Although I was a big fan of the eclectic and significant English group The Clash, I must admit the band was not a massive commercial entity. The group, consisting of vocalist/guitarist John Meilor, a/k/a Joe Strummer (d. 2002); Mick Jones on lead guitar; Paul Simonon on bass; and Nicky “Topper” Headon on drums, was inducted into the Rock and Roll Hall of Fame in 2003.
Their first two albums don’t even reach the top 100 in the United States. The two-LP London Calling (1980) was their breakthrough collection, with quite a few songs getting airplay on my favorite Albany radio station at the time, WQBK-FM, Q104. That was followed by a triple album, Sandinista! (1981) that also did reasonably well.
The last album of new Clash music I bought, and the last vinyl, was Combat Rock (1982). It was the group’s most successful album, getting to #7, and probably my least favorite. It did, however, contain two of their charting singles, Should I Stay or Should I Go, and Rock the Casbah.
I must have also purchased around that time an single or EP that contained a dub version of Rock the Casbah called Mustapha Dance, with fewer vocals and a more prominent bass line.
Super Black Market Clash was a compilation album released in 1993 “that contains B-sides and rare tracks not available on their studio albums. It is a repackaging of the original 1980 Black Market Clash,” with 20 songs rather than nine.
Listen to the Clash:
Train in Vain (Stand by Me), #23 in 1980, from London Calling, though it was recorded so late that it didn’t make the album liner notes
Time is Tight from Black Market Clash (1980)
Should I Stay or Should I Go, #45 in 1982 and #50 in 1983
Rock the Casbah, #8 in 1983
Mustapha Dance, from Super Black Market Clash (1993)