music Archives - Page 245 of 264 - Ramblin' with Roger

Mavis Staples is 72

“I loved Bobby enough to marry him, but I just was not ready to get married.”

One of the great voices in music is Mavis Staples. First as the lead singer of the Staples Singers, with hits such as Respect Yourself and I’ll Take You There, and currently, with her blues/gospel fusion, she’s still performing.

This segment from CBS Sunday Morning in April 2011 noted that she STILL doesn’t know what keys she sings in, even after 60 years of performing. The story also revealed this:

Mavis Staples has a lot of stories to tell, but here’s one you probably didn’t see coming: Bob Dylan asked to marry her.
“That’s true. It’s true. I may as well tell it now,” she said.
Yes, love was apparently in the air for the teenage singers. They “courted” (as Mavis puts it) for 3 years or so. But finally, Mavis says, she called it off.
“I didn’t think I wanted to get married right then,” she said, “And then another thing, you know, I would wonder about what would Dr. King think about me marrying a white guy?
“And so I told Pops about that, and Pops said, ‘Mavis, didn’t you see all them white people marching with us?’ All white people weren’t bad back then. I loved Bobby enough to marry him, but I just was not ready to get married.”

Some songs by Mavis Staples:
99 and 1/2
Eyes on the Prize
You Are Not Alone, acoustic version with Jeff Tweedy

Sunday Summer Song

Those Lazy Hazy Crazy Days of Summer – Nat King Cole

One of my favorite summer songs when I was growing up I thought was schlocky, even then. But there was so much to like, such as the way the singer said be-ah instead of bee-er, because he was taught, as I’ve heard from every choir director for decades, that the ending R sound is UGLY.

So since this is in the middle of a 3-day holiday weekend in the US, I’ll leave you with:

Those Lazy Hazy Crazy Days of Summer – Nat King Cole
(and if that doesn’t work, try this)

June Rambling

Democracy is not freedom. Democracy is two wolves and a lamb voting on what to eat for lunch. –LA Times editorial 1/12/92

Here I am with my good buddy Walter, who works at one of the SBDC centers. Shortly after this picture was taken, I started having trouble with my knee. Walter’s been having trouble with HIS leg, and I called him to tell him that, whatever he has, it’s contagious!

An ad hominem argument is any that attempts to counter another’s claims or conclusions by attacking the person, rather than addressing the argument itself.

Why Supreme Court Justice Clarence Thomas Must Go, which, as a couple of commenters note, does not go far enough. And another article re Thomas.

Japan Earthquake Swarm Google Earth Animation. And the controversy over Surviving an Earthquake.

The Pink Triangle: Never forget.

I used Twitter more often last week than in the previous six months combined, mostly keeping track of our state legislature. Here’s my favorite tweet: “Democracy is not freedom. Democracy is two wolves and a lamb voting on what to eat for lunch. –LA Times editorial 1/12/92”

My niece Rebecca is having her debut CD Release Party with her band, “The Jade Element”, Friday, July 8th, 2011 at Anthology ~ 1337 India St, San Diego, CA 92105 (in Little Italy). Doors open at 9:30 pm.
You can purchase tickets at www.AnthologySD.com or at the door. You can check out a couple of their songs on the website, www.TheJadeElement.com.

Another Kickstarter project that caught my eye: the Winsor McCay Resurrection Project.

How Books Were Made in 1947: Interesting ten-minute film on YouTube. Warning–for print lovers only.

I’m not much of a hockey fan, but I am a hockey traditionalist, I guess. Score One for the Ghosts of History: As Another ‘Original Six’ Team Vies for a Stanley Cup, Classic Franchises Are Flexing Their Muscles.

The Green with Envy movie trailer. And the REAL Muppet Movie trailer.

Schoolhouse Rock: The Next Generation? Renaissance Man.

Music video by “Weird Al” Yankovic performing Perform This Way, a parody of “Born This Way” by Lady Gaga, which in turn was a ripoff of Madonna’s Express Yourself. Also from Weird Al: Stop Forwarding That Crap To Me.

Star Trek KFC.

From the pages of LIFE magazine: MAD Magazine: A Semi-Secret History. And check out the MAD Magazine blog!

From the New York Times: Marvel Superheroes and the Fathers of Invention re “the battle now being waged between Marvel and the heirs of the legendary comic artist Jack Kirby, who breathed life into such pop culture icons as the X-Men, the Incredible Hulk, Iron Man, the Fantastic Four, Spider-Man, Thor and the Silver Surfer.”

Great comic book artist Gene Colan, R.I.P.

Actor Peter Falk died. He’s remembered for his role in The Princess Bride, and of course, as Columbo (I remember this!)

Actor James Arness obit.

Something from someone’s Facebook page:

The GOOGLE ALERT section

la.donna.pietra, woodendreams: (by Roger C Green Photography)

Ryan Page and Christopher Pomerenke, the writing and directing team… have signed to William Morris Endeavor for exclusive representation with agents Mike Esola and Roger Green heading up Team Page/Pomerenke.

Roger Green, chairman of the Friends of St Peter, said: “I had my doubts about what the effect of the new lighting might be but I must admit I am impressed.”

I’ve stopped following Roger Green Racing bets at the beginning of May. This was after what’s been a poor year for me following this service.

Roger Green, R.I.P.

Roger Answers Your Questions, Eclipse and Uthaclena

My long-standing rejection of polygamy has largely based on the sense that it is much more likely to have aspects of exploitation that is even greater than a relationship between two people.

Eclipse, who I have visited through ABC Wednesday, asks:
Regarding the “music playing in the head” I’ve just thought….Have you ever try to write poetry?
Would you?

Before I answer that question, I’ll answer a question you didn’t ask.

When I was roughly 15 to about 23, I had made some effort to try to write songs. I should rephrase; I wasn’t TRYING so much as tunes and lyrics came to me. I kept them in a notebook, which, unfortunately, I’ve since lost.

But as I think back on them, most of them weren’t very good. Oh, a couple of them might have potential in the right setting. And one, in particular, isn’t bad at all but expresses values I no longer have: David Lee Roth should have recorded it. But most of them, I recognize, are cribbed in the way George Harrison unintentionally purloined He’s So Fine for My Sweet Lord. Because I literally grew up with music, I feel I can clear-mindedly evaluate them.

I had a girlfriend in the late 1970s who was a published poet. I would attend some of the poetry workshops she helped organize. Naturally, I decided to try to write some poems myself. But I just never got a feel for it, what was good, what was schlock, what was “honest”. When I go to the poetry sites, such as yours, I can only comment on what resonates with me. But writing poetry again would be like blogging in Ukrainian; it’s too foreign. So commenting on poetry tends to fall into the “I don’t know if it’s good, but I know when it resonates” philosophy. And even when it does, I don’t always have the language to comment. “Good” or “nice” seems lackluster.
***
Uthaclena, who I’ve only known for 39 3/4 years, so I can say, “Dude, it’s been seven months since you blogged; WRITE something!”, poses this:
Anything? Okay, how about a sociopolitical-philosophical question. You’ve supported marriage equality (“Gay Marriage”), how do you feel about alternative marital arrangements like polygamy, polyandry, or group marriages? Should they be considered for legal legitimacy? The former, of course, was tried by the Mormons and is by no means unusual or “untraditional” in many international cultures. Just curious.

My long-standing rejection of polygamy has largely based on the sense that it is much more likely to have aspects of exploitation that are even greater than in a relationship between two people. The few modern examples in this country seem to bear that out. I assume, but frankly don’t know, that it’s true re polyandry as well.

This means, by logical extension, that I should favor group marriage since it would seem to be more equitable. That I don’t probably has something to do with my basic conventionality. Or maybe it’s because I think it’s just too messy societally when dealing with children, property, and the like. Guess I’m just an old-fashioned guy.
***
I’m still taking your questions here, so have at it.

W is for Warner Brothers Loss Leaders

Someone gave me this album after someone else died, saying he would have wanted me to have it.

Back in the 1970s, when I was a poor college student, I would occasionally indulge my desire to purchase a new record album. When I’d buy one of James Taylor or Bonnie Raitt or the Doobie Brothers or Seals and Crofts – yes, Seals and Crofts – the record would come with an inner sleeve that would promise an eclectic set of music, a double LP, for only $2, postpaid, from the Warner Brothers roster of artists; the single albums were just $1. Eventually, I was so intrigued that I bought one, liked it, then bought another, and another…so that, to this day, I still possess most of them.

Rather than describe all three dozen of them, 31 of which I own, I’ll refer you to this essay by Charles Hill and his roster of albums. Chaz also links to The 30 Days Out blog’s history of these discs.

I will make brief mention of some of the albums, highlighting my personal history or a notable track. The ones I do not own are in italics.

1969
THE 1969 WARNER/REPRISE SONGBOOK (Warner Bros. PRO 331)
Like several of the early albums, at least one side was dominated by Frank Zappa and his musical allies. But also featured the Everly Brothers. Eclectic.
THE 1969 WARNER/REPRISE RECORD SHOW (PRO 336)
Subtitled “Son of Songbook”, it has one EXTRAORDINARY soul ballad by Lorraine Ellison called Stay with Me. Read about it here and listen to it here.
OCTOBER 10, 1969 (PRO 351)
Chaz wrote: “A single-disc slipped into the mix while Warners was trying to decide if the doubles would sell.” By the time I was buying these albums, this disc was no longer listed.
1970

THE BIG BALL (PRO 358)
SCHLAGERS! (PRO 359)
Chaz: “Showcasing some Warners tracks that might conceivably get MOR airplay.” (MOR means Middle of the Road,” the title of a future package.)
ZAPPÉD (PRO 368)
“A single disc featuring acts on Frank Zappa’s Bizarre/Straight labels,” that I actually tried to order, but it must have been sold out.
LOONEY TUNES & MERRIE MELODIES (PRO 423)
The only triple-disc set in the series, which cost $3 in the day, but I never bought it. Someone gave me this album after someone else died, saying he would have wanted me to have it. Subsequently, I’ve lost the middle record, which contained Side 2 and Side 5. But I still have Side 6, which is an unusually spiritual, even religious platter. The last song: Turley Richards: I Heard the Voice of Jesus.

1971
NON-DAIRY CREAMER (PRO 443)
Another single disc, and one I never actually ordered. I may have requested Zapped and gotten this.
HOT PLATTERS (PRO 474)
TOGETHER (PRO 486)
The last of the single-disc samplers, and I have no idea how WB sent it to me since I never specifically ordered it.

1972
THE WHOLE BURBANK CATALOG (PRO 512)
“First set to credit Barry Hansen (Dr. Demento) for assemblage and annotation.” Not every subsequent album was annotated by him, but he was singularly entertaining when he did. Now, this was the point where the albums really became fun. There were radio spots for Sgt Preston of the Yukon or Inner Scantum inserted. Just before Arlo Guthrie’s Ukulele Lady, there’d be a snippet of a version recorded a half-century earlier.
MIDDLE OF THE ROAD (PRO 525)
“Just like it sounds.” Even features Frank Sinatra.
BURBANK (PRO 529)
Features the 57-second Voter Registration Rag by Arlo Guthrie, which I cannot find.
THE DAYS OF WINE AND VINYL (PRO 540)

1973
APPETIZERS (PRO 569)
Included Martin Mull: Licks off of Records.
ALL SINGING, ALL TALKING, ALL ROCKING (PRO 573)
“Features sound bites from Warner Bros. movies,” which made it probably my favorite album of the bunch.

1974

HARD GOODS (PRO 583)
This collection has at least two rarities: War Song by Neil Young and Graham Nash, which was on a B-side of a Young single, but then “unreleased in any other format until June 2009, when it was finally released…on a box set by Neil Young called The Archives Vol. 1 1963–1972.”
Immediately after that is The ’68 Nixon by Denver, Boise, and Johnson, which you can hear and read about here. Yes, the Denver is John Denver, who went on to some commercial success.
PEACHES (PRO 588)
“A compilation of tracks from the Georgia-based Capricorn label, then distributed by Warners,” which I don’t have and never saw offered until years later.
DEEP EAR (PRO 591, 1974)

1975
THE FORCE (PRO 596)
By this time, I was buying them as soon as I saw them advertised.
ALL MEAT (PRO 604)
“‘Not a speck of cereal,’ insists Frank Zappa.
PEACHES, VOL. 2 (PRO 605)
“A second collection from Capricorn Records, which I haven’t seen.”
I DIDN’T KNOW THEY STILL MADE RECORDS LIKE THIS (PRO 608)
“Back to the middle of the road.”
THE WORKS (PRO 610)
The rarity here was The Beach Boys: Child of Winter, which was a single that showed up in a Beach Boys collection more than two decades later.

1976
SUPERGROUP (PRO 630)
THE PEOPLE’S RECORD (PRO 645)

1977
COOK BOOK (PRO 660)
“Focusing on Warners’ black acts.” I have no idea how I got this album. I may have sent WB money and said “Anything else in the vaults?”
WB in the 1960s was not a label with lots of black artists. Someone quipped that their only soul artist was comedian Bill Cosby. But by the 1970s, the label made a concerted effort to change that. I must admit that I loved the fact that the album had a trio of Beatles covers in a row: Randy Crawford- Don’t Let Me Down; Roy Redmond- Good Day Sunshine, and New Birth- The Long and Winding Road.
LIMO (PRO 691)

1978
COLLECTUS INTERRUPTUS (PRO A-726)
“Twenty-Six Earbinding Songs of Unique Delight, Derring-Do, Heartbreak, Scandal, and Lurid Sensation”.
With Soft and Wet, probably the first Prince I owned.
PUMPING VINYL (PRO A-773)
As a musical eclectic, I tend to eschew labels. That’s why my favorite song in this collection is Funkadelic: Who Says a Funk Band Can’t Play Rock?

1979
A LA CARTE (PRO A-794)
The song I tended to overplay here was Gibson Brothers: Cuba
MONSTERS (PRO A-796)

1980

ECLIPSE (PRO 828)
“A new price: 2 LPs for $3.” Still a bargain.
MUSIC WITH 58 MUSICIANS, VOLUME 1 (PRO 850)
“Issued to mark the German jazz label ECM’s distribution deal with Warner Bros., this set, billed as ‘An International Array of Innovative Jazz Music and Performers,’… Roger Green found this one for me.”
Well, yeah, I did, actually. And Charles added me to his “beyond the call of duty” list. As far as I know, there was never a Volume 2.
TROUBLEMAKERS (PRO A-857)
“This is as punk as Burbank would get.”
Marianne Faithfull: Broken English.

1995
LOSS LEADERS REVISITED (PRO-CD-7955
“A limited-edition CD (3500 copies) with retro-cool; not properly a Loss Leader, since it was given away, but it caps the series with panache.”
I’d never heard of this until I read about it.

These are more underplayed vinyl, records I listened to a LOT in the day, but less since I got the first CD player. Still, I now have a turntable, so they can provide me with additional hours of pleasure.

ABC Wednesday – Round 8