ringo Starr on drums, as well as Wings members Paul and Linda McCartney and Denny Laine on backing vocals
8. Let It Down (All Things Must Pass -ATMP) – Lovely song. Can’t find the album version, unfortunately, but this is nice, too.
7. Devil’s Radio (Cloud Nine – CN) – Like the somewhat nasal quality of the vocal.
6. Living in the Material World (LITMW) – Story of the Beatles, in part. And when he sings, “We got Ritchie on a tour,” and Ringo plays a little drum solo, it always cracks me up.
5. What Is Life (ATMP). On the extended CD of ATMP, there’s an instrumental version of this song that I like nearly as much.
4. Got My Mind Set on You (CN) – I think I like this as much for the surprise element at the time. George hadn’t had an album in five years, let alone a hit single. This muscular Rudy Clark cover seemed to come out of left field.
3. Not Guilty (GH) – At the time, some people thought this was in response to the My Sweet Lord/He’s So Fine lawsuit. (No, but This Song, from Thirty-Three and 1/3 was.) Not Guilty was actually recorded with The Beatles in 1968 for The White Album; like many of his songs, it was not included. However, you can find a louder version on the Beatles’ Anthology 3.
2. Wah Wah (ATMP) – Love the volume, the guitar line, the choir of vocalists, pretty much everything.
1. When We Was Fab (CN) – This telling of the Beatles’ story, though, is the best of the songs in that specific genre.

A couple of Traveling Wilburys songs in the mix.
The last time I wrote about George, which was the 10th anniversary of his death.

Friend Uthaclena is 60

I’ll just wish my OLD friend a happy birthday.

We met the first day of college. He was an odd sort who tended to hang off the edge of his desk like Snoopy on his doghouse roof. He was even more socially inept than I was at the time, which is saying a lot. He turned me onto comic books at a point that I thought I had outgrown them, at a point when this was not particularly cool.

We fought against wars together, as recently as 2003.

I was in one of his weddings and he was in one of mine.

He’s actually a lot better now socially, thanks in no small part to a stint as a bartender. Most of his work, though, has been in social services. I follow his comments on Facebook but find them incredibly cryptic; one example: “Here we go…”

I usually see him at an annual event that’s been going on, in one form or other for decades, and for which he has been a primary moving force. He wasn’t there this year, though, and I got suckered into doing his part, as though I knew what I was doing.

A couple of years ago, around my birthday, I was in a particular funk about something or other. My wife had conspired with him, his wife, and his daughter to come to visit our house, which brightened my mood considerably. One of the few times I’ve been able to take off on a weekend afternoon was last spring, with him.

He’s currently dealing with some work issues that sound too familiar to me, as both my wife and one of my sisters have experienced it: you have a workload, then management increases it by 70%. They complain that you can’t meet the new goals. But you just can’t, unless you work about 20 unpaid overtime hours per week. Good luck with the forces of evil.

Rather than blathering on, I’ll just wish my OLD friend a happy birthday. Glad we got to talk, effendi.

G is for Gaslighting

“To manipulate events, as Charles Boyer does to Ingrid Bergman to make her think she’s crazy.”

When I was living in Charlotte, NC for a few months in early 1977, I wasn’t particularly thrilled. The city was, in the words of my father “a big old country town”; BTW, it’s gotten much better there, IMO.

One of my few outlets was to go to the main library and read books and magazines, or see movies. One of the films I saw was Gaslight. It was the 1944 US version, not the 1940 UK take; both were based on a 1938 play, Gas Light. The iteration I saw “was directed by George Cukor and starred Ingrid Bergman, Charles Boyer, Joseph Cotten, and 18-year-old Angela Lansbury in her screen debut.”

Without getting into the particulars of why: “Paula loses a brooch that Gregory had given her, despite its having been stored safely in her handbag. A picture disappears from the walls of the house, and Gregory says that Paula took it, but Paula has no recollection of having done so. Paula also hears footsteps coming from above her, in the sealed attic, and sees the gaslights dim and brighten for no apparent reason. Gregory suggests that these are all figments of Paula’s imagination. Gregory does everything in his power to isolate his wife from other people.” In other words, Gregory is trying to make Paula think she is going crazy, and nearly succeeds.

From these movies, and the play, came the term gaslighting, which “has come to describe a pattern of psychological abuse in which the victim is gradually manipulated into doubting his or her own reality. This can involve physical tactics (such as moving or hiding objects) or emotional ones (such as denying one’s own abusive behavior to a victim.)” I thought it was a nifty term, and have used it regularly since.

I am watching the game show JEOPARDY! which is my wont. Episode #6428, which aired 2012-07-25, in the category “GAS” UP (which means the letters GAS appears in the correct response). The $600 clue: “To manipulate events, as Charles Boyer does to Ingrid Bergman to make her think she’s crazy.” I say “to gaslight”; none of the three contestants even rings in. Then I ask other people. No one seems to know this verb, except for my wife, and she only recognizes it because I’ve used it so much.

So I commit to you the word “gaslighting.” Use it in good health; don’t let it make you go crazy.

ABC Wednesday – Round 12

Oscar predictions for the films of 2012

This should be Affleck’s. Or maybe Kathyrn Bigelow’s for Zero Dark Thirty. Neither were even nominated.

This is what I thought before the Oscar nominations came out: Lincoln would win Best Picture and Ben Affleck would win Best Director. Then Affleck inexplicably wasn’t even nominated for Best Director, though he was for Best Actor; he subsequently won Best Director in the Golden Globes, and more importantly, the Directors’ Guild. Now I’ve pretty much switched the two places. The picks here are who I THINK will win, not who I WANT; sometimes, such as in the Best Actress category, I haven’t seen enough of the performances to have a rooting interest.

* means I saw that movie

Best Actor:

Bradley Cooper – Silver Linings Playbook
Daniel Day-Lewis – Lincoln
*Hugh Jackman – Les Miserables
Joaquin Phoenix – The Master
Denzel Washington – Flight

If there is a mortal lock this year, it’s Day-Lewis, who BECOMES Lincoln, just as he has inhabited every other role he’s played.

Best Actress

Jessica Chastain – Zero Dark Thirty
Jennifer Lawrence – Silver Linings Playbook
Emmanuelle Riva – Amour
Quvenzhané Wallis – Beasts Of The Southern Wild
Naomi Watts -The Impossible

Riva is old, not that well known and in a depressing movie, though she’s quite good. Wallis was SIX when she made HER movie. Watts just isn’t getting as much buzz as I would expect. So it’s between Chastain, reportedly good in a controversial film, and Lawrence, who was a blockbuster star this past year in The Hunger Games. I pick Lawrence.

Best Supporting Actor

Alan Arkin – Argo
Robert De Niro -Silver Linings Playbook
Philip Seymour Hoffman – The Master
*Tommy Lee Jones – Lincoln
Christoph Waltz – Django Unchained

My personal favorite of the three I saw was Arkin. The smart money says Jones. I think the Academy will give Django something, and this may be the place. Yet it’s De Niro I’m going to pick because he’s DE NIRO.

Best Supporting Actress

Amy Adams -The Master
Sally Field – Lincoln
Anne Hathaway – Les Miserables
Helen Hunt – The Sessions
*Jacki Weaver – Silver Linings Playbook

Anne Hathaway, who emoted greatly, is another mortal lock. Wish I’d seen the Hunt role.

Best Director

Steven Spielberg – Lincoln
Ang Lee – Life Of Pi
Michael Haneke – Amour
*David O. Russell -Silver Linings Playbook
Benh Zeitlin – Beasts Of The Southern Wild

This should be Affleck’s. Or maybe Kathyrn Bigelow’s for Zero Dark Thirty. Neither were even nominated, nor was Tarantino for Django; I’m really surprised Haneke and Zeitlen were. The only person other than Spielberg who has a chance is Lee, and that only if people saw it in 3D, rather than the 2D screeners Academy voters likely got.

Best Adapted Screenplay

Argo
Beasts Of The Southern Wild
Life Of Pi
Lincoln
Silver Linings Playbook

Lincoln or Argo? My preference is Argo, but my guess is Lincoln.

Best Original Screenplay

Amour
Django Unchained
Flight
Moonrise Kingdom (my review)
Zero Dark Thirty

Does this go to the movie about torture (ZDT) or Tarentino’s movie about slavery (Django)? I’m pulling for Moonrise Kingdom myself, but I’m guessing Zero.

Other picks:

Best Animated Feature Film: *Wreck-It Ralph (my review) over Brave
Best Cinematography: *Life Of Pi, another near-lock
Best Documentary: Searching For Sugar Man. I’ve seen none of them, but this one I know the story about an obscure US musician who hits it big in South Africa without even knowing it.
Best Film Editing: *Argo over Zero Dark Thirty
Best Foreign Film: *Amour. Mortal lock. A Best Picture nominee.
Best Makeup: The Hobbit: An Unexpected Journey over *Les Miserables
Best Original Song: Skyfall, because it was, Adele.
Best Short Film (Animated): *Paperman, because Disney was smart to make it widely available online and as the tease to Wreck-It Ralph. *Adam and Dog is lovingly rendered in watercolor, but it left me cold. Could win, I suppose.
Best Visual Effects: *Life Of Pi, deservedly so
The rest of the categories: I have no idea.

Best Picture (links to my reviews), with box office (from Box Office Mojo), and release date

Amour $4,081,541 12/19/2012
Argo $127,654,188 10/12/2012
Beasts of the Southern Wild $12,306,988 6/27/2012
Django Unchained $157,656,712 12/25/2012
Les Misérables $145,963,845 12/25/2012
Life of Pi $111,745,023 11/21/2012
Lincoln $176,962,546 11/9/2012
Silver Linings Playbook $100,870,102 11/16/2012
Zero Dark Thirty $89,047,400 12/19/2012

Argo was taut, interesting, and not too long. Its campaign has been excellent.. I don’t remember so many good box office films up for Best Pic in a while.
***
Predictions by The Huffington Post and Roger Ebert.