Tag: movies

X is for…

We all have at least one X chromosome.


I marvel at the versatility of the letter X.

It can be used as a signature that is printed in lieu of an individual’s signature…”Typically, individuals sign their full names when executing legal documents. Sometimes, however, individuals use only their initials or other identifying marks. For illiterate, incompetent, or disabled people, this mark is often the letter X. Documents signed with an X sometimes raise questions as to their validity and enforceability.”

Related, the X refers to a kiss. “The first mention in the literature of XXX for kisses at the bottom of a letter was in 1901, according to the Oxford English Dictionary. The X itself is very old.

“The custom goes back to the early Christian era when a cross mark or ‘X’ was the same as a sworn oath. The cross-referred to the cross of Calvary and the first letter of the Greek word for Christ, Xristos.” (Which is why Xmas does not bother me in the slightest; it actually has sacred roots.)

“Even as little as a hundred and fifty years ago, not many people could read or write. The ‘X’ at the bottom of a document took the place of a signature. They would kiss the ‘X’ as a crucifix or bible was kissed to emphasize the importance of the mark. It was this practice that led to the ‘X’ representing a kiss.”

Yet, X-rated is “vulgar, obscene, or explicit in the treatment of sex: an X-rated novel; X-rated graffiti.”

X is an algebraic meaning ‘unknown quantity’ (1660 in English). Yet X also means the specific, known location of the buried treasure; “X marks the spot.”

Finally, HISTORIANS of mathematics attribute the first use of the cross x as a symbol for multiplication to William Oughtred (…London, 1631).

And since we all have at least one X chromosome, one could argue that we all are unknown AND knowable, sacred AND profane.
ABC Wednesday – Round 8

May Rambling

Susannah Spencer is somehow an ancestor of Diana Spencer, who married Prince Charles, who had two sons, William and Harry.

When Blogger was down for about 24 hours earlier this month, it really threw off my blogging rhythm. For reasons mundane (I’m used to it) and functional (it’s a backup system), I still compose my blog in Blogger, THEN copy and paste into this WordPress format. And the day it was down was a Thursday, which meant I actually HAD time to post for an hour between work and choir. Or go to other people’s blogs, or leave comments on other people’s blogs, but I couldn’t do that either. Then when Blogger finally came back up, I realized that none of the blogposts that I had Scheduled actually saw the light of day, so I had to repost them. Oh, well. Arthur, and others whose primary blogs are on Blogger, had it worse than I.
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Went to see HAIR this month.
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The eldest niece’s website.
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Gordon at Blog This, Pal! has been blogging for seven years, which is amazing. He’s the only out-of-area blogger I’ve met through blogging, when we went to a Chicago Cubs game at Wrigley Field in 2008. Naturally, the home team lost.
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Who hit the most home runs during the 1960s? More than Hank Aaron, Willie Mays, Frank Robinson, or Willie McCovey. That would be Harmon Killebrew, whose goodbye note to his fans was very touching, and who died this month of cancer at the age of 74. He was probably my father-in-law’s favorite player. Incidentally, my father-in-law’s 75th birthday was this week.
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Samoa will lose a day! And willingly, no less. Gotta mess up birthdays, astrological charts…
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A Berlioz Requiem sampler of the Albany Pro Musica concert. The “Dies irae” and the “Lacrymosa” are only fragmentary parts of the longer originals, due to uploading limits.
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The National Jukebox, from your Library of Congress.
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Did you know Jack Kirby had an alternate design for Captain America, created for some purpose he couldn’t remember, that never appeared in a comic book?
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I feel as though I really need to see the movie Thor. It got a 70%+ positive rating from Rotten Tomatoes, but a real negative one from Roger Ebert. Something about his take, though, 1) compelled him to respond to his critics and 2) makes me think that I might like it anyway.
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Addresses of Marvel Superheroes in New York City.
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Fight the Rebellion! Darth Vader is countng on you!
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This is an interesting video. I’ve subsequently found more people doing this on other videos, but this pair seem to be the best.

Spoilers QUESTION

read movie reviewers relish not knowing about the films they are going to critique; optimally, the movie trailer will not make actually seeing the film redundant.


There is a tradition among many not to reveal surprise endings of movies and even TV shows until enough people have had a chance to see them, which is quite honorable.

But what I’ve noticed lately is that the TV shows themselves are at least leaking possible story bits to the media. The very first Law & Order: LA this spring notes that someone will die. Other shows, such as those alphabet soup programs (CSI, NCIS) tease that “a hero will fall.” Is it that we should watch because someone will die? What happened to the element of surprise. See, e.g., the death of Colonel Blake at the end of the third season of the TV show MAS*H.

I contrast this with The Good Wife on CBS. A big reveal a few weeks ago was that the lead character’s husband had slept with her work friend. But ah, it was a couple of weeks later before the GW herself finds out the news, and it is devastating for her, and for the viewer. The surprise maximized the impact.

I read movie reviewers relish not knowing about the films they are going to critique; optimally, the movie trailer will not make actually seeing the film redundant.

So how do you like to see TV and movies? Does knowing too much wreck the experience?

 

Movie Review: Made in Dagenham

Here, Sally Hawkins was matter-of-fact plunky without sinking to cliche. Indeed, once knows the basic outline, it is difficult to avoid a bit of predictability. Fortunately, the story, and performances were strong enough.


Late last year, my wife and I saw the trailer for the movie Made in Dagenham, and liked it well enough that we decided to go see the film itself. But for whatever reason, we didn’t make it.

Then we noticed that it was playing for three days at Proctors Theatre in Schenectady last week. So I took off early from work, went home, and we dropped off the daughter at the home of a teenaged daughter of a church member. We were running late for the 5:15 p.m. showing because of rush hour traffic, so Carol parked the car while I bought the tickets and popcorn. Walking from the ticket counter to the entrance, the door closed, and it was LOCKED!

So I walked back to the counter to comment on this. At that very moment, my wife showed up AND someone opened the door, we ran in and got led into the darkest theater I’ve ever gone into. Thank goodness for the guide’s flashlight.

We walked in during the opening credits, and I don’t know if there was anything before that; evidently, there were few or no coming attractions.

From the IMDB: In 1968, the Ford auto factory in Dagenham was one of the largest single private employers in the United Kingdom. In addition to the thousands of male employees, there were also 187 underpaid women machinists who primarily assemble the car seat upholstery in poor working conditions. Dissatisfied, the women, represented by the shop steward and Rita O’Grady, work with union rep Albert Passingham for a better deal. However, Rita learns that there is a larger issue in this dispute considering that women are paid an appalling fraction of the men’s wages for the same work across the board on the sole basis of their sex. Refusing to tolerate this inequality any longer, O’Grady leads a strike by her fellow machinists for equal pay for equal work. What follows would test the patience of all involved in a grinding labour and political struggle…

Sally Hawkins, who played Rita, was someone I wanted to see in the well-regarded Happy-Go-Lucky (2008), but didn’t. Here, she was matter-of-fact plucky without sinking to cliche. Indeed, once one knows the basic outline, it is difficult to avoid a bit of predictability. Fortunately, the story, and performances by Hawkins, Geraldine James as Rita’s friend Connie (who had a more interesting story arc), Bob Hoskins as her ally Albert (whose character has his own motivation), Daniel Mays as Rita’s trying-to-be supportive husband Eddie, and in particular the amazing Miranda Richardson as Cabinet member Barbara Castle, a glass ceiling breaker in her own right, were compelling enough. Another strong performance was by Rosamund Pike, who, like Hawkins, had a smallish role in the movie An Education (2009), which we did see.

The one complaint is that especially early on, we both had real difficulty discerning what was being said because of their accents. At least one reviewer had the same issue. I don’t know if my ear acclimated or the dialogue became easier to understand, but it did get better.

The movie had period music as its soundtrack, most of which I recognized, and it neither enhanced nor detracted from the movie for me.

Definitely inspiring without being mawkish, and worth the trip.
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The UK trailer, I believe.

 

Sidney Lumet

Lumet “directed seventeen different actors in Oscar-nominated performances… Four of them won for those Lumet-supervised performances.”

There’s an IMDB filmography for film director Sidney Lumet, who died last week at the age of 86. I thought I’d note the movies I saw, or wish I had.

12 Angry Men (1957) – A great cast, led by Henry Fonda. I must have seen this on TV originally, but it was so impactful, the whole notion of whether things are the way we thought, in a great courtroom drama, that I’ve gotten it on DVD.

Serpico (1973) – Found this movie about the one honest cop riveting, intense and rather sad by its (appropriate) cynicism.

Dog Day Afternoon (1975) – I’ve meant to see this. Actually came across the first 10 minutes on YouTube fairly recently.

Network (1976) – By far, the best movie of 1976, Rocky’s Academy Award win notwithstanding. In fact, it’s #64 on AFI’s top 100 movies. Also, Evanier tells a great story about a screening he attended. I remember the Oscars for that year quite well, when Peter Finch’s widow picked up his well-deserved award for Best Actor.

The Wiz (1978) – Definitely did NOT view this in the theater, though I’ve seen scenes on TV.

The Verdict (1982)– I’ve been a sucker for both law dramas and movies about redemption. This movie starring Paul Newman, as a lush of a lawyer I recall really enjoying when I saw it in the theater, though I haven’t viewed it since.

I probably also ought to see Long Day’s Journey Into Night, Equus and Running on Empty.

Evanier notes that Lumet “directed seventeen different actors in Oscar-nominated performances: Katharine Hepburn, Rod Steiger, Al Pacino, Ingrid Bergman, Albert Finney, Chris Sarandon, Faye Dunaway, Peter Finch, Beatrice Straight, William Holden, Ned Beatty, Peter Firth, Richard Burton, Paul Newman, James Mason, Jane Fonda and River Phoenix. Four of them won for those Lumet-supervised performances. A pretty impressive record.” Kevin Marshall wrote a nice piece about Lumet.

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