Music Throwback Saturday: Theme from an Imaginary Western

Theme from an Imaginary Westerns was never recorded by Cream because Eric Clapton is said to have hated it.

mountain climbingI started getting reinvested in Disraeli Gears, the classic second LP by the group called Cream, when I came across this 48-minute video on the making of the album from 2012 a few months ago. It includes interviews with the band members Eric Clapton, Ginger Baker and the late Jack Bruce.

Clapton talks about how the album’s producer Felix Pappalardi took him to a New York City music shop to buy his first wah wah pedal in April of 1967, which he then played on Tales of Brave Ulysses. Felix was like a fourth member of the band.

Subsequently, Pappalardi produced an album by guitarist Leslie West titled Mountain. Then Pappalardi and West formed a band called Mountain, described by Rolling Stone magazine as a “louder version of Cream.” The band’s best-known song was probably Mississippi Queen [LISTEN].

Another song from that 1970 album Climbing! was Theme for an Imaginary Western, written by the aforementioned Jack Bruce, and Pete Brown. The song was never recorded by Cream because Eric Clapton is said to have hated it.

Some of the LYRICS:

When the wagons leave the city
For the forest and further on
Painted wagon of the morning
Dusty roads where they have gone

Sometimes travelin’ through the darkness
At the summer comin’ home
Foreign faces by the wayside
Look as if they hadn’t known

All the sand was in their eyes
And the desert that’s dry
In the country town
Where the life was found

When Pappalardi, who died in 1983, left Mountain, West and Bruce were in various groups together over the years.

LISTEN to various versions of Theme for an Imaginary Western, a/k/a Theme from an Imaginary Western:

Jack Bruce, Songs for a Tailor album, 1969, produced by Felix Pappalardi.

Mountain, at Woodstock, 1969, Felix Pappalardi on vocal; it’s on the Woodstock 2 album that was released in 1971.
Mountain, 1970, Felix Pappalardi on vocal. This is the first version I heard.

Leslie West’s Theme album, with Jack Bruce on vocals, 1988.

Jack Bruce on piano, n.d.

GOP, Cuomo, concerts and hiking

boehnerJaquandor, the emperor of Byzantium Shores, muses:

What will it take to get the Republican Party to start moving back to the real world? I look at their collective insanity right now as the 2016 election cycle is revving up, and I remember how I noted in 2012 that if Obama was reelected, THAT year’s Republican Crazy would look quaint compared to what was coming in four years. Now that this prediction is coming OH SO TRUE, I’m worried about what the Republican field will look like in 2020 if the Democratic nominee wins next year.

Some people think that it will take another couple of electoral drubbings for the White House, but I’m thinking, as long as they keep winning at midterm time, that will be enough to keep them thinking that the Insane Approach is JUST THIS CLOSE to winning. (Sorry for the length of the question!)

Re: crazy: I thought the Republicans were in 1994. Now Newt Gingrich, the former Speaker, looks, in retrospect, practically looks like a statesman. You’ve answered your own question: when they start to lose.

I am starting to wonder if party alignments will begin to fray. John Boehrer (pictured) quits as Speaker amidst cheering from some Tea Party types, who considered him a RINO (Republican In Name Only), which is absurd. They are seeking an ideological purity, an “our way or the highway” philosophy, of people who do not appear to want to govern, or even have a government.

If a Democrat wins the White House in 2016, I have a sense that there will continue to be a bloc of obstructionists, in some ways, worse than what Obama faced in 2009, with little chance of a honeymoon. And if it’s a Republican President, I’m not sure he or she will fare much better, because, depending on the Congressional races, it could embolden the House fringe especially.

I can’t think about 2018, never mind 2020.

What’s your general take on Governor Cuomo, now that he’s into his second term? I can’t help feeling there’s something smarmy about the guy.

In some ways, Andrew Cuomo was his father Mario’s enforcer, so he’s been a schmuck for a while. Still, I voted for him in 2006 when he ran for Attorney General, and in 2010, when he went for governor. But I voted against him, twice, in 2014, in the primary and the general election. I ALWAYS voted for Mario, at least a half dozen times.

Some of my antipathy towards Andrew has to do with his generally manipulative ways, particularly with the Common Core education process. He dismantled the Moreland Commission looking into corruption when there was still work to do. He’s hostile to the press, and many citizens. Even the gun control SAFE Act, which I tend to support, I thought was forced through the legislature without due process. During the prison break, he seemed to insert himself in the story as much as possible.

I realized what a jerk he could be when he shows up on his brother Chris’ news program, as Jon Stewart pointed out. He’s just annoying.

This story in the New Yorker from February 2015 is pretty balanced.

There was some controversy in Buffalo recently over tickets to an upcoming Paul McCartney concert — the tickets were WILDLY expensive and sold out almost instantly, leaving a lot of angry people. Do you have views on how live music takes place these days? Demand for Garth Brooks tickets earlier this year led to Brooks actually adding shows to his Buffalo stop — I think he did five total shows — and the Rolling Stones recently sold out Ralph Wilson Stadium. Any thoughts? (What’s with me and the long questions?)

Yeah, I got McCartney tickets on the secondary market for his show in Albany, and they were pricey. I didn’t know until too late if I had followed him on his website a week before the tickets went on sale, I might have had a better shot at the tickets. I don’t have a solution except to say “no”.

Hiking in the woods: Yay or Nay? I’ve always liked hiking but I’ve REALLY taken a shine to it over the last year, now that I’ve got this four-legged-friend to hike with.

On flat services, or mild inclines/declines without a lot of tree roots to trip me up, sure. But I better wear my knee brace, just in case.

October #1 rambling: recovery mode

The Oregon Shakespeare Festival will commission 36 playwrights to translate all of Shakespeare’s plays into modern English.

wrong reenactment
Still on the mend, wearing this band around my waist, until at least November 9. I will write about this eventually.

I’ve managed to watch more baseball in the past week and a half than I saw the entire regular season. Great to see former Met Rusty Staub after his heart attack. Rooting for the Mets, or if they get eliminated, the Cubs. Just realized that the World Series Game 5 would be November. If it’s the Dodgers in the Series, I’m rooting for the American League team.

ALSO, my office is moving this week. Note to self: do NOT pick up anything over 20 pounds.

Understanding Mass Incarceration and Bringing It Down: An Interview With James Kilgore.

John Oliver: rips GOP candidates for blaming gun violence on mental illness in absence of a plan, and Migrants and Refugees.

Color film was made for white people.

The War on Science, even in Canada.

Seth Meyers explains that ridiculous Congressional hearing over Planned Parenthood and Planned Parenthood’s “Government Funding”: The Same Kind Your Doctor Receives.

What the Speakership Battle is About.

Pope Francis met with an openly gay couple — and unlike Kim Davis, who ambushed him, he did so intentionally, and Was Pope Francis Actually Swindled into Meeting Kim Davis?

If we gotta honor a Christopher…

“Sick of hearing about the damn emails.”

Analysis Ranks Presidential Candidates By Their Supporters’ Grammar.

It costs you $43 every time you wait for the doctor.

What Happens When There’s No Internet. Presented By BuzzFeed & Hyundai – is it real?

Sweden is shifting to a 6-hour work day.

Shakespeare in Modern English? “The Oregon Shakespeare Festival… recently announced that over the next three years, it will commission 36 playwrights to translate all of Shakespeare’s plays into modern English.”

Chaz Ebert reviews the play BlackWhite Love, about Roger and Chaz Ebert.

How to Make a Sandwich. It only took 6 months and cost $1500.

K-Chuck Radio’s Sunshine Pop includes rare music from Mary Hopkin and Victor Garber.

New 2015 remix and video of Paul McCartney and Michael Jackson’s 1983 international smash hit single ‘Say Say Say’.

Van Morrison and the Thirty-One Songs about Nothing But a Bad Contract.

Mark Evanier continues to list the twenty top voice actors in American animated cartoons between 1928 and 1968, including Hans Conried (Snidely Whiplash), Don Messick (Scooby-Doo) Alan Reed (Fred Flintstone), Jack Mercer (Popeye), and Gary Owens (Space Ghost, Roger Ramjet).

GOOGLE ALERT (me)

It’s so very nice that Eddie the Renaissance Geek wished me well after my surgery, given the fact that he’s had much more serious health issues of his own.

Albany High hosts tours in advance of vote on improvements.

What’s the last comic book or graphic novel you picked up at a comic book store? Also, The Big Event effect.

SamuraiFrog: Ant-Man and the Book Light Lady.

Donna’s quote resonated.

GOOGLE ALERT (not me)

New national role for Biscovey head teacher. “Roger Green is one of 70 heads across the country…”

Sam Moore of Sam & Dave is 80 (tomorrow)

Sam Moore was blown away, and uttered “Play it, Steve” spontaneously.

sam-and-daveSamuel David Moore (born October 12, 1935) and the late Dave Prater (May 9, 1937 – April 9, 1988) comprised, inarguably, the most successful and critically acclaimed soul-singing duo, Sam & Dave, from 1961 to 1981. They are members of the Rock & Roll Hall of Fame (1992) and the Vocal Group Hall of Fame. Sam Moore has continued his career as a solo performing and recording artist.

They had a complicated recording situation, signed to Atlantic Records, but leased to the soul label Stax for a time in order to get the Memphis feel. Their working relationship was also strange; “according to Moore, they did not speak to each other offstage for almost 13 years.”

A Place Nobody Can Find, written by David Porter, was their first STAX single, b/w Goodnight Baby (Isaac Hayes/Porter), both sides featured Dave Prater singing lead. It failed to chart. That would soon change.

Many of the song description narratives are from the great book Soulsville U.S.A.: The Story of STAX RECORDS by Rob Bowman. Links to all songs.

10. I Take What I Want (Hayes/Mabon Hodges/Porter), 1965 – another early song that failed to chart. Note that many of these songs were written by the team of Isaac Hayes (of “Shaft” fame), and David Porter, who also produced these and many future songs. They also wrote hits for other STAX artists.

9. You Got Me Hummin’ (Hayes/Porter), #77 pop, #7 r&b in 1967 – such nice rhythmic humming, it wasn’t the bawdy song that the writers had envisioned.

8. You Don’t Know Like I Know (Hayes/Porter), #90 pop, #7 r&b in 1965 – their first hit, due in no small part to the promotional skills of STAX’s Al Bell. It was inspired by the gospel song You Don’t Know Like I Know What the Lord Has Done for Me. Sam Moore hated the song, and about half the tunes presented to him at STAX because Hayes and Porter made him sing high in his vocal range. Dave sings the first verse, then they trade lines. Instead of a solo, Hayes and Porter put in a horn ensemble, inspired by Otis Redding’s In the Midnight Hour.

7. You Don’t Know What You Mean to Me (Eddie Floyd/Steve Cropper) #48 pop, #20 r&b in 1968 – I’m not a great fan of talking in pop songs. But when Sam & Dave do it – “Eddie FLOYD wrote the song” – it’s different. Steve Cropper is best known as the guitarist of the Stax Records house band, Booker T. & the M.G.’s.

6. Soothe Me (Sam Cooke), the live version went #56 pop, #16 r&b, #35 UK – smooth like Sam Cooke was.

SamMoore 5. Soul Man (Hayes/Porter), #2 pop for three weeks, #1 r&b for seven weeks, 24 UK in 1967. A Grammy Hall of Fame song. Isaac Hayes suggested Steve Cropper play a slide guitar lick, and Cropper, not having a proper slide, used a cigarette lighter. Sam Moore was blown away and uttered “Play it, Steve” spontaneously, which was kept in the mix. The success of the Blues Brothers’ cover, for some reason, made me irritable.

4. Wrap It Up (Hayes/Porter) – B-side of I Thank You, 1968. The lead vocals were recorded in Paris while the duo was on tour, because the label thought, correctly, that the A-side was going to be a big hit.

3. I Thank You (Hayes/Porter), #9 pop, #4 r&b, #34 UK in 1968 – more talk that works. Sam’s “I want everybody to get off your seat, And get your arms together, And your hands together, And give me some of that old soul clapping” sounded like church, especially the word “old.” Also love the clavinet, played by Hayes. It features background vocals by Ollie and the Nightingales.

2. Hold On, I’m Comin’ (Hayes/Porter), #21 pop, #1 r&b in 1966 – the first Sam & Dave song I was aware of. Hayes had yelled to Porter to hurry, and finish up in STAX’s washroom. Porter responded, “Hold on, man, I’m coming.” Sam is on lead vocals from the start. Little mistakes, such as Wayne Jackson missing a trumpet entrance, were left in. Often covered, never surpassed.

1. When Something is Wrong with My Baby (Hayes/Porter), #42 pop, #2 r&b in 1967 – this song, a rare ballad for the duo, is gorgeous. Inspired by Porter’s bad marriage and his fantasies about what would feel like to be in love. Sung primarily by Sam, with harmonies by Dave. Also covered a lot, notably by Linda Ronstadt and Aaron Neville.
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Coverville 1096: The Villes are alive with the sound of Covers. And Sam & Dave. And Indie Hodgepodge!

Music Throwback Saturday: Jackie Blue

Jackie Blue reached #3 on the Billboard Hot 100 in the U.S. and #10 in South Africa in 1975.

jackie blueIt was really annoying. One Saturday, I was listening to a radio being broadcast within some retail store or restaurant when I heard a song I recognize. I could identify it in three notes.

“That’s ‘Jackie Blue,'” I said aloud, to no one in particular. But then I was stumped. Who SANG it?

I even own the song on a CD compilation of Southern rock. This was maddening.

Obviously, I COULD look at the CD, or Google the song. Stubbornly, I refused to do so.

Then frankly, it slipped my mind… until the following Tuesday morning, when I woke up, and thought, “Ozark Mountain Daredevils,” an “American Southern rock/country rock band formed in 1972 in Springfield, Missouri.”

Jackie Blue is a single by The Ozark Mountain Daredevils from their 1974 album, It’ll Shine When It Shines. The song reached #3 on the Billboard Hot 100 in the U.S. and #10 in South Africa in 1975. The song was sung by the group’s drummer, Larry Lee.”

LISTEN to Jackie Blue:
the album cut; also, here
the single version
a live version
the 45 rpm version played at 33 rpm, just because

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